Imperfection In Nathaniel Hawthorne's The Birth-Mark

Hawthorne achieves this same task in the character of Georgiana in "The Birthmark." Georgiana, too, is presented as an ideal specimen of womanhood. She is beautiful, intelligent, and devoted to her husband, the alchemist, Aylmer. She would be absolute perfection, except for one flaw: a birthmark in the shape of a fairy-sized handprint on her left cheek. While those who love Georgiana attest that the mark is a symbol of the "magic endowments that were to give her such sway over all hearts," Aylmer and her detractors regard it as a "bloody hand" that belies "his wifeâs liability to sin, sorrow, decay, and death" (Hawthorne, "The Birthmark" 119-20). Hawthorne continues to impart Aylmerâs inner feelings of shock and horror over Georgianaâs single physical flaw, gradually leading his audience to share his disgust for the dreadful

In his 1843 didactic short story "The Birthmark," Nathaniel Hawthorne writes about the shortcomings and negligence of those who seek perfection throughout their lives. Aylmer, mad scientist and main character, is greatly encouraged by a romantic reverie to seek the removal of an aggravating birthmark from his wife Georgiana's face. Aylmer becomes trapped in a trance by his aspirations to the point where "he had not been aware of the tyrannizing influence acquired by one idea over his mind, and of the lengths which he might find in his heart to go for the sake of giving himself peace" (Hawthorne 74). Similarity, in the short story "Editha," William Howells portrays how romantic ideals instill false confidence and support an unrealistic perception of the outside world. The powerful persuasion by an unrealistic psyche is illustrated through the phrase "pocket providence", showing to be nothing more than a contagion, creating uncertainty and untenable expectations in all that encounter it.

Although love is at often times a great thing, it can blind people and misguide them. The relationship between Aylmer and Georgiana is a scenario of misguided love gone wrong. In “The Birthmark”, by Nathaniel Hawthorne, Aylmer expresses his love of science much more than he expresses his love for his wife, Georgiana. This happens despite the extreme love his wife shows him, and her obedience and trust towards him. He ends up ruining her life when turning her into a scientific experiment. His love for science consumes his brain and he is unable to think about the human part of his life and thus, ends up losing it.

Martin Fitzpatrick states that Georgiana is a woman of perfect beauty, but her only flaw is the birthmark on her left cheek, shaped like a tiny pink hand “To a Practised Touch”: Miles Coverdale and Hawthorne’s Irony,”(American Transcendental Quarterly 14.1 [2000]: 27-46). However, Her husband Aylmer prizes her in marriage, he becomes, after their marriage, obsessed with the idea of fixing that blemish and providing her absolutely perfect. Aylmer prepares a portion for Georgiana in order to remove the birthmark and release her from the hand that clenched tighter on her cheek. Fitzpatrick argues, “If we alter the question slightly, what is the story about? We might answer: Aylmer's hatred of women generally or Georgiana specifically, the futility

Upon realizing just how much his wife’s birthmark bothered him, Aylmer made it his goal to do whatever was necessary to rid Georgiana of her only “imperfection”. While this story is a work of fiction, the way of thinking is anything but fictional. With the gender dynamic in this story in very centered around the man. The man is the one who makes the decisions, and the woman is expected to go along with them. If the man wants something of the wife, she is expected to do everything in her power to satisfy him. The woman, on the other hand, is often heavily pressured into submitting to this kind of unhealthy relationship. Whether she is blinded by love, afraid of what

In “The Birth-Mark,” Aylmer, a natural philosopher, became obsessed with a hand shaped birthmark on his wife’s face. Being completely consumed by the notion of imperfection that graced the face of his wife, Georgiana, he attempted to remove the mark which resulted in her death. Aylmer views Georgiana’s birthmark as something more than a

Aside from Hawthorne?s use of symbolism, his extensive use of imagery also contributes to the notion that man cannot perfect nature. Aylmer?s true goal in this story is to force Georgiana to believe that her birthmark is ?a symbol of [her] liability to sin, sorrow, decay, and death? (204) and she must rid herself of it. He creates this image in order to brainwash her into believing that it is a ?dreadful hand? (207), and she, too, should wish it away. Finally, after gazing at, and studying the birthmark, this horrible image in which Aylmer had implanted in the mind of his lovely wife has become all too unbearable. Georgiana, feeling unworthy of her husband, freely surrenders herself to Aylmer and his science. ?Either remove this dreadful hand, or take my wretched life,? (207) she tells him, while rationalizing the validity of science on such a thing. Another image Hawthorne makes use of, in order to potentially change the mind of Georgiana, is that of the geranium, once diseased with yellow spots of death, is now full of life. The diseased flower symbolizes, in the eyes of Aylmer, a diseased Georgiana.

