Impressionism
Impressionism by definition is: “a style or movement in painting originating in France
in the 1860s, characterized by a concern with depicting the visual impression of the
moment, especially in terms of the shifting effect of light and color.” But I think that
impressionism gives off more of a feeling, and I think that it sets a mood. I think that
impressionist paintings all have a flow to them and they are very elegant and classy.
The impressionist era started in the 1860s, and ended in the 1880s. It developed in
Paris, and spread throughout Europe. At the time, paintings of still life’s and landscapes
were not valued. So impressionist paintings brought about a very new change in the art
world. But in the early 1860s, more and more artists began to discover their interests in
impressionist paintings. These artists brought us the incredible pieces of impressionist
art we have today.
One of the artist’s I would like to address is Mary Cassatt. She was born on May, 22,
1844 in Allegheny City, Pennsylvania, United States. She was born into an upper-
middle-class family, that was well educated, and had a profound influence on her. Mary
traveled all over Europe as she grew up. She learned German and French and also had
her first art lessons while she was traveling abroad. It is most likely that her first
exposure to art was at the Paris World’s Fair in 1855. Her family objected to her
becoming a professional
In early 19th century, the French government controlled the academies and salons of paintings. The impressionism took place in second half of 19th century, which was results of French artists rejecting the traditional government sanctioned academic painting that was dominating their arts at the time. The first independent art exhibition was held in 1874 for one month. Few of the famous artists’ who participated and help organize this exhibition was Claude Monet, Berthe Morisot, Pierre-Auguste Renior, Edgar Degas and Camille Pissarro along with 25 other artists. They displayed approximately 165 paintings during this exhibit. This group of artists referred themselves as
Georgia O’Keeffe was born to the parents of Francis Calyxtus O’Keeffe and Ida (Totto) O’Keeffe on November 15, 1887 near Wisconsin. Georgia was the second oldest child and by the age of ten she knew she wanted to become an artist someday. Her first aspiration was doing abstracts. She was selective about what she painted, but often times she would paint to please others and not herself. Her paintings were thought of as sexual paintings because of the way they were drawn and painted in which she would say is one’s own opinion. Georgia O’Keeffe was best known for her flower canvas and southwestern landscapes. Her husband who is a famous photographer by the name of Alfred Stieglitz used to paint nice portraits of her. She was very fond of him, they both liked what each other did as far as how they were making ends meet, and he just didn’t want her to sell any of her paintings. He would often times tell people “No” so they wouldn’t buy any of her paintings because he wanted them all to himself. She had an interest in nature and used bright colors in her paintings.
In the 19th century, there was an artistic transition from realism to a new form called impressionism. This change originated in France, as the world underwent a transition to industrialization. The impressionist was able to understand how light and color operate hand in hand in a painting. Instead of seeing an image as a whole work, impressionist would see smaller images making up the entire piece. The style was primarily made of the use of intense colors, open composition, light and movement and brush strokes. They were mainly
During the 1870s a new category of art formed known as the Aesthetic Movement, which was based upon not what world was around the art, but the art itself (Pohl 284). This movement originated in England and spread throughout the Americas opposing the current views about art during the time the it arose, which was the ideology that art must always serve some sort of clandestine purpose. Artists who supported the Aesthetic Movement also denied any moral values that people gave to art. The painting that I chose that best fits the ideals of aestheticism is In the Studio, 1880 by William Merritt Chase. During the 19th century industrialization rapidly began to change American culture bringing on consumerism and capitalism, which focused on the
Mary Cassatt is known world-wide for her impressing art in which she focuses mainly in the everyday life of women and children. She is an American artist born in Pennsylvania on May 22, 1844, but later relocates to Europe in 1866 to pursue to work in art. This was mainly due to her family’s and society’s objections to women in the field of art. There she met and befriended famous Impressionist Edgar Degas. Because of her close friendship with Degas, she grew courage to continue to do art in her own way. She continued to paint until she slowly began to lose her eyesight and later died in 1926. Cassatt was part of the Impressionist style movement, in which she painted portraits unlike many others who painted landscapes (biography.com). Her artwork
Post-impressionism and Pop Art resulted as an artistic reaction on both sides. Post-Impressionism groups diverse pictorial tendencies that arose in France surroundings to 1880-1905 like reaction to the impressionism. In the other hand pop art was an artistic reaction to abstract expressionism. It can seem surprising the fact that in so short space of time, as soon as a quarter of century, so many evolutions and involutions in the land of art have taken place, mainly considering that until second half of century XIX, the great
Mary Cassatt graduated high school in 1861 at the age of seventeen. Drawing was her passion, with a failed attempted to convince her father to send her to Europe to study art; she started her studies in art at the Pennsylvania Academy of Fine Arts. Her father had hopes that once she finished her studies, she would settle down getting married and start a family of her own. Cassatt completed her four years of study at the Pennsylvania Academy of Fine Arts in 1865; during that time period it was unheard of for a young woman to become a professional artist, in this male dominant filed (Witkoski, 2016). Cassatt was a very modern thinking woman for her time and after her studies at the Pennsylvania Academy of Fine Arts, she successfully convinced her father that she needed to learn more in Europe (Stafford PTSA, 2017).
