Importance Of Baroque In Art

The masterworks of Bernini and Canova shared similarities along the lines of the sculptors’ works were crafted with precision and a keen eye for detail and were successful in giving their works a realistic effect. Both workers were masters in their own time and were able to manipulate marble to as though they were constructing a painting. They both incorporated classical forms in their works, depicting great scenes from mythical stories that could be viewed in great detail at a 360-degree angle.

An art history documentary, Simon Schama’s Power of Art, showed painters from the Baroque time period. English historian Simon Schama was the presenter of the film. He would send us back in time through the use of reenactments and vintage film footage of the famous Italian Baroque painter: Gian Lorenzo Bernini. Bernini was a sculpture in the early 1600’s at the heart of Rome. He started carving out marble at a young age. His father, Pietro, was also a sculpture from Florence. I believe his father had an impact on Bernini’s ability and drive in sculpting. His skills ultimately led him to become a very popular person in Rome. He was known for being able to make marble so carvel having an intense sensation. It was so life like that the figures would seem as if it was breaking loose from their plinths. Even

In this essay, the difference between Northern Baroque and Italian Baroque styles of painting, the differences between a male and a female interpretation, the narrative differences, and the psychological dilemmas they present to the viewer will be discussed.

The Baroque period has played a great role in many aspects of the society in different countries, but most significantly in religion, politics, and socioeconomic.

The Renaissance and the Baroque eras created some of the most famous works of art produced in the world. The two eras expressed differences in style and theme, but they also have many characteristics in common. To better understand the similarities of the eras it will be described by the characteristics, styles and the influences of each; Renaissance and Baroque works of art. Famous artist from the Renaissance era were Leonard da Vinci and Michelangelo Buonarroti. Famous artist from the Baroque era were Rembrandt Harmenszoon van Rijn and Michelangelo Merisi o Amerighi da Caravaggio.

During this assignment I will talk about three types of Work of Art from three different artists from the Baroque period through the postmodern era. 1). Michelangelo Merisi da Caravaggio; 2) Rembrandt van Rijn; and 3) Peter Paul Rubens, these three artists were known for their religious theme in their art work. The naturalism that was visibly demonstrated in each of the artist work with high contrast of lighting that noticeably appeared in these paintings. Each artist was well known and respected for their work.

The first chapter, "«We All Today Barbaric, Byzantine, Baroque»," presents an overview of the reception of the Baroque at the end of the nineteenth century. After being disparaged by Italian Enlightened and Romantic intellectuals, seventeenth-century art was rediscovered around the 1880s. Decadentist artists and writers like Gabriele D’Annunzio chose Baroque Rome as the backdrop for their novels and paintings to signal their disillusionment with unified Italy, which had adopted classicism as the official style. Enrico Nencioni, a critic of D'Annunzio's circle, exhorted his contemporaries to approach the Baroque without prejudices, and to admit that, despite the widespread notalgia for the Classical and Renaissance eras, it was the Baroque the century with more significant affinities with the fin-de-siècle's love for decorative

Understanding the various forms of baroque art requires knowledge of its historical context. The 17th century could be called the first modern age. Human awareness of the world was continuously expanding. Many scientific discoveries influenced art; Galileo's investigations of the planets, for example, account for astronomical accuracy in many paintings of the time. BAROQUE STYLE--emphasized movement, contrast and variety as with the painter Caravaggio who used dark' s in background in contrast to lights in the foreground As in his picture " The Three Musicians". The center figure tunes a stringed instrument while the musician on the right sets down his violin to study some sheet music. The assistant on the left is reaching for grapes and the third player in the background holds a flute. All of this dipicts movement in the entire picture and a variety of different figures doing different things. In the 1700's, rulers were anxious to show off their power and wealth. The most powerful of these was Louis XIV of France. Beginning in Louis's court, the Baroque style under went a transformation. First , it changed from bold and dramic to festive and decorative and eventually, to a new, lighter and more graceful art style know as the Rococo Style.

