Impressionism Research Paper

Although at first glance, Realism and Impressionism appear to be completely separate movements in 19th century art, they in fact were both bred as a response to the new order of Europe that had evolved as a result of the marks made by both the Industrial Revolution and a series of European continental wars. Realist painters and Impressionist painters alike faced controversy in challenging the status quo of the Salons, and took risks to no longer romanticize drastic changes within society caused by industrialization, but instead acknowledge them head-on. Edouard Manet in particular exemplified the gradual transitions from Realism to Impressionism and even to

In the 19th century, there was an artistic transition from realism to a new form called impressionism. This change originated in France, as the world underwent a transition to industrialization. The impressionist was able to understand how light and color operate hand in hand in a painting. Instead of seeing an image as a whole work, impressionist would see smaller images making up the entire piece. The style was primarily made of the use of intense colors, open composition, light and movement and brush strokes. They were mainly

There are numerous events and ideas out there that lead to art. One of my favorite art quotes, “The aim of art is to represent not the outward appearance of things, but their inward significance”. (Aristotle) I plan to attend this Art Institute to complete my thirst of art to say. I absolutely love art. I would like to indicate one of the Art Institute programs to excel in knowledge and something I intend on exceeding in and desire. The Art Institute is full of interesting programs that I could not even imagine doing. With a degree from the Art institute I can actually go places and become recognized for my excellence in my specific art area. There are respectable jobs and even life long careers out there in the world today. Provided, money

At first, they were not accepted into their world of art and their work was found disgraceful and shocking. As they saw themselves as Avant-garde leaders and aimed to start a revolution and rebel against the Royal Academy regulations and standards, by doing things like humanizing the holy family, displaying affection bluntly between couples and painting exactly what they saw without any modification in their paintings. All of these things were found open majorly in the Victorian era. However, as time went on people began to accept Impressionism and the Pre-Raphaelites. Both groups had a interesting but different ways of responding to the 19th Century life style and introducing their art. The biggest difference being the context of their painting because even though both groups wanted to make a difference in art they executed their plans differently. However, there were many similarities between them as well one of them being their response to religion which that they didn’t present it to be as magnificent as other artists in the 19th Century. However, they were in the time of the Renaissance (the re-birth) and many people started to think in a new way and the Pre-Raphaelites and the Impressionist were groups who done just

This group included Claude Monet, Pierre Auguste Renoir, Camille Pissarro,Edgar Degas, Alfred Sisley and Henri Marie Raymond de Toulouse-Lautrec whom all worked together, influenced each other, and exhibited together and independently. A major fact that tied the group together was that they were exhilarated by contemporary developments in the color theory which helped their search for a more exact analysis of the effects of color and light in nature. They did not believe the shadows of objects were made up from its color with some brown or black added like it portrays. Instead they believed in greater depth that the shadow of an object was broken up with dashes of its complementary color, which is found to be very interesting. Impressionism is based on modernity, meaning faster pace and various improvements in the quality of daily life (Gersh-Nesic, n.d.). The key characteristics of Impressionism were light and its reflection, quickly painted surfaces, dots, dashes, separation of colors and letting the eye's perception mix them, commas and other short brushstrokes. These artists are known to jot down things faster and were called impressionists and their paintings eventually became known as Impressionism. The word "impressionist" in 1874 typically meant no skill but the group did not give up on the art they believed in, although they were rejected by academic institutions such as the French academy of fine arts and the Salon. By then end of the impressionist period artist no longer listened to the strict rules and did not care about the opinion of the salon, they were free to paint how they wanted and began to pursue their own ideas. This led to a growing revolution in art and is looked upon by many artists

1.How did Gericault talk about particular conditions of human life in his art work? Gericault was Romantic artist who painted scenes of suffering. Typically, the suffering was connected to war. Nonetheless his painting displayed a sense of insanity regarding war. These paintings were caught in the public’s eye giving them a visual of what occurs during battle. In addition, Gericault work was influencing regarding suffering of human life.

The Salon was the official art exhibition of the Academie des Beaux-Arts in Paris, in the nineteenth century.

