Importance of Dean Moriarty in Jack Kerouac’s On The Road
It is Dean Moriarty, in Jack Kerouac’s On The Road, who represents the eternal flame of youth that was adopted by the rebellious youth culture of the Beat Generation. He is free from responsibility, “simply a youth tremendously excited with life…want[ing] so much to live and to get involved with people who would otherwise pay no attention to him” (Kerouac 4). Just as the Greek of the Olympics, “with [the] torch…[that] ignites the pagan dream of immortality” (Rodriguez 1), Dean embodies the almost immortal flame of youth, the eternal “sideburned hero of the snowy West” (Kerouac 2). As “He was the BEAT—the root, the soul of Beatific” (Kerouac 195), Dean embodied and still
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Sal chooses to become “an ‘American’ like Dean, by taking his isolation, his individuality, as an opportunity to ignore death by ignoring time and social pattern” (Hunt 39). It is this ignorance of social pattern that allows Dean to represent the perpetual youth culture of the Beat Generation.
It is the character of Dean Moriarty in which Sal finds the great American hero, the eternal flame of the reckless Beat Generation. Because Jack Kerouac based the character of Dean Moriarty on one of his intimate companions, Neal Cassady, Robert Hipkiss believes that “when Kerouac created Dean Moriarty out of Neal, he created a new symbol of flaming American youth, the American hero of the Beat Generation” (Holstad 1). Symbolic of the youth culture known as the Beat Generation, Dean Moriarty plays the role of the modernized American hero adopted by the rebellious adolescent masses. As Scott Holstad comments, one sees that Dean Moriarty symbolizes the ever-blazing flame of youth, being “the most singular hero of the road America has ever had. Mixing individualism of the freeborn American with that of the great present-day extension of freedom” (Holstad 2). In Dean, one finds the wild American hero, blazing with dangerous recklessness, but who is undeniably infinite in his nature.
Burning with uneasy madness, Dean’s nature is characteristic of the many prevalent rebellious figures of his time, the Rebel. Holstad finds in
Cormac McCarthy’s brain child “The Road” is a postapocalyptic novel that illustrates the harsh reality of the world. This story serves as a truth that humans, when stripped of their humanity will take desperate measures in order to survive. The reader learns; however even when it seems all hope is lost good can still be found in the world. The son character of this story illuminates this philosophy. He is a foil of his father and shows how even a person never accustomed to the luxury of a normal life can still see goodness.
Cormack McCarthy’s novel, The Road, is set in a post apocalyptic world, where humanity is struggling to survive. Through his simplistic writing style and powerful symbolism, McCarthy tells a story about the human condition as well as what it truly means to be human. Though it is set in a wasteland this novel still manages to project hope through the love of a boy and his father. The following passages are quotes that spoke to me stylistically or symbolically while I was reading.
The decade of hip-hop is what some may call it. Tupac, Naz, Biggie Smalls, as well as other artists, were major contributions. Not only for the people who are trying to find their footing, but Buck as well. Throughout the book various lyrics were embedded in order to create a better understanding for its readers. In addition, this book is based upon a 90s lifestyle within Philadelphia, which included drugs, gang activity, crime, hip-hop, and havoc. Malo was directly in the center of everything, the girls, the fights, the guns. His experiences shed light towards what it’s like to as an African American individual living in or near the hood. Not everyone realizes what people go through while living there, but now it gives some readers an image of what goes on. Though times have changed, not all previous feelings
As one is put through times of strife and struggle, an individual begins to lose their sense of human moral and switch into survival mode. Their main focus is their own survival, not of another's. In the post-apocalyptic novel, The Road by Cormac McCarthy, a father and son travel along the road towards the coast, while battling to survive the harsh weather and scarce food supply, as well as avoid any threats that could do them harm. Throughout their journey along the road, the father and son are exposed to the horrid remnants of humanity. As a result, the father and son constantly refer to themselves as “the good guys” and that they “carry the fire”, meaning they carry the last existing spark of humanity within themselves. By the acts of compassion
By the age of 16, Santana’s worldview and identity is well established. He exhibits a strong internalization of his Chicano (a Latino subculture) heritage and has begun to experience and establish an awareness of what Peter Bohmer describes as “internalized colonialism:” the socially and economically structured practice of securing the labor of non-Whites for the least desirable, "dirty and servile" jobs that are unwanted by Whites (Bohmer, 1998). Forming his own gang seemed to be a “natural” alternative to becoming a “pawn” in the well-established system of internalized colonialism. His Latino gang became a sub-cultural “vent” for relieving much of young Santana’s social, economic, and personal hardships, as well as a means of developing self-respect through the illegal and coercive powers made possible by gang activity and gang unity.
