In Quit Identity: The Demonstrative Of Inuit Culture

Furthermore, while he was honored and recognized by the inherent value of Native American history and the unbroken connection Indigenous peoples have with their roots, his art work is not the result of a desire to depict a romanticized and stagnant expression of a bygone historical era. His work and hope were capturing movement which made his art served as a metaphor for the viewer which boldly states that Indigenous American cultures while intimately connected to their history are in fact contemporary, alive, and constantly

The Inuit, Haida, and Sioux all very alike and different at the same time. One thing they all have in common is that they all live in Canada. The Inuit live in Nunavut and the Yukon Territory, the Haida people live on the Queen Charlotte Islands, and the Sioux live in Manitoba. They all do art, but different types of art, they also do it in different ways. The Haida did totem poles, the Sioux decorated tipis with paint, and the Inuit did carvings. The Sioux, Haida

Betrayal, loss, and forgiveness are common themes amongst the Inuit legend of Lumaajuuq (an adaptation of The Blind Boy and the Loon) and the history of FNMI peoples. Inequity is something faced continuously and that has its struggles to be brought forward and addressed. The story of Lumaajuuq grasps all of these concepts and brings them forward beautifully, addressing the problems of the FNMI peoples through an artistic concept and with hidden links and connections within a broken relationship of a boy and his mother.

The Inuit Tribe has uses for everything they kill or harvest. Inuit women would use animal skins to make clothing and blankets. They would also use animal skins to make kayaks and boats ( Sontella 20). The Inuits would also make sculptures out of animal bone. In Figure 1 below, there is a sculpture made out of animal bone or a certain type of

Haida architecture evolved from artistic necessity. As isolated island people they had few resources to trade. They relied on their reputation for artistic design and excellent craftsmanship amongst the mainland tribes to trade for the resources they needed. This research essay explores the culture, climate and material resources of the Haida Gwaii (Haida People) First Nation of British Columbia, Canada.

The people of Inuit, Yup’ik, Unangan, and other Native Americans Indians have lived in the harshest environment on Earth from Siberia, across Alaska and Canada, and to the East of Greenland along the coast of the Bering Sea and Arctic Ocean. From Labrador to the interior of Alaska the Athapaskan, Cree, Innu, and other Native’s people lived in the subarctic region of the land. These people had the ability to depend on their years of knowledge of the sky, ice, ocean, land, and animal behaviors in order to survive. Living in the area that was vast and dealing with seasonal dynamic extremes these Native people of the Artic and Subarctic had a honorable endurance for an millennia of exchanged goods, ceremonies, and shared feasts with neighboring goods that has help them throughout the years.

The Canadian Inuit were a domestic, tribal, egalitarian society in the 19th century. And some cultural changes occurred; making the Inuit adapt and become more aware of other resources they could get hold of, for gathering and hunting for food. In the 19th Century, the Europeans discovered the Inuit culture and this provided new resources for the Inuit to gain an easier way to gather and hunt for food. But because of the European influence, the Inuit’s culture changed to adapt with European Individuals living in their land, and European resources that had been made access to them. By this cultural change in the 19th century there was “an increased diversity in the social structure and material culture of the Labrador Inuit society” (Auger, 1993:27). The Labrador Inuit was a significant Inuit Society to have an ethnographical research made to understand a little bit more to; how the Inuit was affected and how the food process was changed. It will also be discussed the significant ideas and techniques that the Inuit used to gather and hunt for resources.

In this essay, I will compare and contrast two different sculptures from two different contexts of art. The first being an Olmec Colossal head (monument 1), from the context of “Art of the Americas,” and the second sculpture being ahead from Rafin Kura. The head from Rafin Kura comes from the context of “Art of Africa.” Both sculptures come from two different time periods and parts of the world. They also are both made with natural materials and have their own symbolic meaning.

Throughout history, many different cultures illustrate their history and their beliefs through various artistic objects that they create. These artifacts allow historians to better gage their lifestyle, their beliefs, and how their society operated. One example of this is the “Drum Beater” sculpting created by Karoo Ashevak that is especially famous for its illustrations of the shamans and the spirits. In this research paper, Karoo Ashevak’s “drum beater” will be dissected and analysed; from the Inuit culture itself, to the physical features of the sculpting, as well as the significance and symbolism of the sculpting as it relates to the Inuit culture.

The Kwakiutl Indian tribe existed before the discovery of North America by the European culture and inhabited the coast of the Pacific Northwest of the United States and British Columbia in Canada. The tribe is rich in tradition and culture and has remained steadfast in their beliefs, history, teachings and artisan skills which have been passed down generation to generation. The artisans in the Kwakiutl tribe mastered the art of creating special ceremonial masks that are not only beautiful and aesthetically interesting to the eye, but also mechanically intriguing in which the masks serve a specific purpose to a theme during different ceremonies that are conducted by tribal specialists during certain times throughout the year.

The traditional aboriginal art depicts places, events and dreaming ancestors, also incorporating actual events, whereas the temporary was only for initiation ceremonies and funerals. The aboriginal art opens up ways of communicating the close relationship between the ancestral beings and the laws, views, values, ceremonies and obligations of the people. They enable understanding and knowledge within a community and also partcially the outside world.

In Nancy Marie Mithlos essay, “No Word For Art in Our Language”. Mithlo explores the various reasons as to why American Indigenous art lacks an infrastructure and theoretical basis. Mithlo theorizes the reason Indigenous art lacks these necessary supports is due to three strategies used by the Native art community. Mithlos first theory discusses that the phrase “ No word for art in our language” perpetuates harmful behaviour within the Native community in the discussion of arts and stereotyping of Native art. Mithlos first example of why this is harmful is the original beginnings of the phrase from Jamake Highwater’s book “The Primal mind” wherein Jamake expresses his belief that because expression and experience is so ingrained in the native

When the Europeans first came into contact with the Inuits, they spread diseases which killed many of their kind. As time went by, outsiders changed the Inuits way of life (Santella 35). Airbases and radio stations built in the Arctic changed the Inuit’s nomadic way of life by influencing the creation of permanent settlements near these areas. The creation of schools and health care facilities were also very influential in the change of the Inuit culture (“Inuit Culture, Traditions, and History”). People from other countries had a major impact on the Inuits

African art has played an important role in the culture of the world. The sculpture is the most common traditional culture expression for the African art. The different sculptures are shown by their local styles and they serve for the specific functions, such as religion. From some of these old art pieces, we figure out this kind of traditional culture expression already existed in the African for such a long time. In this paper, the art piece I am going to analyze is the Female Figure with Child and it made by Akan-Asante people. The Akan people of Ghana have been recognized for their various and attractive culture and it located in what are today Ivory Coast and the republic of Ghana in Western African. The Akan people are combined by different groups, such as the Anyi, Akawpim, Akyem, Aowin and Asante, and these people have their own dialect, but they share a lingua franca, which called Twi. The sculpture I choose could effectively reflect its own distinctive culture, because of the social connection reflect on the royalty, the comparison with other local art pieces, like Akuaba fertility dolls and its specific art form.

The brief for this assignment is as I see it to research more than 8 carving cultures and to explain the impact of social and cultural belief on art practice. To present research material in the correct form and record citations and bibliography correctly. This information is based on the question.