Immigrant Women And American Consumer Culture

Ewen's Immigrant Women in the Land of Dollars Throughout history, the concept of Americanization has been studied in order to better understand the effects of a mass culture on immigrants. On one side stands the view of an immigrant engulfed in American ideology who leaves behind his past. He conforms to this new individualism and now is able to move upward on the economic ladder. On the opposite end of defining Americanization is the unscathed immigrant who maintains his old word traditions and institutions to emerge

Since the establishment of the colonies, America has been viewed as the “land of opportunity.” It is thought to be a safe haven for immigrants, and a chance at a new beginning for others. “The Clemency of the Court” by Willa Cather published in 1893, tells the story of Serge, a Russian immigrant, who overcame the struggles of a tough childhood and fled to America to receive protection from the state. “Clothes” by Chitra Banerjee Divakaruni published in 1995, tells the story of Sumita, a Indian immigrant, who is moving to America so that she can marry her husband that her family has arranged for her. Both “The Clemency of the Court” and “Clothes” show the evolution of the American immigrant experience.

In the introduction of Chapter 1 “Consuming Passions” “The Culture of American Consumption,” it talks about how American popular culture is grounded in consumption. With the media in our hand, it is a huge influence towards the advertising world. With how styles of clothing have been changing over time, this talks about how from the earlier times wearing a simple type of blue jeans can change between who wears them over the years. As stated, “ By the 1950s, however, blue jeans began to bear an additional class significance as “casual wear” for middle-class Americans.” (72). In 1970 these pants have then become a simple fashion wear. They have also been introduced as a hipster type wear. Then in 1980 through the early 2000s, baggy jeans were

Immigrants come from different parts of the world in many shades of white, brown, and black. In extreme cases, some immigrants are stereotyped as rapists, thieves, drug dealers, etc. or at the very least seen as second-class citizens. Depending if they support the issue or not, even the red or blue side of the political party, people tend to blind themselves from the reality of why they actually migrate. Natives tend to deny seeing the humanity in immigrants’ individual stories and lives. They not only migrate to different countries for better opportunities, but to find jobs to support their families and give their children a better education than they would have had in their country. George Saunders’ short story, The Semplica-Girl Diaries, relates to immigration because the SG’s reflect the treatment of immigrant workers in our society. The SG’s display women who have lived in extreme poverty and don’t have a better choice but to sell themselves to the rich as lawn

Perusing once more from nineteenth century working class sexual orientation parts, which consigned ladies solidly to the private universe of the home, students of history saw the white frontier lady's cooperation in a preindustrial family unit economy as empowering. A comparative propensity to romanticize the hard existence of Native American ladies differentiated their opportunity and impact with the patriarchal structure within which European ladies lived. Despite the fact that comparisons are perhaps unavoidable, they can cloud the complexities of ladies' lives both the assorted qualities that described them and the purposes of shared belief they shared. Such examinations likewise divert consideration from the historical changes that shaped these ladies' lives: the triumph of Native American, the importation and oppression of Africans, the monstrous relocation of European, and the financial and political developing of the British settlements. This period secured by the following section, the progressive time of 1750-1800, was likewise thick with changes that capably influenced the lives of

The Progressive Era is generally applied to a variety of responses to the economic and social problems to rapid industrialization introduced in America. Although the era can be narrowed down to focus on the history of Mexican American women living in the Southwest and Midwest of the United States between 1890 and 1919. Some of the events involved within in the Mexican community during the time were a variety of processes including restriction, deportation or Americanizing immigrants from Mexico. Women and their children were especially involved in some of the American groups trying to assimilate large numbers of the Mexican community. The history of Mexican American Women in the Southwest and Midwest is mentioned in detail in Vicki L.

For first generation immigrants in North America, acceptance into the mainstream society requires them to “learn or improve their English language skills and adapt to its cultural practices” (Liu 1). Liu believes second generation immigrants are better equipped to accomplish this because they are either “born in the host country or migrated at a young age” (1). When Nao’s family moved to Sunnyvale, Nao learned English quickly and internalized American values and norms. Nao was young and had “no memory of Japan from when [she] was a baby” (43), which explains her rapid adjustment to America. Unlike her parents, Nao never had a

The flapper had an indisputable look. The long locks of Victorian women fell on the floors of beauty parlors as young women cut their hair to shoulder length. Hemlines of dresses rose fiercely to the knee. The cosmetics industry prospered as women used makeup in large numbers. Flappers constrained their chests and wore high heels. Many women celebrated the age of the flapper as a female “declaration of independence”. Experimentation with new looks, jobs, and lifestyles was incomparable with the woman in the Victorian Age. The flappers chose activities to please themselves, not a father or husband. But critics were quick to elucidate the shortcomings of “flapperism.” The political agenda grasped by the previous generation was largely ignored until the feminist revival of the 1960s. Many wondered if flappers were trying to express themselves or act like men. One thing was certain: Despite the political and social gains or losses, the flappers of the 1920s sure managed to have a good time.

