In Ancient Egypt, stelas are either stone or wooden slabs used as a means of presenting a monument,

The majority of ancient Egyptian structures studied by architectural historians and planners alike, were erected to honor a pharaoh or as a grand tomb for their journey through to the afterlife. Whether the structure was in the form of a temple, tomb or statue, the ritual and spiritual influence is unquestionable. The location, scale, and materials used to construct these monuments are all defining factors of how the space is used and functions.

The Sarcophagus of Queen Hatshepsut is considered one of the most historic pieces of ancient Egyptian art that still stands here today in our presence. It is an exquisite work of art, a piece of enlightenment and even a masterpiece that earned a place in the realm of art history. It is one of only three royal sarcophagi that is currently displayed outside of Egypt and is one of they very few from the eighteenth Dynasty that shows multiple alterations and phases of decorations. This sarcophagus was originally prepared for Queen Hatshepsut and later was recut for her father, King Thutmose I. This is an artistic masterpiece from a royal atelier, a prototype for the funeral beliefs and the traditions, and a pivotal historical piece of the complicated puzzle of early New Kingdom political history.

Ancient Greek art is something to be admired; the accuracy of the figures, compared to Egyptian art is commendable. The art works show great depths of emotion and detail. The “Grave stele of a little girl” is a beautiful relief of what appears to be a small child holding two birds. The forearm resembles a young child’s arm because it seems that the “baby fat” is still present, but it is strange that the face has less-childish features. The figure is in strict profile, which possibly suggests a Greek sculptor, in addition to the intricate detail and the contrapposto. Egyptian sculptors did not have

This paper is a formal analysis of the Marble grave stele with a family group relief sculpture. It is a pentelic marble style relief standing at 171.1cm tall carved by a master. It is from the Late Classical period of Greek, Attic which was completed around ca.360 B.C. . I chose to analyze this piece as apposed to the others because I’m mainly attracted to art and sculptures from the Greek era. The overall color used in this relief is ivory with a few cracks and pieces broken off. There is some discoloration which causes the color to come off as slightly light brown for most of the relief. The sculpture appears larger compared to the other sculptures in the art room. It represents a family which includes a man, his wife, and their

A formal analysis, contextualizing, and compare and contrast of the Egyptian sculpture of Isis nurturing Horus and the Byzantine icon, The Virgin of Vladimir

The Stele of Prince Ankh-nef-nebu was found at the site of Deir El-Bahari, the same compound that housed the 11th Dynasty Mortuary Complex and 18th Dynasty temple. The Stele of Prince Ankh-nef-nebu was found before 1925 and belongs to the Egyptian (New Kingdom) period. It is made of limestone and has traces of polychrome paint. The Stele’s dimensions are 12 x 8 x 3 in. It is currently located at the Ackland Art Museum, University of North Carolina at Chapel Hill.

The main purpose of this paper is to describe the visual analysis of the artwork. This paper examines an Egyptian half nude portrait art which is taken from Metropolitan Museum of Art (Fig.1). The statue characterized both male and female seated figure with a Braid hair. In this essay, I will present a complete visual description of this artwork (its preservation, costume and iconography), and then I will compare it to another artwork which is chosen from Textbook that is Akhenaten and his Family (Fig. 2).

The reliefs of Ankh-neb-ef are limestone panels with paint that originated from the Old Kingdom of Egypt in 2150 BC during the reign of Pharaoh Pepy II. The delicate carving of the panels in the sunken relief presents a magnificent image. They portray Ankh-neb-ef, an ancient Egyptian priest whose name translates to “may his lord live.” In the reliefs, Ankh-neb-ef holds a Kherep-sceptor and a walking stick, which were symbols of authority in ancient Egypt. Egyptian civilization was extremely religious and most ancient Egyptian artworks involved the portrayal of gods, goddesses, and Pharaoh, as well. Moreover, the Egyptian reverence for order and conservative ideals led to the institution of intricate rules that governed how artists represented both humans and gods (Saylor.org 4). For instance, the apparel worn by Ankh-neb-ef in the painting is not a simple fashion statement. The priest is wearing a prestigious sarong and ornamentation, bracelets, and a wide collar. The jewelry kept their owner safe in a dangerous passage to the afterlife. This formula for representing the human figure in a painting remained popular over several centuries (Robins 24).

Egypt is also known for its statues depicting various gods and tombs for its numerous pharaohs. Their architectural prowess is a feat marveled at even today. The ability to design and build such grand monuments such as the iconic pyramids of Giza, rivalling even the Mayan and Aztec temples of South and Central America, reveals the true nature of innovation in Egypt. In fact, even without modern tools of measurement, the Great Pyramid, the largest tomb in Egypt, is almost geometrically perfect. For such a large structure, the length of all four sides at its base differ by less than a foot (McKenty 1).

This paragraph will be analysing a primary source from the time of ancient Egypt. The source in particular is a painting made for Ramose, an Egyptian state administrator. He had this job during the reigns of the pharaohs Amenophis III and Akhenaten. His job was regarded very highly amongst ancient Egyptian society. This painting was made from the white limestone fond in the Valley of the Kings. The fine-grained rock that was the limestone permitted attractive decorations in full colour. It was made to decorate Ramose’s tomb and was probably painted by tomb decorators. It was probably created between 1000 BCE-1500 BCE. His tomb was in the Valley of the Kings amongst those of pharaohs, this suggests that

Large underground burial chambers hewn out of natural rock were a norm at Tarquinia. Mural paintings adorn many of these underground tombs. Banqueting couples, servants,and musicians celebrate the joys of the good life, and scenes of dancers occupy the flanking left and right walls. In characteristic Etruscan fashion, the banqueters, servants, and entertainers all make exaggerated gestures with unnaturally enlarged hands. Just like other tombs, this tomb is composed of a single chamber with wall decorations painted in fresco. Like other tombs of the time, this tomb’s ceiling is painted in a checkered scheme of alternating colors, perhaps meant to evoke the temporary fabric tents that were erected near the tomb for the actual celebration of the funeral banquet.

Stelaes are writing tablets. They are often made out of stone. The Kings would erase or destroy them so

The ancient Egyptian people were very religious. Their religion was very important to them; they worshiped their gods, and they glorified them. Their kings or pharaohs were also believed to be gods. The burial of their kings was a very important aspect for Egyptian life, and their belief in afterlife. This belief led to the construction of elaborate funerary architecture. These royal tomb structures were first known as mastabas,

As I continued researching on the tomb, I would have expected that the second burial chamber would be more extravagant and complicated than the first. In fact, it was never finished. Those who built the tomb had barely begun working on the decorations of the second chamber. From the unfinished scenes it is clear that it was intended to include the same two hours of the Book of Gates that are found on the front wall of the first burial chamber. In the middle of the chamber lays a badly damaged royal sarcophagus. It was made of red granite, and was later reconstructed. A figure of the king was carved on its lid, and at the foot end of the sarcophagus are figures of the god Isis, which shows her kneeling. On the sarcophagus’

Egyptians are famous for their giant works of sculptures. Some examples of this include the Great Sphinx of Giza and the statues of Ramses II at the Abu Simbel temples. (Duckster, 2014) The Great Sphinx was made out of limestone and is located by the Nile River and has a face of a man and the body of a lion which pertains to their mythology of human head on an animal’s body and vice versa. The ancient Egyptians also built pyramids. The pyramids are triangle because it was in correlation to the sun rays and a way for their souls to ascend to heaven. They buried the pharaohs in the tombs of the pyramids. Pyramids contained false chambers to trick thieves and were often looted for valuables from the deceased. The pyramid of Giza is