Impressionistic Realism In Jonas Lie's Dusk On Lower Broadway

In 1931, he used an earlier sketch of elevated tracks and skyscrapers in Lower Manhattan as the model for House and Street. Davis’ style suggests European influences, but his compositions are as distinctly American as jazz, with visual harmonies created from cacophonous patterns of bricks, checks, stripes, and polka dots. For Davis, words – from street signs to political advertisements – were an integral part of this chaotic, vibrant American landscape. The placard in House and Street that reads “SMITH” may allude to AL Smith’s failed 1928 presidential campaign, and “FRONT” is the name of a street. Yet “FRONT” could also describe the wall’s apparent position in “front” of the elevated tracks, or its flat, frontal orientation. Davis then set the right half of the composition at an angle, as if he were painting a scene from two perspectives simultaneously.” (Frames of Reference: Looking at American Art, 1900-1950. By Whitney Museum of American Art, Beth Venn, Adam D. Weinberg, Kennedy

In the period between 1848 and 1952, Klein lived in London and began to assist in London frame shop of Robert Savage, learning basic painting techniques and using raw pigments and gilding. He was determinate to evoke sensations and emotions independent of line, abstracted symbols or rendered objects, believing the monochromatic surface released the painting from materiality through the totality of pure

Although at first glance, Realism and Impressionism appear to be completely separate movements in 19th century art, they in fact were both bred as a response to the new order of Europe that had evolved as a result of the marks made by both the Industrial Revolution and a series of European continental wars. Realist painters and Impressionist painters alike faced controversy in challenging the status quo of the Salons, and took risks to no longer romanticize drastic changes within society caused by industrialization, but instead acknowledge them head-on. Edouard Manet in particular exemplified the gradual transitions from Realism to Impressionism and even to

In the 19th century, there was an artistic transition from realism to a new form called impressionism. This change originated in France, as the world underwent a transition to industrialization. The impressionist was able to understand how light and color operate hand in hand in a painting. Instead of seeing an image as a whole work, impressionist would see smaller images making up the entire piece. The style was primarily made of the use of intense colors, open composition, light and movement and brush strokes. They were mainly

The shift from Realism to Impressionism in the 19th century represented not only a change in form, but it also represented a shift in ideology. As one of our module videos notes, rather than focusing on accuracy and clarity, Impressionism emphasized “what the mind and the eye sees” and the “impression of light and color.” We will briefly discuss how the differences in the approaches of the Realists and the Impressionists had interesting implications for arts and how these ideologies can be applied to the ways in which believers and unbelievers interpret art.

New York in the 1920's: The time period of the 1920’s was widely known as an era of prosperity. It was also an era of contradictions for New York as a modern industrial city that, with engineering feats of such wonder, had conquered the sky and constructed a hidden network of underground power lines, sewer lines, and water lines. They also bridged the gap between the city's infrastructural capacity and its population then again widened. The city's roads did not keep up with the rapidly increasing popularity of the automobile.

Many times in society, life is sometimes influenced by art and during other times art is imitated by life. Art being able to imitate life means that the brush strokes of a painter or the innovative ideas of an architect are influenced by the world around him or her. During the years of 1900-1917 the United States was going through a number of changes. These changes helped to indentify the period as the Reformation Era. During the Reformation era the United States was becoming reshaped politically, economically, socially, and culturally. Painters such as George Benjamin Luks used pastel colors to paint pictures of a newly reformed society. In his painting Hester Street revealed a New York City that was accepting to Jewish culture and lifestyles (Figure 1) . Other pictures painted during the Progressive Era depicted more areas of city life, sports, different ethnic groups and culture. The life that was present in many of these painting showed a country that valued women, minorities, and individuality.

The palette used by Lievens is extraordinarily bright, colorful painting. It is an extremely detailed painting, some of which comes from the painterly technique used in the brushwork, and there are visible brush strokes that add to the details of the painting. In the museum, the piece was hanging where the viewer’s eye level is approximately in the middle of the painting.

The impressionism movement was a reaction to the realism and romantic movement. Instead of detailed, accurate and photo-like paintings of contemporary life of realism and romanticism, Impressionist painters used more blurred brush reality to the canvas. Specific techniques Impressionist artists used were unblended colors and quick, short brush strokes with a unique play on light. An Impressionist artists' goal was to "objectively paint reality in terms of transient effects of light and color." The artists of this movement would paint vibrant contrasting colors directly on to the canvas, which was a great contrast to the traditional art of blending somber colors. Confused and ridiculed by this technique, the Salon of the French Academy consistently rejected most of the artwork done by Impressionist artists. These rejections of artwork eventually led a group of artists to organize their own exhibitions, Exhibitions of the independent Artists.

Realism began to dominate art around the 19th century and peaked toward the middle of the century. Realism desired precise depictions of the visual without any alteration. This change caused a dramatic change in art and artist.

Realism and luminosity, connotations of the Northern Renaissance. The mastery of oil painting by Flemish painters made it the aesthetic of Northern art, but how?

American Realism was a style of art in the 19th and 20th century. It overviewed art, music, poetry, etc. It was a tyle of being totally realistic due to many things are able to happen to everyday people. Some of the most important people in american realism was Ralph Waldo Emerson that viewed the prospects of love and life. Also Henry.J, William D.H , Mark T were realists that showed the overview or the life of a daily basis. Naturalists are people that practice the natural aspects in life and in nature.

The impressionist movement is often considered to mark the beginning of the modern period of art. It was developed in France during the late 19th century. The impressionist movement arose out of dissatisfaction with the classical, dull subjects and clean cut precise techniques of painting. They preferred to paint outdoors concentrating more on landscapes and street scenes, and began to paint ordinary everyday people and liked to show the effects in natural light.

During the Modern Era of the late 19th century and the early 20th century, many artists were turning away from the idea of painting realistic images. Photography, having just been developed for public use a few decades earlier, made artists of the day focus less on painting as an precise copy of what is seen, as had been done for centuries. Since the Middle Ages, most artists painted exact representations of life. Starting in the late 1800s, though, many artists were starting to embrace the theory of art as an impression of what is seen. Impressionism, the art movement that began in the 1870s in France, was the first real development of this new concept of painting. Impressionists, such as Claude Monet, sought to put on canvas how they

Impressionism as an historical art period is best described as a shift in thinking and focus. This paradigm shift, away from realism and toward individualism, began a centuries long transformation of self-expression in art as a whole. Impressionism is generally considered a French movement and is typically defined as spanning from approximately 1867 to 1886. Impressionism is best embodied by and was perhaps initiated by Claud Monet in such world-renowned works as Impressions: soleil levant which lent its name to the style and subsequently the art period as a whole.