Imitation Of Life: Film Hunter & Sirk

William Forrester (Sean Connery), a famous author who turns out being a hermit states, ¨you must write your first draft with your heart. You rewrite with your head. The first key to writing is... to write, not to think” (Finding Forrester (2000)). A powerful quote to that accurately depicts the powerful storyline of 2000 drama film, Finding Forrester. Set in modern-day New York City, Jamal Wallace (Rob Brown), a sixteen-year-old child genius is faced with the challenge of choosing academics or playing basketball at his remedial school in the Bronx. Jamal internal conflict is answered by socially awkward, classic novelist, William Forrester, who wants to help him find his voice through writing. The only problem is, Jamal´s writing is

The movie Skin directed by Anthony Fabian is a very thought-provoking and inspiring biographical film. The movie is based on the real life events of Sandra Laing and her struggle for self-identification, acceptance, and isolation. The movie Skin, takes place during the apartheid era, in South Africa. Fabian directed a cast members Sophie Okonedo, Sam Neill, and a host of other supporting actors to tell the fascinating story of Sandra Laing. The movie was released in 2009 and received good reviews at the box office. The overall consensus from movie goers was the acting was great, the story line was easy to follow, and the overall theme of the movie was sad but inspirational. The central message of this drama is to show the prejudices and inequalities that Laing had to encounter due to a genetic defect called a “throwback” which dictated how she had to live her life.

The film is the story of Mona, who is an African-American woman who is brought back to Africa and finds herself as a slave on the Lafayette sugarcane plantation (Gerima, 1993). In a previous life, she was born on the sugar farm and named Shola. She was caught and sold and transported as a slave in North America. This brings the interplay between the African American identity on one side and the other African identity. The film achieves this through reconstructing the past and history and also through the conception of blackness and race.

The film begins with Thelma (Geena Davis) and Louise (Susan Sarandon), living repressed lives in Arkansas. Both women have stereotypical roles in this movie. As best friends, they decide to go on an adventure that takes a dramatic turn and ends up being an adventurous police chase to the sudden death. Thelma is an unhappy housewife who despises her husband (Daryl), who is a bumbling, controlling and narcissistic. Her character is somewhat infantile, in that she relies completely on her husband for support. She is too timid to confront him about going on a weekend getaway with her best friend Louise. Her timidity is evident in every act she displays. She is unhappy with her life as a housewife but doesn't blatantly show it. She cooks

In the film, Night of the Living Dead, the movie starts with two siblings, John and Barbara, driving to their father's grave to drop off flowers. John is reluctant to be there and is eager to leave while Barbara is trying to pray. John teases her like when they were children saying “They’re coming to get you, Barbara!” when they both see an unknown man. Barbara goes to apologize to the unknown man but it seems he is dazed and kills John. Barbara escapes and finds herself at an empty house. In the house, she meets Ben, who borders up to the windows after taking down 3 undead. After a bit of listening to a radio for the current status of the state of emergency, Harry and Tom come upstairs. We learn that two men, two women, and a child had been in the basement of the house during Barbara’s and Ben’s struggle with the undead. After much argumentation on if the basement or upstairs was safer between Harry and Ben, Harry went back downstairs to his wife and child. Tom and his wife, Judy, stayed upstairs with Ben believing they could properly border up the windows together. After much convincing from Helen, Harry’s wife, Harry and she join the others upstairs. While listening on the radio, they are given more updates of the state of emergency. The radio announcer suggests instead of staying in place, to now go to one of the designated “safe areas”. When places are announced, Tom says that one of the

We are born into this world with the realization that life is hard and that life is like a box of chocolates and it is hard to take it at face value. The majority of our time is spent trying to answer an endless stream of questions only to find the answers to be a complex path of even more questions. This film tells the story of Harold, a twenty year old lost in life and haunted by answerless questions. Harold is infatuated with death until he meets a good role model in Maude, an eighty year old woman that is obsessed with life and its avails. However, Maude does not answer all of Harold’s questions but she leads him to realize that there is a light at the end of everyone’s tunnel if you pursue it to utmost extremes by being whatever you

