‘The Importance of Being Ernest’ is a comedic play written by Oscar Wilde. It was set and written during the Victorian Era, and is a parody of the Victorian culture. In the play, there are many different contrasting characters, including the main character Jack, and Algernon, who we find is his brother later in the play. Algernon is a very unserious person, who is also quite irresponsible, and just wants things in life to be fun. We see this a few times throughout the play. For example, when there has been a big argument between Jack and Algernon and their fiancés, he eats muffins, and says, when asked about it “Well, I can’t eat muffins in an agitated manner. The butter would get on my cuffs. One should always eat muffins calmly.” This shows …show more content…
One example is his having to look after Cecily, as he is the person who has power over her, because he is her guardian. We see this when Miss Prism says “You know how anxious your guardian is to improve you in every way.” This means that Jack feels strongly that he needs to make sure that Cecily has a good education, and knows the proper social etiquette in Victorian society, and he knows that he is responsible for looking after her properly. In addition, we see that he does also care about Cecily, seeing as if he didn’t, then he wouldn’t want her to be able to learn well, and would most likely leave Miss Prism to sort out all of Cecily’s education, rather than instructing Miss Prism on what to …show more content…
One similarity is that they’re both quite deceptive in order to achieve what they want. The reason we know this is because they both “Bunbury”. One point where we see Algernon reveal that he thinks “Bunburying”, or using a fake identity or person, is an okay and a normal things to do is where he says “I naturally want to talk to you about Bunburying. I want to tell you all of the rules.” From this, we know that he thinks it’s a fine thing to do, and we know that he himself is also quite deceitful in that way. Also, it shows us that he’s happy to find out that Jack does the same as him, and him not finding it strange means that he thinks it’s quite a common thing to be done. Both characters are untruthful about their true identities at different points in the play, with them both pretending to be Ernest
Jack illustrates the purpose of deception by using Earnest to escape his role of Cecily’s warden. When Algernon finds Jack’s cigarette case, he is shocked to find the name Jack graven inside. Jack attempts to explain by saying, “[M]y name is Ernest in town and Jack in the country” (Wilde Act I). As Jack, he has to be a responsible adult and take care of his niece Cecily but as Ernest he is able to live the wild life of a young bachelor. By pretending to be Ernest in town, Jack is freed from the restrictions of being a caretaker, yet he still fulfills the duties of one as he resides in the country. While explaining why he has two identities to Algernon, Jack states that being a guardian does not “conduce very much to either one’s health or one’s happiness” (Wilde Act I). Jack has to take care of Cecily, be responsible for her, and set rules and guidelines for her to follow. In his role of guardian, he finds himself unable to have fun, so he creates an irresponsible, carefree
It is a well known phenomenon that many authors' lives are reflected through a character in their work. In Oscar Wilde's The Importance of Being Earnest, the double life, or double identity, can be seen as the central metaphor in the play, epitomized in Algernon's creation of "Bunbury" or "Bunburying". As this term is the only fictitious word employed throughout the text, it is crucial to critically analyze not only its use and implications, but more importantly, the character who coins the term; Algernon Moncrieff. In addition, it is also significant to note the marked differences between Algernon and Jack's perceptions of the notion of bunburying, as it further develops Algernon's character within the text. But perhaps the single most
Oliver Parker’s (2002) film adaptation of Oscar Wilde’s play ‘The Importance of Being Earnest’ is sadly completely consumed by the romantic comedy style, masking Wilde’s key concerns and detracting from important comic elements of the play. This can be observed through the varying representations of characters, the film’s lack of contextual jokes, the more prominent sub-plot between Dr Chasuble and Miss Prism, the addition of music and the way in which dialogue, while remaining true to the play, has lost meaning in the film.
The dramatic ironies in “The Importance of Being Earnest” add to the humor of the play. At the very start of the play, the readers only have limited information about the characters. When Jack visits Algernon in his house, the readers are taken along not knowing any knowledge of the events beforehand. They learn along with Algernon that Jack has a make believe brother whose name is Ernest, and Jack uses Ernest in order to get out of many situations as well as an excuse to not be a proper gentleman at times. Algernon learns that Jack’s real name is not Ernest, but that it is really Jack. However, the readers are given the privilege of knowing Jack’s true name from the very beginning. Then Algernon confesses to his “bunburying,” which is essentially the fact that he has a made up friend who is ill in order that Algernon can use him as an excuse to free himself from unpleasant social scenes. The action continues when Jack becomes engaged to Gwendolen under the false pretenses of the name Ernest. Skipping forward, Algernon visits Jack’s niece, Cecily, at Jack’s house in the countryside. Here is one of the first instances of dramatic ironies. Algernon introduces himself to Cecily as Ernest, Jack’s younger wild brother. The readers know that he is not, and that Ernest is made up in the first place. This creates humor due to the suspension it builds. The reader anticipates when Cecily will find out the truth, and how it will affect her. The plot thickens when Jack announces to Canon Chasuble that his brother Ernest is dead, while at the same time Algernon is pretending to be Ernest at Jack’s home. Once again this creates suspension because the reader has
Algernon Moncreiff on the other hand, lied to get to the coutnry so he could find something more genuine as opposed to the false honesty of the city. Again, one sees the same dichotomy as one would see in Jack. Alge lied to get to Cecily, his true love, which again is genuine. Cecily Cardew has a dichotomous personality as well. On the outside, Cecily appears to be innotcent and very victorian like, which represents the victorian dewfinitionof honesty. However, if one dug a little deeper, they would see that Cecily is much like a female version of a dandy. She has wicked thoughts, which represent her genuine, truly honest self.