Instead of artists applying brushstrokes towards paintings that encompassed realistic ideas, a new type of theme was known in the early 19th and late 20th centuries. This new theme of art came from Impressionism, which was a movement in France that dealt with painting outside of the studio or museums and painting nature directly. However, these painters did not only paint scenes from nature but also streets, cabarets, rivers, and busy boulevards, wherever human beings were present. Impressionists’ painting referred to originality seen in past artworks by utilizing bright colors, dynamic brushstrokes, and a smaller scale. By the 1880s a new style of painting had emerged in France and other European nations, which was Post-Impressionism. Post-Impressionism was different from Impressionism in that Post-Impressionism emphasized not only on color and light but also focused more on structure and form. Also, these types of paintings used color and line to express a personal sense of reality that was different from Impressionism. As Post-Impressionism shifted from objective reality to subjective reality, Post-Impressionism was the beginning of modern art. Two of the most famous Post-Impressionists are Paul Cezanne and Vincent van Gogh, whose famous paintings are Mont Sainte-Victoire and Starry Night, separately. Both of their paintings made use of the

Impressionism art can be considered the first distinctly modern movement in painting, it was developed in Paris in the 1860’s but wasn’t first exhibited until 1874. Impressionist art turned away from the fine finish and detail that artist during the same time aspired to create. Impressionist captured or at least tried to capture momentary, and sensory effect of a scene. Impressionist didn’t rely heavily on realistic depictions of an object or scene, they loosed the brushwork and lightened their palettes to include intense pure colors. They didn’t follow the traditional linear perspective and clarity that previous art forms depicted to lesser ones. Many critics during the time faulted the impressionist paintings because of that

The period of Impressionism and Post Impressionism embarks from ca. 1860 to 1910 CE. For the Impressionists artists the main focus were the upper middle class, the city and restful activities. They emphasized in the outdoors, parks, sky, star, sun etc. in hope to obtain directly the effects of light and the atmosphere, this method was known as en plein air. This technique was influenced by the Japanese art and photography. They used strokes and touches of pure colors mostly white, almost never black. They were able to record or attain the shifting play of light on the surface of the object they were working on. This method allowed the artist to record the effect light had on the eyes of the spectator without concern for the physical aspect

To begin with, “The French Revolution (1789–1799) was a period of ideological, political and social upheaval in the political history of France and Europe as a whole, during which the French polity, previously an absolute monarchy with feudal privileges for the aristocracy and Catholic clergy, underwent radical change to forms based on Enlightenment principles of republicanism, citizenship, and rights.” (New World Encyclopedia, n.d.) As a result of this French Revolution, the painting and/or sculpture were affected in any way. I believe that the purpose of art was drastically changed during this time; the art became freer to present the messages.

The Impressionist period was a time of innovation. This created pressure on the artists to respond to the invention of the light bulb and the camera. Photography became popular with the middle class as it was cheaper and more accessible than portraiture. This forced painters to think outside the box and the impressionist art period was born. Painters, with this change, needed to experiment with different brush and colour techniques. They could reduce their attention to the subject matter and focus more on how they applied the paint. Realism was no longer the ideal in the artists eye (Impressionism, 2015, para 1). Landscapes became popular to paint with the innovation of tubed oil paints. Artists found it easier to transport their materials

The impressionist movement is often considered to mark the beginning of the modern period of art. It was developed in France during the late 19th century. The impressionist movement arose out of dissatisfaction with the classical, dull subjects and clean cut precise techniques of painting. They preferred to paint outdoors concentrating more on landscapes and street scenes, and began to paint ordinary everyday people and liked to show the effects in natural light.

During the Modern Era of the late 19th century and the early 20th century, many artists were turning away from the idea of painting realistic images. Photography, having just been developed for public use a few decades earlier, made artists of the day focus less on painting as an precise copy of what is seen, as had been done for centuries. Since the Middle Ages, most artists painted exact representations of life. Starting in the late 1800s, though, many artists were starting to embrace the theory of art as an impression of what is seen. Impressionism, the art movement that began in the 1870s in France, was the first real development of this new concept of painting. Impressionists, such as Claude Monet, sought to put on canvas how they

Impressionism as an historical art period is best described as a shift in thinking and focus. This paradigm shift, away from realism and toward individualism, began a centuries long transformation of self-expression in art as a whole. Impressionism is generally considered a French movement and is typically defined as spanning from approximately 1867 to 1886. Impressionism is best embodied by and was perhaps initiated by Claud Monet in such world-renowned works as Impressions: soleil levant which lent its name to the style and subsequently the art period as a whole.