Impressionism And Its Impression On Modern Art

Two sculptures, among others, lie in the outskirts of the Franklin D. Murphy Sculpture Garden at UCLA. One of them, The Walking Man, is a bronze sculpture created by French sculptor Auguste Rodin in 1905. The other, made more than 100 years later, is T.E.U.C.L.A., a large scale steel sculpture made by minimalist sculptor Richard Serra. Although it may seem like these works have more differences than similarities, both emphasize the processes of their creation and are major movements away from the classical tradition of sculpture. However, The Walking Man and T.E.U.C.L.A. also differ in several aspects that reflect their respective artists’ personal portrayals of modern sculpture. These aspects include: mode of production, composition and the arrangement of volumes, the play of light and shadow, and visual experience. Together these elements of formal organization work together to convey meaning in both of these works. Rodin’s deliberate rejection of refinement and disregard for the direct translation of the unformed to formed in The Walking Man represent the process and spontaneity of reality, while Serra’s use of curvature and aperture in T.E.U.C.L.A. models the spaces people move through and the perceptive skills they use in life and nature.

In the 19th century, there was an artistic transition from realism to a new form called impressionism. This change originated in France, as the world underwent a transition to industrialization. The impressionist was able to understand how light and color operate hand in hand in a painting. Instead of seeing an image as a whole work, impressionist would see smaller images making up the entire piece. The style was primarily made of the use of intense colors, open composition, light and movement and brush strokes. They were mainly

Impressionism can be considered the first distinctly modern movement in painting. Developing in Paris in the 1860s, its influence spread throughout Europe and eventually the United States. Impressionism was a style of representational art that did not necessarily rely on realistic depictions. The Impressionists loosened their brushwork and lightened their palettes to include pure, intense colors.

This essay analyses the aesthetic and ideological underpinnings of the Modernist artwork, Impression, Sunrise of Claude Monet. The artwork and Impressionism is considered to be a visual articulation of the avant-garde and the latter statement is explained. References to the writings of Charles Harrison, Clement Greenberg and Wilhelm Worringer is used to theorise the aesthetics of modernity.

Impressionism is an art movement initiated in France (Paris) in 19th century. The name of this art movement was taken from a French artist’s name called Claude Monet, who painted his artwork (impression, sunrise). Impressionism art movement combined a group of prominent French artists, who their exhibitions became more important through 1870 – 1880s, despite the opposition from the classical art community in France. Claude Monet’s painting was provoked by the Critic Louis Leroy.

This group included Claude Monet, Pierre Auguste Renoir, Camille Pissarro,Edgar Degas, Alfred Sisley and Henri Marie Raymond de Toulouse-Lautrec whom all worked together, influenced each other, and exhibited together and independently. A major fact that tied the group together was that they were exhilarated by contemporary developments in the color theory which helped their search for a more exact analysis of the effects of color and light in nature. They did not believe the shadows of objects were made up from its color with some brown or black added like it portrays. Instead they believed in greater depth that the shadow of an object was broken up with dashes of its complementary color, which is found to be very interesting. Impressionism is based on modernity, meaning faster pace and various improvements in the quality of daily life (Gersh-Nesic, n.d.). The key characteristics of Impressionism were light and its reflection, quickly painted surfaces, dots, dashes, separation of colors and letting the eye's perception mix them, commas and other short brushstrokes. These artists are known to jot down things faster and were called impressionists and their paintings eventually became known as Impressionism. The word "impressionist" in 1874 typically meant no skill but the group did not give up on the art they believed in, although they were rejected by academic institutions such as the French academy of fine arts and the Salon. By then end of the impressionist period artist no longer listened to the strict rules and did not care about the opinion of the salon, they were free to paint how they wanted and began to pursue their own ideas. This led to a growing revolution in art and is looked upon by many artists

