Immigration and Popular Culture

In his short overview of the origination of the Sugar Hill Gang in the mid 1970’s, the author makes it apparent the hip-hop grew out of necessity due to lack of funding in the art programs in New York City school system. This neoclassical movement of the mid 1970’s grew like a wildflower that sprouts through the cracks of a modern day concrete jungle.

Geoffrey Bennett’s article Hip Hop: A Roadblock or Pathway to Black Empowerment illustrates the influence hip hop and rap music has had on not only the music industry but mainstream culture, African Americans to be specific. Geoffrey Bennett, a senior English Major from Voorhees, New Jersey goes over many aspects of how hip hop came to be “the forefront of American attention.” He starts from its early history in the 1980s as an African American exclusive music genre to what is now a worldwide phenomenon. He reviews the affect it has had on the lifestyle of many people and the ways it’s changed the way people

Music is an art form and source of power. Many forms of music reflect culture and society, as well as, containing political content and social message. Music as social change has been highlighted throughout the 20th century. In the 1960s the United States saw political and socially oriented folk music discussing the Vietnam War and other social issues. In Jamaica during the 1970s and 1980s reggae developed out of the Ghetto’s of Trench town and expressed the social unrest of the poor and the need to over-through the oppressors. The 1980’s brought the newest development in social and political music, the emergence of hip-hop and rap. This urban musical art form that was developed in New

An innovator in a sense, DJ Kool Herc founded Hip Hop by the early 70’s. MC’s, DJ’s, breakdancing, graffiti and music encompass the five pillars of Hip Hop. Modern inversions interpret these pillars in many different ways. Prevalent through all major cities, graffiti evolved to the murals on the side of buildings, and the creative aspect of music videos. Artists have visions interpreted in the way they decide to imagine their visuals. Breakdancing has become the advance dance crazes that sweep the nations. People in Japan are hitting the “Nae-Nae” because of Hip Hop’s mass globalization. MC’s are the talk show host and commentators of award shows and hosts of events and red carpet specials: media. Dispersion of Hip Hop through channels that connect Blacks across different scopes happens through the media. Modern day DJ’s introduce the new music with sets that keep nightclubs jumping from dawn to dusk. Displaying the

In this article, the speaker must be an expert in politics, ethnicity and the music industry. There is a linkage between the above fields hence the speaker must have had a superlative background on these issues. The audience targeted by this literature were seemingly music enthusiasts to be educated on understanding what Hip-Hop entails and hoped to achieve this as it was established. The subject was Hip-Hop as a music genre that was largely developed by African American men to express their plight on injustice and oppression. The principal issue was how Hip-Hop has been used as a form of resistance and need for deliverance of the African Americans.

In order to understand hip-hop dance, it is important to recognize hip-hop music and where it came from. Many scholars of rap music relate the founding of rap to African and African American oral and musical traditions, specifically African griots and storytellers. They link the rhythm of rap to the use of drums in Africa and to African American music in the United States, from slave songs and spirituals to jazz and R&B. Scholars have found very interesting connections between rap music and Black nationalist traditions (traditions historically practiced by black people that serve as part of their racial identity). Rap is similar to the “call and response of the black church, the joy and pain of the blues, the jive talk and slang of the hipsters and jazz musicians, the boasting of street talk, the sidesplitting humor of comedians, and the articulateness of black activists.” All of these African American oral traditions, including rap, can be traced back to West African oral traditions. In traditional African societies, the spoken word and oral culture included poetry, storytelling, and speaking to drumbeats. The links between rap music and African American oral and musical traditions demonstrate that hip-hop music represents more than just sound. It represents history. This aspect of it, in my opinion, makes this type of music very unique and makes it carry more value.

Today, immigration is a heated topic and everyone views it in a different way. Immigration is the movement of people to a different country where they were not originally from. This should not be mixed up with emigration, which has a different meaning. While immigration is when someone joins a new group, emigration occurs when someone leaves that group. With that being said, there are many reasons why people immigrate to a different place. Some of these reasons may include better opportunities, to connect with families, or the freedom of religion. Whatever the reason is, immigration is an important reason and it affects everyone involved. Between 1950 and 2010, 92 million people moved from their original country to someplace else. They came

In the early 70's, a Jamaican, DJ known as Kool Herc attempted to combine his Jamaican style of disk jockey, that involved reciting improvised rhymes over the dub versions of his reggae records (Davey 1). He also invented turntables, which kept the music going, with the occasional voice on the top of records, which started the roots of rap music. Over time, the culture broke into mainstream, spread around the world, and young people who did not have much to do, created not only multi-million industry, but have also created a way we can speak to each other all around the world. Hip hop is linked to other music such as rap which is embraced by urban black population. It is raw self-expression, sometimes features expletive lyrics, and violence. “Hip hop artists spoke to despair and pain of urban youth and the poor who were often without a voice. The rappers themselves were, the product of that reality, and it was conveyed through their lyrics” (Muhammad 1).