Anzia Yezierska provided readers a small glimpse into the world of immigrant life during the progressive era in her novel, Arrogant Beggar. Though narrator of the story, Adele, was an American born citizen— she was immersed in a world similar to the experience of one of immigrant status. Throughout her story, we see how social class, ethnicity, and political factors play a part in daily life of early nineteenth century Americans. Her journey is a reflection of what many young immigrants experienced in their search for freedom, prosperity and “The American Dream.”

The term immigrant is defined as “a person who comes to a country to take up permanent residence” (“Immigrant”). In her autobiography, Barefoot Heart, Elva Trevino Hart speaks of her immigrant ways and how she fought to become the Mexican-American writer she is today. She speaks about the working of land, the migrant camps, plus the existence she had to deal with in both the Mexican and American worlds. Hart tells the story of her family and the trials they went through along with her physical detachment and sense of alienation at home and in the American (Anglo) society. The loneliness and deprivation was the desire that drove Hart to defy the odds and acquire the unattainable sense of belonging into American

Ewa Cybulska and her sister Magda come to America seeking a better life escaping the Great War in Poland in the movie “The Immigrant.” Many people view this movie as a modern visual for what the life of an Immigrant was like in the late 19th and early 20th centuries. How accurate does this movie depict the life of an Immigrant from the gilded age? Can one watch this movie and fully understand how these immigrants live their lives in this time period. The movie “The Immigrant” does a good job in the aspect of showing the way a women immigrant that was desperate for money such as Ewa had to live but it focuses on this particular situation such as Ewa and Magda’s. To fully understand what immigrants that were flooding to America in this time

“In 2009, 33 million people in the United States were second generation immigrants, representing 11% of the national population. The children of such immigrants in the U.S., also known as "second generation immigrants," experience a cultural conflict between that of their parents and that of mainstream U.S. society” (Wikipedia 1). Amy Tan the author of “Two Kinds”, and the young character in the story both are a second generation immigrants, who have struggled in their life with parents, about the culture they assimilating and their real culture.

Exploring the themes of identity and immigration, this essay will focus on one short story and two case studies. Caterina Edwards’ Island of the Nightingales, follows Teresa Pomoronzola, a second-generation Italian immigrant living in Edmonton, who is sent to her mother’s homeland, the island of Lussino, in order to think clearly and gain perspective. Primarily, Teresa faces the internal conflict of choosing between her two lovers, yet she is also conflicted about her identity. Through the juxtaposition of divergent lifestyles and cultural values, Edwards’ Island of the Nightingales, suggests that a second-generation immigrant’s return to their family’s homeland is the ideal method for reconciling a conflicted identity and effectively understanding one’s background.

As a country, Americans love to shop. Whether in malls, grocery stores, on the Internet, or elsewhere, the culture of buying is deeply ingrained in American culture. Fueled largely by advertising and the current credit system, America’s consumer culture is depleting our planet’s finite natural resources and polluting our environment. Consumerism has instilled in Americans an artificial, ongoing, and insatiable desire for mass-produced and marketed products, and the money with which to buy them, with little regard to their actual usefulness or necessity. This constant desire to acquire more possessions is poisoning the planet, as it can never be sated and thus results in the never-ending exploitation of the Earth’s natural resources, and

The Movie “The Immigrant,” directed by James Gray in 2013, is a historical piece, mostly because it was not made in 1921 when the events it portrays actually happened. I would also have to attribute the movie to be a drama as well as a romance, as the movie is about an evil man hooking the main character, Ewa who is played by Marion Cotillard, into becoming a prostitute. The movie has certain aspects of romance as well as fear. There are many times where you feel love will be sparked and Ewa will live happily ever after. However, these moments are fleeting and go away very quickly, only to pop up again a few minutes later. In the two hour duration of the movie, I felt hopeful, as well as sad. While not learning any historical information, I was entranced in the lives of the characters. I feel as though they did a fantastic job of portraying the time period, through the cloths, speech, and even the way the buildings were built.