The impressionist movement was a leap away from traditional art and a innovative style that would capture the hearts of many. Although, the elimination on detail and lines would be seen as blasphemous to true art to some. The new style of using light ground and working up with dark colors would breed some brilliant work. For instance, Vincent Van Gogh's painting entitled, "Starry Night" makes you really just want to sit and marvel in its beauty. Van Gogh's paintings seemed to be painted in quick passionate and precise strokes which effortlessly create unique and breathtaking pieces of art. Although, they were painted in passion I was blown away when I heard of the amount of detail and sketching that went into a lot of Van Gogh's work. I appreciate

Impressionist artwork becomes very unpopular among art critics because find their colors vulgar and thought each artist couldn’t draw. They view their composition as strange unfinished artwork. Their technique of using short, slapdash brushstroke made their paintings look and seem obscure. Impression art violated every rule of the Academy, the school of conservative art. Impressionism was the art of a modern urban scene. I am not surprised of their opinion because Impressionists artwork was modern and unique. The Academy only deemed “history painting” as acceptable and critics awarding paintings (Gersh-Nesic).

Impressionism is a new kind of painting that captures a fleeting moment in time. Whether it be moving people doing daily activities or water shimmering on the lake. During the 1800s, impressionism was a drastic break in the history of art. It is also described as a revolution because it broke away from the average paintings that consisted of history and mythology. The artists could paint what they saw through their own eyes and could use their own techniques. The history of art went from classical paintings to modern, weird paintings. All of the artists had the idea that it was time for them to paint what they saw through their own eyes.

American Impressionism took shift in Paris, 1874 by a group of artists called the Anonymous Society of Painters. They organized an exhibition in Paris that launched the movement called Impressionism. Impressionists depicted the everyday lives of middle-class people by using natural light and rapid brushwork. In addition to their fundamental technique, the bright colors of Impressionist canvases were shocking to people who were used to the more moderate colors of Academic painting. The paints themselves were more vivid as well. In the nineteenth century there was a development of unatural pigments for artists’ paints, providing vibrant shades of blue, green, and yellow that painters had never used before.1 Impressionism was never thought of

Choose a picture that ‘speaks to you’. Please do brief research using books or the Internet to discover the picture’s story, answering the following questions:

Impressionism is a style of painting that emerged in the mid to late 1800s and emphasizes an artist's immediate impression of a moment or scene, usually communicated through the use of light and its reflection, short brushstrokes, and separation of colors. Impressionist painters often used modern life as their subject matter and painted quickly and

The impressionist movement began in the 1870’s by a group of artists rejected and harshly criticized by the established art world and its critics in authority, particularly the Academie des Beaux-Arts. Several common characteristics encompassed this radical new artistic style. Images rendered from the artist’s everyday world strayed away from historical, religious or mythological subjects. Natural landscapes were painted without idealization and used vibrant light colors, which at times were mixed directly on the canvas contrary to the traditional darker palettes of their predecessors. The technique using quick, spontaneous brushstrokes enabled the artist to capture fleeting moments of light without concern for well-defined lines of a meticulous finish. Compositions were "unhampered by traditional rules" allowing for experimentation often framing and cropping subjects in shocking ways.

Since the 18th century, paintings were classified by the genre they fit in. History paintings were viewed to be superior, followed by portraits, landscape, genre scenes, and still life. The upcoming style to break this hierarchy would be Impressionism. Impressionism started around 1869 and would soon birth a variety of incredible artists still acknowledged today. Now let's start to break down what defines this new style called impressionism. The term Impressionism developed from a scolding critique by Lewis Lee rod where he described a painting as just a minor impression. This

Oscar Claude Monet was the founder of impressionism. He is a famous french painter whose work gave a name to the art movement impressionism. Claude Monet’s famous quote is “merely think here is a little square of blue, here an oblong (having an elongated shape, as a rectangle or an oval) of pink, here a streak of yellow and paint it just as it looks to you, the exact color and shape until it gives your own naïve