First, Hawthorne shows his worldview through his use of Aylmer’s obsession with the birthmark to show a sign of imperfection. When Aylmer is conversing with his wife Georgiana regarding the birthmark, he says “This slightest possible defect shocks me as being the visible mark of earthly imperfection.” (Hawthorne, 5). This is important because it shows that Aylmer is troubled by the birthmark and cannot leave it alone. In addition, it also shows that Aylmer ignores the main characteristics and features of Georgiana, such as her great personal qualities, in order to focus on the one imperfection, the birthmark. Adding on, the birthmark is stated as being: “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceable on all her productions” (Nelson, 12). The birthmark is a part of nature and is inevitable because it cannot be altered or removed. Furthermore, the birthmark is a reminder that imperfection is part of

Portrayed as spiritual and intellectual in contrast with his crude laboratory assistant Aminadab, Aylmer becomes disturbingly obsessed with a birthmark on his wife’s countenance. The plot of the short story revolves around the man’s attempt in removing the mark, which results in the death of Georgiana. In the very beginning of the story, the audience discovers through the narration that Aylmer views his wife’s birthmark as more than a congenital, benign irregularity on the skin. In reality, the primary reason why he becomes severely obsessed with the birthmark is because in his eyes, the mark symbolizes something. Aylmer proceeds to further clarify his inner thoughts by replying to his wife, “This slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection” (Mays 340). Although Georgiana is initially mortified and even goes as far to question the existence of the marriage between them, the narration later sheds light and explains that the precise reason why Aylmer is excessively bothered with the birthmark is because he regards Georgiana as virtually the embodiment of perfection. As a consequence, perceiving a flaw on his wife’s image that clashes with the concept of her beauty inevitably leads him to feel aggrieved and begin to judge the birthmark as a dangerous blemish residing on her skin.

His assistant, Aminadab is a “sub-human in his eyes” (Fairbanks, 103). Aminadab is a complete contrast to Aylmer but none of Aylmer’s experiments would be possible without the help of this “human machine” (Hawthorne, 298). He is of great importance to Aylmer, but Hawthorne makes it clear that Aylmer thinks of himself much higher than the common man. Aminadab’s importance to the story lies within the fact that he is an invisible character everywhere except the lab. His profound contrast to Aylmer’s character away from Georgiana provides the reader with a clearer picture of the mad scientist as he attempts to overthrow nature. When Aylmer fails to do so, Aminadab laughs triumphantly at the tragic hero’s attempt to control nature. These two characters show opposing thoughts and reactions to the murder of Aylmer’s now perfect, dead bride.

Hawthorne develops the character of Aminadab to serve this purpose. Aminadab is the perfect contrast to Aylmer. Aminadab "seemed to represent man's physical nature; while Aylmer's slender figure, and pale, intellectual face, were no less apt a spiritual element" (48). Aminadab realizes that Georgiana is indeed perfect the way she is, and should not be tampered with. This is shown in a quote from Aminadab, " 'if she were my wife, I'd never part with that birthmark' " (48). He realizes science cannot overtake Mother Nature. Aylmer's view towards it is one of disgust. He thinks "it will be such a rapture to remove it" (48). This shows the contrast of the men, Aminadab and Aylmer. When Aminadab chuckles the "hoarse, chuckling laugh," (55) at the end of the story, it really drives Hawthorne's point home. That is, it is laughable to believe that science can solve all of life's mysteries.

In literature a tragic flaw refers in plain words when the main character ends up dead or defeated a characteristic feature of the heroes of Nathaniel Hawthorne’s short stories, “Young Goodman Brown,” “The Minister’s Black Veil”, and “The Birthmark”. However this concept is even more extensive and best explained in terms of “Hamartia”. According to the Encyclopedia Britannica that word can be understood as an inherent defect in the hero of a tragedy or a moral flaw, other sources point out “Hamartia” as an error in judgment or accident that may lead the hero to ruin as a result. From “The Birthmark” the reader can notice how the story starts with a happy romance

In Hawthorne’s short story “The Birthmark”, Aylmer feels that his wife Georgiana is a miracle and that she is perfect. Her only flaw was the birthmark in the shape of a hand placed on her cheek. Instead of focusing on all her Georgiana’s perfections, Aylmer only focused on one of her flaws, the birthmark. Aylmer constructs a statement about her birthmark saying that, “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on her productions, either to imply that they are temporary and finite, or that their perfection must be wrought by toil and pain.”(Meyer 345)

It somehow contains the concept of beauty, and in the story it's easy to notice that many man found this birthmark attractive, and so did Georgiana, but looking at her husband, who obviously hates this mark, she starts to believe that it's ugly. The beauty is very subjective; it was created by people, and can be changed by them. Thus, it is impossible to be perfect for there always will be those who can find flaws in any creature. Moreover, it is known that 'Perfection leaves no room for improvement". Thus, flaws are part of human beings, and the desire to go against it is

Although “The Birthmark” by Nathaniel Hawthorne was written in the mid-1800s, its themes and ideas are still a part of society today. The 19th century was a time of change, just as this, the millennium, is a time of great change. Hawthorne’s ideas about science, beauty, and life still play a major part in our lives, despite many improvements. Even today, people try to play “God” and change things that nature has put in place. It’s human curiosity; how much can be changed, how many things can be perfected? The themes in this short story-- religion, gender, and science--were relevant in Hawthorne’s day, and still are many years later. The theme of religion is hidden in the desire to erase