Santana was born to a culture that has been historically abused for labor, marginalized (Kendall, 2007), and reputed as criminals. Santana’s opportunities in life were predetermined by forces in position of power long before his birth. Due to the circumstance of Santana’s conception he served as a constant reminder of his mother’s violation. The young Santana, rejected by his father and emotionally abandoned by his mother, was unable to garner a sense of belonging from home. Santana finds the family he seeks amongst his friends on the streets and from his gang La Eme in
The beat generation was a movement that sought to oppose American society values, and any sort of control. They explored Eastern religions, was somewhat postmodernism, rejected the materialistic culture, spoke about drugs, our conscious mind, and fought for sexual liberation and exploration with their unapologetically offensive language. While reading the novel Jitterbug Perfume written by Tom Robbin, one can witness how the novel exhibits aspects of the beat literature, and thus concluding that the beat generation served as inspiration to Tom Robbin.
It was a 1951 TIME cover story, which dubbed the Beats a ‘Silent Generation, ’ that led to Allen Ginsberg’s retort in his poem ‘America,’ in which he vocalises a frustration at this loss of self- importance. The fifties Beat Generation, notably through Jack Kerouac’s On the Road and Allen Ginsberg’s Howl as will here be discussed, fought to revitalise individuality and revolutionise their censored society which seemed to produce everything for the masses at the expense of the individual’s creative and intellectual potential. Indeed, as John Clellon Holmes once noted: “TIME magazine called them the Silent Generation, but this may have been because TIME was not
Ginsberg expresses what Moloch means to him. The “best minds” are exposed to the unpleasant feeling of being remote from society if they did not follow their callings. Those callings create solitude of man from one another and the world as a whole. Members of the American society sacrifice their time and emotions for an unobtainable wealth they can never receive. Ginsberg reflects on poverty of the time the “best minds” were living in which left the children homeless and on the streets. Ginsberg expresses American society taking the young people and making them go mad by stating that boys were in armies and old men in parks. Moloch creates the filth and ugliness the “best minds” are forced to live in if they do not conform to the ideals of the modern society they
Cormac McCarthy’s The Road is his post-apocalyptic magnus opus which combines a riveting plot along with an unconventional prose style. Released in 2006, the novel has won awards such as the Pulitzer Prize and the National Book Critics Circle Award (Wilson). Oprah Winfrey also selected the book for her book club ("Cormac McCarthy”). The author, Cormac McCarthy, was born in 1933 in Rhode Island and is said to have wrote the novel because of his son and their relationship. The Road centers around a boy and his father while they try to survive after an unknown disaster occurs. While some people may argue that the unusual style takes away from the novel, it adds to the tone and meaning of the work.
Imagine yourself living in a barren, desolate, cold, dreary world, with a constant fear of the future. The Road, written by Cormac McCarthy and published in 2006, is a vivid and heartwarming novel that takes us through the journey of a father and a son as they travel South in a post-apocalyptic environment facing persistent challenges and struggles. McCarthy proves that love unleashes immense strength to overcome obstacles, even in times of desperation.
Finally we look at the sociocultural perspective that focuses on the relationship between social behavior and culture. The social behavior that he exhibited while moving between relationships and imprisonment was magnified when The Beatles came out with Helter Skelter.
Jack Kerouac is considered a legend in history as one of America's best and foremost Beat Generation authors. The term "Beat" or "Beatnic" refers to the spontaneous and wandering way of life for some people during the period of postwar America, that seemed to be induced by jazz and drug-induced visions. "On the Road" was one such experience of Beatnic lifestyle through the eyes and heart of Jack Kerouac. It was a time when America was rebuilding after WW I. Describing the complexity and prosperity of the postwar society was not Karouac's original intent. However, this book described it a way everyone could visualize. It contained examples and experiences of common people looking for new and exciting
Jack Kerouac is the first to explore the world of the wandering hoboes in his novel, On the Road. He created a world that shows the lives and motivations of this culture he himself named the 'Beats.' Kerouac saw the beats as people who rebel against everything accepted to gain freedom and expression. Although he has been highly criticized for his lack of writing skills, he made a novel that is both realistic and enjoyable to read. He has a complete disregard for developed of plot or characters, yet his descriptions are incredible. Kerouac?s novel On the Road defined the post World War II generation known as the 'beats.'
A disillusioned youth roams the country without truly establishing himself in one of the many cities he falls in love with. In doing so, he manages with the thought or presence of his best friend. What is he searching for? While journeying on the road, Sal Paradise is not searching for a home, a job, or a wife. Instead, he longs for a mental utopia offered by Dean Moriarty. This object of his brotherly love grew up in the streets of America. Through the hardships of continuously being shuffled from city to city, Dean has encompassed what is and what is not important in life. While driving back to Testament in the '49 Hudson, Dean propositions Sal through an appeal to emotion. In passing