1893, Mary was very inspired by Japanese prints, she adopted-in oil, pastels, and prints, radiantly colored, even images and piercing designs. Cassatt admired Edgar Degas impressionist also, and they became good friends, he even quoted, “There is a person who feels as I do.”. (Strickland, p. 108)
The artwork of Édouard Manet was a determining factor in the transition of Realism into Impressionism. Impressionism was the beginning of modern art. It rose to notoriety in the shadows of the French Revolution under the rule of Napoleon III, “The precise moment when Impressionism was coalescing as a style, 1870-71, coincided with a war and a change of political regime.” Strict rules were implemented governing each art exhibition, thus artists who stood for artistic freedom and innovation revolted, breaking the rules of academic painting and impressionism was born.
Content: Impressionism is a 19th-century art movement that originated in Paris. A few painters that were know for impressionism were Claude Monet, Pierre Auguste Renoir, and Frédéric Bazille, who influenced each other and worked together. Mary Cassatt portrait shows that she mastered impressionism, due to her brushwork and sketch like finish and the way she painted Mrs. Scott’s hand holding the teapot with the seriousness on her face.
During the Modern Era of the late 19th century and the early 20th century, many artists were turning away from the idea of painting realistic images. Photography, having just been developed for public use a few decades earlier, made artists of the day focus less on painting as an precise copy of what is seen, as had been done for centuries. Since the Middle Ages, most artists painted exact representations of life. Starting in the late 1800s, though, many artists were starting to embrace the theory of art as an impression of what is seen. Impressionism, the art movement that began in the 1870s in France, was the first real development of this new concept of painting. Impressionists, such as Claude Monet, sought to put on canvas how they
For this week’s blog chose to compare the styles of Impressionism and Post-Impressionism. Both of these styles started to rise up in the 19th century from France. There are many differences between these two styles. Impressionists were very in favor of independent exhibitions, while the Post-Impressionists placed on emphasis on structure. The Impressionists often drew upon landscapes and the scenes of modern life for inspiration, paying attention to light, atmosphere, and movement for their color. The Impressionists often did not rely on historical or mythical inspiration. The Post-Impressionists, on the other hand, rejected the Impressionist idea of being spontaneous for their color. Post-Impressionists believed that color could be independent of the emotional and aesthetic meaning of the painting.
Impressionism as an historical art period is best described as a shift in thinking and focus. This paradigm shift, away from realism and toward individualism, began a centuries long transformation of self-expression in art as a whole. Impressionism is generally considered a French movement and is typically defined as spanning from approximately 1867 to 1886. Impressionism is best embodied by and was perhaps initiated by Claud Monet in such world-renowned works as Impressions: soleil levant which lent its name to the style and subsequently the art period as a whole.
Post Impressionism is a French art movement that developed roughly between 1886 and 1905. Post Impressionism was coined by English art critic Roger Fry for work of such late 19th century painters. Most painters other than Van Gogh were French and began as Impressionists they each had their own style of highly person art. The pure, flat color, heavy outline and the decorative quality of medieval stained glass and manuscript illumination. Two artists explored the expressive potential pure of color and line. The objective of nature in terms of the effects of color and light. Post-Impressionist limited aim in favor of more ambitious expression. However, to pure brilliant color of Impressionism. Post-Impressionist movement was not lengthy. But most scholars place post impressionism from the mid to late 1880s-1900s. Rewald considered this a continuation of his 1946 study, History of Impressionism and pointe out a “subsequent volume dedicated to the second half of the post-impressionist period”.
For Mary Cassatt, born in Philadelphia yet spending much of her career and time in France, she is often thought of as a French artist (Radford University). As a child, her parents were comfortably middle-upper class in wealth and chose to live in France and Germany for several years during her formative years (“Mary Cassatt, American Draftsman”). While not known for certain, many theorize that she visited the 1855 Paris World’s Fair, which would’ve given her a very early exposure to many French masters of art (“Mary Cassatt, American Draftsman”). At only sixteen years old, Cassatt began two years’ study at the Pennsylvania Academy of Fine Arts back in America (“Mary Cassatt, American Draftsman”). Once completing this, she asked to move to Paris, and after some hesitation, her parents allowed her