Gospel Rap Essay

In this book, Jeffrey Ogbar talks about the beginning of rap, where it started, some of the artists of this genre and some of the controversial topics the artists rap about. He also talks about the usage of the N word as well as men calling women the B word. In the first chapter of the book, Ogbar contextualizes the debate by talking about the history of the minstrel figure in American popular culture, relying mainly on the work of W. T. Lhamon and Patricia Hill Collins. He talks about how the earliest manifestations of hip-hop music in the 1970s came from the Black Power movement and often included direct rejections of minstrel tropes for example in the artist KRS-One’s song “My Philosophy”. Before going on a chronological study of the internal debates that many rappers have over their relationships with the minstrel trope, Ogbar finds the source of the debate in early twentieth-century black writers’, mainly W.E.B Du Bois, interest in elevating many portrayals of African Americans in the arts, versus Harlem Renaissance writers’ rejection of the emphasis on

Negro spirituals was a “genre” of music introduced by African American slaves in response to their lives and treatment by the white race. It gave many slaves the voice of opposition that they never had and allowed them to subliminally speak against their masters without fear of consequences. Said to have originated from slaves who were “Unable to read the Bible for themselves and skeptical of their masters’ interpretation of it…” (Raboteau). These songs were “… the message of the Christian gospel… translated… into

The Motown Museum in Detroit is truly a motivational part of America’s history; it stood for another way for African American voices to be heard on a much greater scale both national and even world wide. Motown has become America’s pop soul music for anyone and everyone.

Music is an important aspect of every society. Music can tell stories, release emotions, build bridges and break down barriers, but above all music is entertaining. There are various forms of music but not many have as rich a history as gospel music. The importance of gospel music has been relevant in American music for more than a century and its importance to society is still relevant to this day (See Appendix A). Gospel music helped slaves escape to freedom and paved the way for other styles of music. It promotes a spirit of hope and provided an outlet to worship God. So how exactly has Gospel music impacted today’s society?

Rap music has become one of the most distinctive and controversial music genres of the past few decades. A major part of hip hop culture, rap, discusses the experiences and standards of living of people in different situations ranging from racial stereotyping to struggle for survival in poor, violent conditions. Rap music is a vocal protest for the people oppressed by these things. Most people know that rap is not only music to dance and party to, but a significant form of expression. It is a source of information that describes the rage of people facing growing oppression, declining opportunities for advancement, changing moods on the streets, and everyday survival. Its distinct sound, images, and attitude are notorious to people of all

Many contradicting views surround rap music’s controversial subjects and use of language. While some consider it highly offensive, there is some validity to the rhetoric applied in political rap. In the 1990’s racial inequality is rampant with uprisings and segregated neighborhoods that condemn minorities and lower socioeconomic classes to inhumane living conditions. Specifically, Tupac Shakur’s posthumous song “I Wonder if Heaven Got a Ghetto” combines an emancipatory lyric with a hopeful and upbeat instrumental to assess the racial inequality in society and the possibility of a better future.

African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.

Gospel music is an elegant form of worship. It has been used to speak out against oppression and to advocate for freedom and equality for all. Gospel Music is exemplary of music being used to change the world. Gospel music and the various artists associated with it have had a monumental impact on the face of our

Today, rap music is an ever growing genre of music that is often centered on hedonistic pursuits such as wealth, cars, drinks, and fame. About forty years ago, however, rap music focused on an entirely different subject matter. During the 1970s, African Americans sung rap songs to express the need for Black empowerment in society; though their form of singing was not called rapping back then, it was called spoken word poetry, a form of song in which verses of poetry were performed with a fixed beat before an audience. African Americans used this style of singing to express the discontent with the economics and politics during the 1970s. The black population was still economically and politically powerless

The rap genre originated from some of the most underprivileged areas of New York in the 1970’s. What was once DJ’s talking over a beat they were playing to encourage more activity on the dance floor, turned in to a new genre of music called rap. The majority of earlier rap songs were fun inducing tracks, but in the 1980’s, Grandmaster Flash and The Furious Five introduced social consciousness to the genre. They sparked a long lasting impact on rap as it started to evolve rapidly as time went on. The 90’s was home to “gangsta rap,” followed by a softer side of song writing pioneered by the likes of Outkast and Kanye West in the 2000’s. Today, rap music is very diverse and more accepting of different styles than it was before. However, throughout the entire history of rap music, the one thing that has stayed

1.) In this class we have examined the sociological forces that created the social conditions from which Hip-Hop emerged in the Bronx. Drawing upon Chang, as well as videos (Bronx is Burning, Flying Cut Sleeves etc.), discuss the sociological roots of rap. Specifically, what social forces (for example: state policies, global economic trends, technological advancements, community characteristics as well as race, class, gender politics) were present and facilitated the development of Hip-Hop?

Rap music, also known as hip-hop, is a popular art form. Having risen from humble origins on the streets of New York City during the mid-1970s, hip-hop has since become a multifaceted cultural force. Indeed, observers say, hip-hop is more than just music. The culture that has blossomed around rap music in recent decades has influenced fashion, dance, television, film and—perhaps what has become the most controversially—the attitudes of American youth. For many rappers and rap fans during it’s early time, hip-hop provided an accurate, honest depiction of city life that had been considered conspicuously absent from other media sources, such as television. With a growing number of rap artists within this period, using hip-hop as a platform to call for social progress and impart positive messages to listeners, the genre entered a so-called Golden Age

As Gospel music has a complex and diversified history, there are several forms of the genre, many of which intertwine with Soul (Gospel’s secular counterpart), Blues and Jazz. Consequently, although adaptable and broadly-defined, Gospel’s all-embracing musical lesson of spiritual contemplation and persistence, has always been a constant reminder for its enthusiasts.

Since the beginning of its art form rap music has been subject to scrutiny throughout its existence. In a Theresa Martinez reading from the semester, the author describes rap music as a resistance. She builds on a theory of oppositional culture that was composed by Bonnie Mitchell and Joe Feagin (1995). In this article, “POPULAR CULTURE AS OPPOSITIONAL CULTURE: Rap as Resistance”, Martinez explains how African Americans, American Indians, and Mexican Americans draw on their own cultural resources to resist oppression. She states that this very resistance to the dominate culture in

Gospel music has been around for a hundred of years. Gospel music is highly emotional evangelical vocal music that originated among African American Christians in the southern United States and was a strong influence in the development of soul music. (Gospel Music) Gospel music quite evolved from the songs slaves sang on plantations notably work songs, and from the Protestant hymns they sang in church. However in the 19th century, spiritual hymns transfer into gospel music, which started the golden age of gospel music began turning in a new direction. Gospel music also influences different type music styles that people have today. People are change by the music of gospel music and find inspiration to go through life.