Impassioned Love In Spain, By Neruda's War

The aim of this essay is to present the different ways E.E. Cummings and Pablo Neruda in their poems “It May Not Always Be So” and “Always” respectively deal with the issue of love affairs. It will also seek to examine the similarities and differences in the poetic devices they use, and in the way the idea of prospective change, namely the possibility of unfaithfulness in the first, and the past of the speaker’s lover in the second poem is encountered by each speaker. The two poets have their speakers to express their feelings addressing the women they love in order to emphasize the theme of the poems, which they perceive in two utterly different ways: cummings’s speaker views the end of his

The passage illustrates the simple sentenced structure that is typical of Cisnero in addition to the parallel structure in the phrasing, especially in the metaphorically of such words, “moon” and “the cycle”. Moreover, by making rhyme she reinforces the parallelism. In suggestion pity for the Ixchel, and by characterizing the young out blue girl, Cisnero also provide a glimpse of her theme of creates a structural identification between Ixchel and her surroundings. She suggests that young girl and heart breaking of Mother nature

Any student of history has come to recognize the fact that history is written by the victor and in lieu of this, research becomes essential to uncover where the truth lies. The True History of the Conquest of New Spain, so ironically named, is a personal account for historical events leading up to the conquest of New Spain, formerly known as the City of Mexico. The author, Bernal Diaz, was a soldier of the conquering army who composed the document well after the events took place sometime between 1552 and 1557. Though the document did provide insight in regards to the victor’s perspective, it also served as a tool to rewrite the account of the conquered people.

The moon has now become ominous as it forewarns of the child’s death. Spanish culture is once again brought into the poem as the moon becomes deathly. The moon has always been a figure of death in Spanish history and continues to be represented in that matter by this poem. The moon’s sensual appeal balances its foreboding nature. The boy is enticed by the mystery of the moon and does not heed her warning. Once again the boy warns the moon, “flee, moon, moon, moon” (17), as he shows his continued persistence to save the moon he has been draw into. He warns that the gypsies are coming, but the moon will not leave its dance. The moon says, “young boy, leave me, don’t step on / my starched whiteness” (19-20). This shows her lack of concern for the boy, which exemplifies her task to only attract him to her. Her starched whiteness once again contradicts her true mission to lead him to his demise. “Beating the drum of the plain” (22) stresses the intensity of the moment leading up to the point that “within the forge the young man has closed eyes” (23).

The appreciation of nature is illustrated through imagery ‘and now the country bursts open on the sea-across a calico beach unfurling’. The use of personification in the phrase ‘and the water sways’ is symbolic for life and nature, giving that water has human qualities. In contrast, ‘silver basin’ is a representation of a material creation and blends in with natural world. The poem is dominated by light and pure images of ‘sunlight rotating’ which emphasizes the emotional concept of this journey. The use of first person ‘I see from where I’m bent one of those bright crockery days that belong to so much I remember’ shapes the diverse range of imagery and mood within the poem. The poet appears to be emotional about his past considering his thoughts are stimulated by different landscapes through physical journey.

In the play by Federico Garcia Lorca, The House of Bernarda Alba, a recurring theme throughout the play is freedom. Lorca expresses freedom using characters, situations and objects. The characters in the story are Bernarda’s daughters who are under her control and have extremely little freedom and privacy by being forced to abide by her rules. Freedom and Repression are most significant themes conveyed throughout the play, the two opposing themes together are important to understanding both the characters and the story as well.

Poetry is often used as a form of writing to express emotions or tell a story. The poems “LA Nocturne: The Angels”, by Xavier Villaurrutia and “Meditations on the South Valley: Poem IX” by Jimmy Santiago Baca, are two distinctive poems. In Baca’s poem he expresses the disbelief and the sorrow of the death of a boy named Eddie. While, in Villaurrutia’s poem reveals an expression of secret desire men have. Baca and Villaurrutia’s poems, both use repetition, imagery and metaphors in their poems to convey their message.

The Spanish Roulette is a fictional account of events in the life of a young Puerto Rican named Sixto who swears to avenge for his sister’s assault. According to the story, Sixto’s sister had been raped by a local gang member who Sixto assures must suffer the same pain as his sister before he can finally kill him. Evidenced by the story, Sixto fights the thought of killing his sister’s tormentor while loading his revolver, but finally, snaps and decides to go ahead with his plan thereby leaving any logic and moral reasoning not to kill the gang member. The author, Ed Vega’s epic account of the life of Sixto closely resembles his first-person account of the life in Puerto Rico where the street is controlled by gang members who could rob from innocent families, handle drugs and unauthorized weapons including guns, and go about their business without being interfered by people in the community or the police (Lee). This essay asserts that based on the author’s argument and character representation, revenge is the only hope for the weak in the face of trouble when even the society cannot intervene and this argues that Ed Vega proved as creative and a competent writer by using the various features of poetic writing to create the intended image, environment, characters, and build on the theme of revenge.