Algernon’s stances on marriage, relationships, and self accurately describe his selfishness. Not only does Algernon destroy his own sense of reality, he destroys everyone else’s concept of the truth. The Importance of Being Earnest is meant to make people laugh; unfortunately, Wilde’s characters are so rude and condescending that the reader can have trouble finding the humor. This play is so full of unhealthy relationships that one has to assume that nothing will work out in the end. Algernon is an egomaniac, and there is no doubt that his attitude will rub off on Cecily, Jack, and
The Importance of Being Earnest is about a man named Jack Worthing who works several jobs in his town servicing other people. For many years, Jack has pretended to have a brother named Ernest who is supposedly off living a life on the edge on the pursuit of happiness, while managing to get into constant trouble. What Jack’s community doesn’t know, is that Ernest is just a made up person whom Jack uses as an excuse to leave work anytime he wants and to visit his lover Gwendolen. In the beginning, no one else knows that Ernest is actually Jack’s secret identity, until later in the play when Jack meets Algernon, who becomes
They are presented to within a high class of society, with a lack of consideration or care for the lower classes. Both are bored by their high society lives and “stiff” lunches/meetings that they must attend, so have created alter egos which they use to have fun in a different place. Algernon has invented a sick friend called Bunbury, who he sometimes must spend long lengths of time “looking after”, and when in the country, Jack becomes Ernest.
Show rivalry is sometimes part of the performance itself but often it is frowned upon if it gets out of hand. Matt LeBlanc, known for his role in the long time running television series FRIENDS threatened to quit Top Gear. That is unless co-host Chris Evans gets kicked off the show first.
Gender fluidity through the characters’ personalities and actions is subtly utilized in both plays to comment on the social traits expected of both sexes. In The Importance of Being Earnest, Jack and Algernon exhibit immature personalities through their Bunburying. When Algy says to Jack, "I have invented an invaluable permanent invalid called Bunbury, in order that I may be able to go down into the country whenever I choose" (Wilde, 301), it demonstrates Algernon’s yearning for an aesthetic life free from the social correctness. The same behaviour is seen in Jack through his creation of Ernest, and Algy’s comment on Jack being “one of the most advanced Bunburyists I know” (|Wilde ?301). Their desire to escape the monotonous routine of their daily lives reveals their
Oscar Wilde’s The Importance of Being Earnest is truly a satire. In The Importance of Being Ernest, Wilde mocks the society in Britain, and the rules it followed in the 1800s. He uses satire in the description of every character and other themes like marriage, intelligence, morality, and lifestyle primarily aimed at the upper class of the time. At the turn of every page the use of satire proves again and again to be ideal when questioning the morals and values of people.
The obligations hang upon the men protagonists that it could either be an excitement or a bore. This is what caused Algernon and Jack to be indulged in bunburying, an act created by Algy upon creating an individual named Bunbury. “When one is placed in the position of guardian, one has to adopt a very high moral tone on all subjects. It’s one’s duty to do so.” (P.35) Jack, having an eighteen year old ward named Cecily, could not leave his obligations for silly reasons such as enjoyment. Therefore, he invented a brother named Ernest in order to go up to the city. On the other hand, Algernon mentions, “I have invented an invaluable permanent invalid called Bunbury, in order that I may be able to go down into the country whenever I choose.” (P.35) In the city, he has to dine in restaurants with Lady Bracknell who makes him sit next to Mary Farquhar, a woman who flirts openly with her
Algernon: “What you really are is a Bunburyist. You are one of the most advanced Bunburyist I know.
While defining the term “Bunburyist,” Algernon comments to Jack that, “If it wasn’t for Bunbury’s extraordinary bad health [. . .] I wouldn’t be able to dine with you at Willis’s to-night” (Wilde 9). Bunbury, Algernon’s fake sick friend, allows him to be himself and enjoy time with his friends instead of entertaining his aunt. Algernon tells Jack that he created Bunbury to “be able to go down into the country whenever [he] choose[s]” (Wilde 9). Being of his high standing, Algernon was expected to stay in the city with his aunt as well as go to balls, dinner parties and other events on the social calendar; however, having a sick friend with a perpetual sickness allows him to go to the country, pretend to be Earnest, and eventually meet his future wife Cecily. When Jack tries to get Algy to leave Hertfordshire by asserting that his “duty as a gentleman” was calling him back to town, Algy responds with, “My duty as a gentleman has never interfered with my pleasures” (Wilde 33) Because of his fake friend Bunbury, Algernon is able to evade the obligations of being a gentleman. He can enjoy life and have fun without offending his aunt or
By stating that he did not know anyone by the name of Cecily, Jack initiates his own debacle. He has to clarify that Cecily is actual his ward. Nonetheless, Jack bears no anguish to dissembling to his closest companion. Jack’s morality has been impaired by his lies and it implies that his animalistic qualities control him. Yet, he falls in love and he must tell Gwendolen, his sweetheart, of his morally wrong character. In order to do so Jack has to disclose that Ernest was not in fact his real name but a mere alias created to cover up his dastardly ways. He can think of no other way than to “kill” his brother. Wilde shows how Jack’s urbane nature begins to be marred by his animalism since he was willing to kill a man, fictional or not. Ensuing in the play Jack is speaking with Algernon and he begins to ponder on how to commit the murder. He states “My poor brother Ernest is carried off suddenly in Paris, by a severe chill. That gets rid of him” (Wilde 16). Though fictional, Jack’s murder of Ernest still seems to carry the same implications further into the book. This murder eventually skews his reputation once his lies become known. Wilde proves how Jack’s lies soon catch up to him and flaw his esteemed moral persona. Later in the play Algernon sets off on a trip to Jack’s country estate and claims he is Ernest Worthing. Later when Jack arrives Cecily informs her caretaker that his brother Ernest is in his room. Jack replies