In the “Imitation of Life” and in Nella Larsen’s novellas, Quicksand and Passing, the issue of passing is presented and developed. In Passing, regarding Irene, “She wished to find out about this hazardous business of ‘passing,’ this breaking away from all that was familiar and friendly to take one’s chances in another environment, not entirely strange, perhaps, but certainly not entirely friendly” (Larsen 157). Both versions of the film and both novellas portray black women who come face to face with the act of passing. In the 1934 version of the “Imitation of Life,” the film deals with passing in terms of a lighter skinned girl named Peola while in the 1959 version, the lighter skinned girl’s name is Sarah Jane. The issue of passing in the film and literature remains relevant in the parallels and experiences found amongst Helga Crane in Quicksand, Irene and Clare in Passing, and Peola and Sarah Jane in the film adaptations. The black female characters struggle with the perks and acceptance allotted through passing in white society and the appreciation and understanding of their racial backgrounds.

It was directed by D.W. Griffin and was about the time period after the Civil War, it was racist. The Ku Klux Klan was portrayed as valiant.

Imitation of Life is a film directly focusing on the relationships between mother and daughter. Although the main characters, Annie and Sara Jane, and Lora and Susie, seem similar in their relationships, the film juxtaposes them in terms of race. On the surface, the relationships presented are, at best, considered to be normal struggles between mother and daughter. Analyzing the specific trials and problems will reveal a difference in Black motherhood and White motherhood. Annie and Sara Jane face racial and identity issues, that cause the relationship to shatter. Lora and Susie encounter a sense of abandonment and loss of love, which in turn creates a divide between them. While jointly living, and raising their girls together, Annie and

Looking for something unique and unforgettable? The Hunter is the one. It has a great meaning behind the story and great visual affects. This film has a very adventurous feel to it, which keeps the attention of the audience. I would definitely recommend this movie to my peers and anyone interested in the hunting community because, the movie represents the key skills to become a great hunter such as scouting, tracking, and patients.

The Film, Harold and Maude, which was released in the year 1971, follows a 20 year old boy, Harold, with a narrow view on life. He spends his time attending funerals of people he does not know and faking suicides in attempts to get his mother’s attention. She however finds his actions immature and foolish, thus showing the strain on their relationship. One day however, at a random funeral, Harold meets Maude, a 79 year old women with a zest for life. She is fun-loving and happy at all times. Their friendship grows as Harold’s mother simultaneously tries to find him a wife. Harold soon develops an intimate love for Maude that she reciprocates. Harold’s spirits are lifted and he breaks from his unhappy existence by leaving his mother to marry

Cierra: In a movie review by Dennis Schwartz he states, “Though it doesn’t fully explore the racial issues it raises as fully as it could have, for it’s time it (Imitation of Life) was daring and courageous.” Do you think the film fully addresses racial issues that were going on during the time 1930s?

Imitation of Life can indubitably be considered one of the most moving and influential films ever produced in American cinema history. Based on the 1933 novel by Fannie Hurst, the movie is directed by John Stahl and stars actresses Claudette Colbert and Louise Beavers; it depicts the story of two widows, one black and one white, who meet, become friends, and work together to obtain their piece of the American dream for their daughters and themselves (Flitterman-Lewis, 325). The two women’s success is countered by despair that is ultimately the result of their daughters’ actions. One mother looses the man that she loves when she realized that her daughter has become her rival for his affection,

Racism, prejudice and stereotyping, as the main themes of the movie, control all the sub-stories that are somehow linked to each other. Moreover, as the stories go on and events develop, it becomes possible to see how characters start to have changes in their perspective and attitude towards each other, either in a good or a bad way. An incident which can demonstrate our thesis on racism and stereotyping and how it might change in just one moment which brings people closer could be shown as the conflict between the racist police officer and the African American woman who gets harassed by him, and whose life is saved by him on the next day. The first encounter of the woman and the officer resulted with the woman

This movie is mainly about a narrators search for meaning and the fight to find freedom from a meaningless way of life. It setting is in suburbia, an abandoned house located in a major large city. Ed Norton, plays the nameless narrator, Brad Pitt, is Tyler Dunden, and Helena Boaham Carter is Marla Singer, the three main characters. David Fincher directs this film in 1999, which adapted it from the novel written by Chuck Palahnuik.