Cortés came not to the New World to conquer by force, but by manipulation. Bernal Díaz del Castillo, in the "Conquest of New Spain," describes how Cortés and his soldiers manipulated the Aztec people and their king Montezuma from the time they traveled from Iztapalaopa to the time when Montezuma took Cortés to the top of the great Cue and showed him the whole of Mexico and its countryside, and the three causeways which led into Mexico. Castillo's purpose for recording the mission was to keep an account of the wealth of Montezuma and Mexico, the traditions, and the economic potential that could benefit Cortés' upcoming conquest. However, through these recordings, we are able to see and understand Cortés'

Pablo Neruda is from Chile and gives a voice to Latin America in his poetry (Bleiker 1129). “The United Fruit Co.,” the poem by Pablo Neruda that will be analyzed in this essay, is enriched with symbolism, metaphors, and allusions. These allusions have great emphasis to the Christian religion, but some allusions are used to evoke negative emotions towards the United States (Fernandez 1; Hawkins 42). Personification and imagery along with onomatopoeia and metonymy are also found in “The United Fruit Co.” Neruda’s use of these literary devices makes his messages of imperialism, Marxism, and consumerism understandable (Fernandez 4). In this essay each of these literary devices with its proper meaning will be further analyzed in the hope of

Lorca described ‘Romance de la pena negra’ as one of the most representative poems from the ‘Romancero gitano’. The poem was written in 1924, when Lorca had been sent away from Granada, due to his homosexuality and was living in Madrid, the centre of the cultural ferment of the 1920’s. Here, he attended the ‘Institución Libre de Enseñanza’ (ILE), where he was inspired to search for the national Spanish spirit, through literature.

Federico Garcia Lorca was born in 1898 and died in 1936, he lived through one of the most troubling times of Spain's history. He grew up in Granada, Spain, and enjoyed the lifestyle and countryside of Spain. His father was a wealthy farmer and his mother was a school teacher and encouraged his love of literature, art, and music. He was an extremely talented man. A respectable painter, a fine pianist, and an accomplished writer. He was close friends with some of Spain's most talented people, including musician Manuel de Falla, and painter Salvador Dali. Lorca was a very liberal man who lived un dictatorship for most of his life. However, in 1931 Spain turned into more of a democracy, and was called "The

There was a frequent reference to “a poet” whose work was widely respected in this novel. The Count de Satigny (who was Esteban Trueba’s ‘suitable’ choice of a husband for Blanca) referred to the work of the poet as “the best poetry ever written, and nothing could compare to it”. When Jaime and Nicholas became adults, the poet became more widely accepted as Clara had formerly predicted the first time she heard him recite in his ‘telluric voice’ in one of her literary soireés. It was evident that the poet lived and wrote about the right of the citizens to live their lives the way they wanted to, making their own decisions and expressing their own opinions without being controlled. For this reason, the funeral of such a poet became “the symbolic burial of freedom”.

The poem is in form of a villanelle, consisting of the rhyme scheme ABA throughout the poem. There are two major extended metaphors in the poem- the “day” which stands for a person’s lifespan and all their actions and memories; and the dark “night” which stands for afterlife or the void. These metaphors are also the starting rhymes for the poem (for line A and line B), and thus all the following lines rhyme with these metaphors. This shows the constant cycle of day and night thus life and death, emphasizing on the inevitability and continuity of this process. Also in the first stanza, the metaphor for death is expressed as “good night” (in line one), “close of day” (in line two) and “dying of the light” (line three), where all are placed at the end of their respective lines; thus again showing what lies for all at the time of their end.

At the mere age of seventeen, Pablo Neruda wrote ’Twenty Love Poems and a Song of Despair’ and it has since become one of his most famous collection of poems. Once, in an interview, Neruda stated that he could not understand “why this book, a book of love-sadness, of love-pain, continues to be read by so many people, by so many young people” (Guibert, 2015). He also mentioned that “Perhaps this book represents the youthful posing of many enigmas; perhaps it represents the answers to those enigmas.” (Guibert, 2015). Neruda was one of the first poets to explore sexual imagery and eroticism in his work and become accepted for it. Many Latin-American poets had attempted the same, but failed to become popular with their critics. He merges his own experiences and memories with that of the picturesque Chilean scenery to present a beautifully poetic sense of love and sexual desire. The collection hosts quite a controversial opinion, however, amongst critics and readers alike, with the risqué themes running throughout the poems. Eroticism being one of the most evident and reoccurring themes.