Immigration Hardships Faced: 1950s-Present [Joy Luck Club]

Many women find that their mothers have the greatest influence on their lives and the way their strengths and weaknesses come together. In Amy Tan’s The Joy Luck Club, the lives of four Chinese mothers and their Chinese-American daughters are followed through vignettes about their upbringings and interactions. One of the mothers, An-Mei Hsu, grows up away from her mother who has become the 4th wife of a rich man; An-Mei is forced to live with her grandmother once her mother is banned from the house, but eventually reunites and goes to live in the man’s house with her mother. Her daughter, Rose, has married an American man, Ted, but their marriage begins to end as he files for divorce; Rose becomes depressed and unsure what to do, despite

The Joy Luck Club is Amy Tan's first novel. It consists of four sections with sixteen short stories. One of the main issues of the novel is the relationship between Chinese mothers and their Chinese – American daughters. ‘‘Your mother is in your bones.’’ (Tan 1998, 30) There is a cultural chasm between them because of the difference in the way they were brought up and different influences of the environment.

Amy Tan, who wants to understand and figure out her own affiliation between her another mother, wrote The Joy Luck Club. This book explains and uses words to show the differences between the daughters and their mothers by putting in the Chinese culture and the western culture in the article. The Joy Luck Club has four different sections. And they all have common backgrounds but have different meanings behind them.

Four Chinese mothers have migrated to America. Each hope for their daughter’s success and pray that they will not experience the hardships faced in China. One mother, Suyuan, imparts her knowledge on her daughter through stories. The American culture influences her daughter, Jing Mei, to such a degree that it is hard for Jing Mei to understand her mother's culture and life lessons. Yet it is not until Jing Mei realizes that the key to understanding who her

Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships.  The mothers came to America from China hoping to give their daughters better lives than what they had.  In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture).  They were not expected to have their own will and to make their own way through life.  These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3).  To

 In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values.  This inability to communicate and the clash

Communication between generations has always been an issue and with that, a misunderstanding of the past and culture comes along. In Amy Tan’s novel The Joy Luck Club, she shows the stories of four Chinese mothers and their American born daughters. Throughout the novel, the characters encounter both external and internal conflicts in order to contrast the different relationships held by the mothers and daughters with their past and where they came from. The mother-daughter pair of Lindo and Waverly Jong shows the gap between the generations very clearly. Everything is different, from language to name to marriage.

    The complexitities of any mother-daughter relationship go much deeper then just their physical features that resemble one another.  In Amy Tan’s novel The Joy Luck Club, the stories of eight Chinese women are told.  Together this group of women forms four sets of mother and daughter pairs. The trials and triumphs, similarities and differences, of each relationship with their daughter are described, exposing the inner makings of four perfectly matched pairs.  Three generations of the Hsu family illustrate how both characteristics and

The author, Tan, has written the books The Joy Luck Club, and The Kitchen God's Wife. She is Asian-American, her parents are originally from China, but moved to Oakland, California. The audience in Tan's essay is people 20-35 years old who are culturally diverse. Tan focuses on this audience in order reach out to those who are in her past situation. In her house, there were two languages spoken: English and Chinese. Tan knew how to speak

In the novel The Joy Luck Club written by Amy Tan, there are several stories that intertwine into one novel. Each of the stories takes place China where the roles and the actions of woman are vastly different compared to American tradition. In the different stories, they all are about different mothers and daughters. Throughout the book, the reader can see the development in each relationship between mother and daughter with their conflicting backgrounds from China to America.

The story shows the reader that June May had a misconstrued meaning of being a Chinese descendant because her mentality of a perfect American society and normal social structure which is full of prejudice and stereotypical environment has beclouded her thinking that Chinese culture is good. After learning of her mother’s past that made her realize the sufferings caused by war between japan and China and what led to her mother abandoning her half-sisters, she gears more to meeting with them and other family members in order to clear the many questions echoing in her head. Being a Chinese to her after seeing all her past judgment made her realize that China is her country that possess her family and her clan, it is obvious that being an American, a Chinese or Spanish does not change one’s personality or orientation but understanding the culture and identifying with it will instill a

In her 1989 novel, The Joy Luck Club, Amy Tan hones into the narratives of four Chinese American immigrant families living in San Francisco. The novel is structured into four distinct, anecdotal sections: two dedicated to mothers and two dedicated to daughters. Tan’s approach to structure allows the interlocking stories between mother and daughter to place emphasis on the issue of sexism. The purpose of Tan’s novel is to highlight that, even though American and Chinese societies drastically differ, there still remains a recurring theme of chauvinism. Erica Jong says, “Sexism kind of predisposes us to see men's work as more important than women's, and it is a problem, I guess, as writers, we have to change.” Through her purpose, Tan is

The relationship a mother has with her daughter is one of the most significant relationships either person will possess. In Amy Tan’s The Joy Luck Club, the stories of four mothers and their respective daughters are established through vignettes, which reveal the relationships between them. Throughout the novel, the mothers and daughters are revealed to be similar, yet different. Lindo and Waverly Jong can be compared and contrasted through their upbringings, marriages, and personalities.

    Amy Tan's immensely popular novel, The Joy Luck Club explores the issues faced by first and second generation Chinese immigrants, particularly mothers and daughters. Although Tan's book is a work of fiction, many of the struggles it describes are echoed in Maxine Hong Kingston's autobiographical work, The Woman Warrior: Memoirs of a Girlhood Among Ghosts. The pairs of mothers and daughters in both of these books find themselves separated along both cultural and generational lines. Among the barriers that must be overcome are those of language, beliefs and customs, and geographic loyalty. The gulf between these women is sadly acknowledged by Ying-ying St. Clair when she says of

    Amy Tan’s The Joy Luck Club is a novel that deals with many controversial issues. These issues unfold in her stories about four Chinese mothers and their American raised daughters. The novel begins with the mothers talking about their own childhood’s and the relationship that they had with their mothers. Then it focuses on the daughters and how they were raised, then to the daughters current lives, and finally back to the mothers who finish their stories. Tan uses these mother-daughter relationships to describe conflicts of history, culture, and identity and how each of these themes are intertwined with one another through the mothers and