Martin Luther’s Protestant Reformation had really stirred the religious pot. In the early 1600’s, the Catholic Church responded with the Counter Reformation which propelled the Baroque movement and its artistic aim of making Catholic theology appeal to the masses. Biblical stories with drama and movement were some of the ways Baroque artists sought to engage the viewer. Baroque dominated most of the seventeenth century Europe and later developed into the Rococo style later during the eighteenth century. Begun in the 1700’s, the Rococo Era was art of the aristocracies for the aristocracies. It was technically flashy, but without deep thought or emotional drama, the Rococo celebrated the leisure activities of the upper class. The Rococo style is above all an expression of wit and frivolity. Rococo style signaled the shift from Rome to Paris as the new capital of culture and fashion in Europe. Both styles were influenced by political, social and religious factors, and there are profound differences between the two styles. For this essay, I chose to compare an Italian painting from the Baroque era with a French painting from the Rococo Era. The two paintings I chose to compare and analyze are Luca Giordano’s Martyrdom of St. Bartolomeo, and Jean-Marc Nattier’s Terpsichore, Muse of Music and Dance.

The beginning of 20th century was a time of drastic change. New developments were made in the arenas of the classical sciences, social science, psychology and philosophy - each challenging traditional thought. Industrialization and the introduction of many new, challenging concepts in the fields of politics as well as the development of new technologies gave artist more freedom to innovate and break the rules of traditional art. By using new materials, techniques and the new approach artists were pushing boundaries of what has previously been accepted art practice in order to invent radically new styles.

•The creation of the baroque style—an art style full of emotion, flamboyancy, symbolism, vigor, and subtlety—largely as a product of the Catholic Church patronage of the arts

During the seventeenth century the church was still a dominating force in Italy’s society. This presence created an artistic style centered on religious works of art designed to teach and draw people into the church. This desire to inspire and draw on people’s emotions manifested in increasingly elaborate church decorations and paintings. This dramatic movement, or the Baroque movement was seen throughout the art scene not only in Italy but the north as well. Most agree that the Baroque movement can be perfectly demonstrated in the sculptures done by Bernini at the church of Santa Maria Della Vittoria in Rome. His dramatic marble statues of angles, saints and biblical characters captures your attention and imagination.

Baroque Period, during which a few of the greatest composers on this planet were born, brought classical music onto a whole new level. The word “Baroque”, which came from the Portuguese for “the imperfect pearl”, implies strange, extravagant and overblown. Toccata, fugue, chorale, ortario, and the concerto Grosso, all of these special musical forms were created and represent this period. The six main characteristics: increased emotional expression, contrast, use of basso continuo, continued harmonic development, use of ornament, and the emphasis of improvisation, molded the unique style of music of the Baroque period.

To understand the characteristics of Baroque style is to truly understand artistic measures of the sixteenth to eighteenth centuries. Baroque, a single word describing an entire period of art, can be broken down into more than one actual form of art. The new European age birthed this developing style of architecture, coming from ideas on religion and politics. Set apart in three different countries, visitors of St. Peter’s Basilica, Versailles, and Hampton Court Palace, engulf themselves in historic Baroque styles and beauty. The international style “was reinterpreted in different regions so that three distinct manifestations of the style emerged” (Matthews 392). The florid, classical, and restrained baroque design of the three different buildings gives us a historic lesson on the reasoning behind its purpose.

The era known as the Baroque period includes the seventeenth and most of the eighteenth centuries in Europe. The Baroque style was a style in which the art and artists of the time focused upon details and intricate designs. Their art often appeals to the mind by way of the heart. During this time the portraits began to portray modern life, and artists turned their backs on classical tradition. Much of the art shows great energy and feeling, and a dramatic use of light, scale, and balance (Preble 302). Buildings were more elaborate and ornately decorated. These works of art created history and altered the progress of Western Civilization. Architecture such as the palace of Versailles, and artists like