Hip-Hop emerged in the 1970’s upon the arrival of a one Kool DJ Herc. Kool DJ Herc migrated to the United States from Kingston, Jamaica and settled in the West Bronx of New York. Kool DJ Herc was a disc jockey that attempted to incorporate his Jamaica style of disc jockeying, which involved reciting improvised rhymes over reggae records. Unfortunately for Kool DJ Herc New York seemed

When member of the “Ghetto Brothers”, Black Benjie was killed, hundreds of gang members from various gangs met and called truce. Though it did not end gangs it changed the ways in dealing with agression. They dealed with their aggression by battling in forms of dance, or DJ’ing (Price 2-12). When Clive Campbell, also known as Kool Herc arrived in the Bronx from Jamaica he brought with him his passion for music. He was a very unique DJ and changed the stereotypical beat that was being heard and focused on the breakdown. (Welcome to The Official Site of The Universal Zulu Nation). Kool Herc and the Herculords were the first known Hip Hop Crew. He changed the way of gangs across the Bronx and pretty soon every gang had their own DJ. Kool Herc was in the East and West part of the Bronx. Grandmaster Flash was in the South. Afrika Bambaataa was in the South East and North. Though Kool Herc set the stones for the making of Hip Hop, Afrika Bambaataa was the first ambassador.

It has been 30 years since Hip-Hop was first “introduced” to the world. Whether it be fashion or politics, this musical genre/culture plays a huge role in everyday life and has generated billions of dollars across the globe. In this paper I will be discussing when, where, and how Hip-Hop was created, “old school Hip-Hop, “Hip-Hop’s Golden Age”, “Hardcore rap” “Gangsta rap”, “G-Funk”, 21st century Hip-Hop, and how Hip-Hop affects society.

Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for

Hip-Hop as a subculture was established by Black Americans, the youth in particular because of their marginalization. Mainstream music was made mostly by White Americans for White Americans on topics they could relate to. Even though Hip-Hop started off as just a beat it transformed into something so much more. Jamaica born DJ Clive “Kool Herc” Campbell,  one of the most influential in pioneering the art of hip hop music, brought over many Jamaican traditions including their tradition of toasting, which laid the blueprint for the actual rapping on instrumentals. Toasting is impromptu, boastful poetry and speech over music.

The term ‘hip-hop’ refers to a complex culture compromising of four elements: deejaying, rapping, rhyming, graffiti painting, and b-boying. These elements incorporate hip-hop dance, style, and attitude. “Hip-hop originated in the primarily African American economically depressed South Bronx section of New York City in the late 1970s” (Tate, pg.1). Hip-hop is a culture of fashion, language, music, movement, visual art and expression. The genre of hip-hop comes with a very significant history and evolution with its own heroes, legends, triumphs and downfalls. “Real” hip-hop is often stressed in the 21st century due to what is being passed off as hip hop, and it is often made clear that just because one takes a hip hop class, or listens to hip-hop music, does not mean they conform to the true immersion of hip-hop culture. Therefore, “real” hip-hop encapsulates the true essence of hip-hop culture, untarnished by impurities such as rapacious record labels, and vapid, materialistic subject matter. Due to the background of how and where hip-hop first emerged, the African American culture often feel responsible to protect what is for them, and to protect the culture of hip-hop entirely. Boyd states that even though hip-hop as a culture was created as a social movement, the “commercializaiton” of hip-hop demonstrated in film and media construes it to another form of urbanization and popularity”(Boyd, 79). However, in the two movies being examined in this essay (Save the Last Dance

Hip- hop has become a phenomenon throughout youth culture. Many believed hip-hop was only a phase of music like disco, but as the genre continued to expand and evolve, it became clear that hip-hop was here to stay. (History of hip- hop: past, present, future) Hip- hop is made up of 2 main elements, DJing and rapping. DJ is short for disc jockey, which is a person who usually uses turntables to make music, and rapping is talking and chanting in an easy and familiar manner. (Hip-Hop: A Short History) In writing this research paper, I will explain the most impactful years of hip-hop, and the events surrounding them, starting from 1979, when Sugarhill Gang released “Rappers Delight”.