Imagination In Le Guin's 'Srendi Vashtar'

Education always plays an important role in enabling people to enter society knowledgably and with good skills. People keep learning from cradle to grave in order to horn their skills of thinking creatively as one of the key factors for success. They are conventionally trained by their school professors even from preschool period. However, the most reasonable time to learn is the high school stage when students' brains are significantly developing ('Thinking skills' 2003). This essay, therefore, will argue the idea that schools should be active in teaching students creative thinking skills because of the good educational background itself and the skills acquired will be

Over time adolescence has been a major topic of discussion between people, but most people aren’t really interested so much in what adolescence is as they are in the consequences that come out of that stage of life. In the short stories “Araby” by James Joyce and “A&P” by John Updike, both authors explore adolescence and bring to light the devastation caused by letting childish impulse control your actions. Although the storyline of “Araby” and “A&P” differ in terms of setting, age of main characters, and ideals, both works come together to show the reader how letting impulses control your actions will leave you worse off than you were before.

As a child daydreaming and imagining was essential to survive the extensive abominable days of summer, or the weekends. Likewise, in the texts “Red Cranes” by Jacey Choy and “The Firefly Hunt” by Jun’ichiro Tanizaki two children who still express their imagination and creativity, have to realize the harsh realities that everyone must incorporate. In the texts “Red Cranes” and “The Firefly Hunt” they express the ambition and creativity of a child’s mind. However, the development of the two characters dealing with the realities in their adolescent years, varies tremendously between the two stories.

Children are no longer encouraged to be creative in the test prep environment. Instead, they are being taught to perform well on standardized tests and are labeled as unintelligent if they don’t. Young children are born with creativity and we see that when they are playing and pretending. According to Sir Ken Robinson, in Slon’s (2013) article, “by the time they get to be adults, most kids have lost that capacity” to be creative. The fundamentals of creation and experimentation are not part of the standardized testing mechanism.

Although both Greene (1995) and Freire (1998) subscribed to an existential philosophy of the individual, they differed on how said individual’s potential could be attained. In order to implement change, the need for out of the box thinking is paramount for both Greene (1995) and Freire (1998). For the latter, reflection of one’s activities would cause them to restructure that which they already know, leading them to try novel approaches in accordance with the amount of reflection they do. For the former however, no amount of reflection can enable us to think outside the knowledge that has been constructed for us, unless it involves imagination. Without it, we are doomed to reify the discourse that already exists, be it the general dominant discourse, or the discourse, now standardized, that tells us how to reflect ‘critically.’ Because of this, we need to tap into the creative and imaginative potential that resides within every one of us, allowing ourselves to become more attuned to creativity, to different ways of thinking. Once that is accomplished, we will be better suited, as educators, to foster our students’ creativity, creating a curriculum that embraces divergent thinking. This will then enable the students to realize their unique and unbounded potential, unfettered by the constraints of the dominant discourse (Peay,

Kaufman and Beghetto (2014) further suggest that creativity can be fostered in children to a certain extent by providing them with opportunities to express their own unique ideas.

3. Critically analyse how creativity and creative learning can support young children’s emotional, social, intellectual, communication and physical development.

• Creativity emerges as children become absorbed in action and explorations of their own ideas, expressing

Creative development is important to a child’s learning because it helps them to use their mind and imagination and express their own ideas, and through playing with their friends it also helps them to understand that all family’s and cultures can be different. It helps them to make connections in their thinking and the way in which they problem solve, by doing things over and over again they reinforce their thinking and learning, they develop self-esteem, confidence, imagination & learning to work together in groups. It puts down the foundations for more

1.3 Critically analyze how creativity and creative learning can support young children’s emotional, social, intellectual, communication and physical development

This approach believes that all children can be creative but this will be suppressed if children are not given the opportunity or supported to explore and be creative in their environment.  If children are given the opportunity to be creative and explore and supported then they will develop their creative learning and creativity.

According to Alan Richardson, childhood gained a central position through Romantic Literature, due to its artistic and reinvigorating movement during the eighteenth century. The supreme faculty of mind is reason by stressing strong emotions and imagination, which is the key reason to the shaping of creative power. Childhood acquired a sense of spirituality attached to its phenomenon; it became increasingly valued by adults, since children represented hope and progress within society. Childhood therefore became the supreme symbol of celebrating the cult of nature, the purity of the mind

Creativity is equally as important as literacy, and we need to start treating it that way in schools around the world. According to Ken Robinson’s claim in his, “How Schools Kill Creativity” speech, he believes this to be exceptionally true. All children are creative and talented, however, we have grown up in a world where we believe that it’s wrong to exemplify our creativity. Robinson uses both, pathos, and ethos to help make his claim. He arises emotion in you; he causes you to really think, to trust him, and to question ultimately, how things are being done in the educational system. We as a world have become so consumed with the idea of putting each child into a category of what they’re going to be successful in, regardless of their creativity or passions. You’re either good at math, science, or English; everything is based on your academic ability. What happens then to the people who aren’t academically smart, but are more creative? They are then made to feel that what they have to offer the world simply isn’t good enough, but the truth is, it is good enough. Over time however, we are taught out of our creativity. Schools around the world kill creativity by instilling a sense of fear in the child that what they are doing, and how they feel is wrong, this ultimately discourages them, and they fall victim to the industrialized educational system that we have present day. Robinson believes now more than

The fictional life and death of a twelve year old little boy named Robert is vividly articulated in this moving tale by Thomas Wolfe. The reader learns of the boy’s life through four well developed points of view. The reader’s first glimpse into Robert’s character is expressed through a third person narrative. This section takes place on a particularly important afternoon in the boy’s life. The second and third views are memories of the child, through the eyes of his mother and sister. His mother paints the picture of an extraordinary child whom she loved dearly and his sister illustrates the love that the boy had for others. Finally, an account from the narrator is given in the ending. It is in the last section of this work that the

Creativity is the ability to produce work that is original yet appropriate-something that others have not thought of but that is useful in some way (Kaufman & Sternberg, 2007; Sternberg, 2003b). The significance of creativity for children’s development is very high. Creativity helps children develop the overall areas of development; physical, social, emotional, language and cognitive. A child learns to innovate as well as invent while doing creative activities. Through creative practices child finds multiple methods of looking at various situations, assessing these situations and finding new solutions. Children often desire to be able to express themselves without any