Importance Of Art In Oscar Wilde's The Decay Of Lying

Wilde also was famous for his leading of the aesthetic movement and his imprisonment for propagating homosexuality. The Picture of Dorian Gray tells a story about a degradation of a young man Dorian Gray. At the beginning, an artist Basil Hallward paints a portrait of the kind and innocent Dorian Gray and, after seeing the artwork, Lord Henry Wotton - a vain and snobbish class man - requests to meet him. Influenced by eccentric Henry Wotton’s philosophy, Dorian begins to become vain and cruel but while his external appearance remains unchanged, his appearance on the painting alters every time he commits a sin. The novel explores many issues, one of them is aestheticism - exaltation of art and beauty, leading to the eternal question - can a beautiful person be moral and a moral person be beautiful, which always have and will stir society’s curiosity. Oscar Wilde once said that "All art is quite useless" and in The Picture of Dorian Gray, he tends to juxtapose various expressions of art with the routine of Dorian Gray and a shallow life in the nineteenth century. As a tool to reveal the concept of a life at the end of the 19th century Wilde uses art of pretty - but meaningless - things used to please one’s vanity and create a mundane environment. This raises the question: what did Oscar Wilde want to imply by and how does he use art to develop the theme of morality in The Picture of Dorian Gray? It was impossible to avoid art in any of its expressions (parties, theatre, clothes, etc.) in even the most regular lives in the 19th century and of course it influenced the way of thinking, created the social status and the image of oneself, so, after all, art had a huge impact on the individuals of the 19th century. And, as often beauty does, art encourages greed and vanity, which Oscar Wilde demonstrates through the usage of art in the novel.

Most people are taught from a young age what is right, and what is wrong. These teachings set up the basis for later discovering one’s personal values. In Oscar Wilde’s The Picture of Dorian Gray, these same principles are applied and challenged by Wilde. Not only does he question morality and human nature, but also the ideas of the Aesthetic movement- which influenced the ideals and behavior of Dorian Gray. Through Dorian’s morally ambiguous character, Wilde asserts that one is not purely good or evil, but a mixture of the two; Wilde establishes this theme when Dorian breaks up with Sibyl Vane, murders Basil Hallward, and stabs his decaying portrait.

In the beginning of The Picture of Dorian Gray, Dorian is viewed highly by Basil and is claimed to be his sole inspiration. By this little description we read of Dorian, the reader can already see how Dorian at the beginning of the book has a strong presence. However Basil describes Dorian as having a “simple and beautiful nature”(pg-12) and tells Lord Henry, “Don’t spoil him. Don’t try to influence him. Your influence would be bad.” (pg-12). Lord Henry is the first person to start to influence and change Dorian into being deceitful. The second factor that changes Dorian is the painting. In chapter two, Basil finishes the Painting and presents it to Dorian. Instead of being filled with joy, Dorian realizes that he will grow old and the Painting will stay young. Later in the story the Portrait changes to show a sneer around Dorians mouth. The reason for this is because Dorian broke Sybil’s heart. After learning about Sybil’s suicide, Dorian accepts that the Painting will show ageing while he appears to have not aged. This forces Dorian to lock away his painting and this also shows Dorian being deceitful with his looks.

Much of the criticism regarding The Picture of Dorian Gray by Oscar Wilde has dealt with Dorian Gray’s relation to his own portrait (Raby 392). While some may argue that the portrait represents a reflection of Dorian Gray’s character, this is only a superficial analysis of the novel and Dorian’s character. While Dorian Gray’s true character never changes, it is his own perception of his character (his conscience) that is reflected in the changing face of his portrait. In essence Dorian’s picture becomes a mirror through which the "true Dorian" judges his own metamorphasis as the superficial "Lord Henry Dorian" attempts to embrace Lord Henry’s teachings. Dorian’s

It is interesting to note that he doesn't ask for it to show his sins, only take on his aging. The painting gets progressively more horrible throughout the story, but it is not just aging it shows, it seems to portray an awful decay. Dorian uses a mirror to compare himself to the painting (one that Lord Henry gave him) and seems to take pleasure in his corruption: "...looking now at the evil and aging face on the canvas, and now at the fair young face that laughed back at him from the polished glass. The very sharpness of the contrast used to quicken his sense of pleasure. He grew more and more enamored of his own beauty, more and more interested in the corruption of his own soul ... wondering sometimes which were the more horrible, the signs of sin or the signs of age" (Wilde 106). The use of the mirror further points out his narcissism. This is also the same mirror that he crushes under his feet the night he tries to "kill" the painting.

Oscar Wilde’s The picture of Dorian Grey’s novel is about a young man named Dorian Gray, the subject of a painting by artist Basil Hallward. Basil is impressed by Dorian's beauty and believes his beauty should not be wasted and it is responsible for a new mode in his art. Dorian meets Lord Henry Wotton, a friend of Basil's, and becomes enslaved by Lord Henry's world view. He shows him a new hedonism, and suggests the only things worth following in life are beauty and fulfillment of the senses. When he realizes that one day his beauty will fade, Dorian feels a desire to sell his soul to ensure the portrait that Basil has painted would age instead of him. Dorian's wish

As his soul “undergoes…psychic disorder” (Monsman), his fascination with the grotesqueness of his picture also grows. Watching his picture Gray “would sit…filled…with that pride…that is half the fascination of sin…smiling with secret pleasure as the misshapen shadow…” (Wilde 133). Gray becomes interested in seeing his sin come alive on canvas. This in itself represents a man who is unstable mentally, as he derives pleasure from his own image’s ruin. Eventually Dorian’s downward spiral of mental ruin leads to his death.

Just because Dorian looks so innocent, does not mean that he really is, and this is brought up several times in the novel. For example, when Lady Narborough says to Dorian, “you are made to be good – you look so good” (197). This shows how Lady Narborough thinks that Dorian looks so good and because of his good looks, his soul must be just as good. Although, this is false because no one knows what Dorian had just done, which was killing Basil. They are all being fooled by his looks. Furthermore, to relate back to this situation, after Dorian commits this murder, “certainly no one looking at [him] that night could have believed that he passed through a tragedy. Those finely-shaped fingers could never have clutched a knife for sin, nor those smiling lips have cried out on God and goodness” (192). This really emphasizes that Dorian possibly committed the biggest sin there is in life, but because of his good looks, no one would be able to realize what he did. Dorian Gray easily proves that one’s appearance does not match his cruel soul. Wilde explores on why one should not judge a book by its cover through Dorian’s good

“If it were I who was to be always young, and the picture that was to grow old! For that -- for that -- I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that!" (Wilde 30-31). After making this deal Dorian start to become a horrible person he make his girlfriend and soon to be fiance Sibyl to commit suicide after he yelled at her, he smokes cigarettes, ruins other people's lives, does drugs such as opium, and goes on to kill Basil. All of society knows that something is up with Dorian because he has never aged and still looks like he's twenty. As the years go on Dorian begins to lose his soul while still remaining young which seems similar to the state of limbo in “Inception” where you don't grow older physically but your mind and soul do. Dorian eventually goes on a downward spiral after killing Basil and sees that the painting gets ugly for every bad deed he does.. So in response he tries to do a good deed to change the painting. But when this backfires and the painting gets worst he stabs it which basically means he stabbed his soul and he ends up dying and the painting returns to normal.

Throughout the novel The Picture of Dorian Gray, Oscar Wilde tells a tale about a young man named Dorian whose entire life changes after he meets Basil Hallward, who paints a portrait of Gray that ultimately leads to Gray’s demise. At the same time, Dorian also meets Lord Henry, who eventually plays a bad influence over Dorian. The portrait shows the man Dorian has become

Sibyl Vane plays a symbolic role in The Picture of Dorian Gray; moreover, she plays a symbolic role in Dorian Gray’s life. This essay will explore how Sybil’s character initially influences Dorian in a positive way, giving him the motive to turn away from decadence but subsequently brings about his downfall. Recurring themes will be discussed such as the aesthetic and references will be given to show examples of Sybil’s symbolic role in his life. A summary will follow, giving a brief synopsis concluding the essays arguments.

The first sign of Dorian’s new development is when he first lays eyes on the portrait after hearing Lord Henry’s panegyric of youth. As Dorian gazes upon himself on the portrait, he comes to a shocking realisation. Wilde writes it as, “The sense of his own beauty came upon him like a revelation… Basil Hallward’s compliments had seemed to him to be merely the charming exaggerations of friendship… They had not influenced his nature. Then had come Lord Henry Wotton with his strange panegyric on youth, his terrible warning of its brevity. That had stirred him at the time, and now, as he stood gazing at the shadow of his own loveliness, the full reality of the description flashed across him… He would become dreadful, hideous, and uncouth. As he thought of it, a sharp pang of pain struck through him like a knife, and made each delicate fibre of his nature quiver” (Wilde 18-19). His beauty would not last forever, and he would become old and withered just like everyone else will. Dorian, who once didn’t care about his looks, had now become obsessed with the ideals and ideas fed to him from Henry. He makes his wish for the portrait to take on the burden of time and sin, instead of him. He says, “I know, now, that when one loses one’s good

In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.

Firstly, Wilde expresses hedonistic desire leading to punishment through the use of literary devices; namely symbolism and imagery. When Gray regarded Sibyl with pity and “his chiseled lips curled in exquisite disdain” (Wilde 101). Through imagery, Wilde conveys Gray’s character of cruelty wrought out by selfish desire. After that, what followed was the suicide of his lover. This reveals that living selfishly produces consequences through others. Another example can be found when Wilde uses symbolism through the picture to reveal reality of emotions. As Dorian got up to check his painting, it was “unmistakably [...] altered” (Wilde 108). The painting reflected the reality of Dorian Gray’s inner beliefs. The change in the picture is a loss of selflessness. Furthermore, his selfish desires are reflected through the picture and the change in the portrait is the consequence for doing hedonistic actions. Therefore through symbolism and

The picture of Dorian Gray is a classic victorian novel that has maintained its influence through the years. To this day, it is consider to be a masterpiece that treats in a very precise way the themes of beauty and identity. The book revolves around the life of Dorian Gray and his portrait. At the beginning, when Basil Hallward, a prestigious artist, is painting the portrait of Dorian Gray, the character is presented as an innocent and beautiful guy. However, as the novel progresses, Dorian’s soul, reflected in the portrait, is corrupted mainly because of Lord Henry’s ideas and influence. In the last chapter of Oscar Wilde’s book, the protagonist, in a stressful situation, stabs his portrait and consequently dies. The message behind the ending