In Storm Of The Century By Stephen King Analysis

Stephen King wrote the short story “Why We Crave Horror Films” explaining why our mind gets so excited during horror movies. He continues to make the statement “the horror film has become the modern public lynching” (paragraph 6) showing that no matter what generation a person is in the excitement of gore will always exist. King proves this statement discussing emotions and psychiatric points in his work.

Malmar McKnight’s frightening story, “The Storm”, weaves a violent storm and murder together to heighten the horrific fears that engulf Janet Willsom. “The Storm” is a combination of Mother Nature, Janet’s emotions, and her heartbreaking dilemmas. The eerie mood is revealed throughout the story. Figurative language helps the reader bring the story to life in his/ her mind. The author’s use of irony is devolved through Janet’s changed perception of the storm.

What is Naturalism? Naturalism is applying scientific principles of objectivity to study humans. In Kate Chopin narrative “The Storm” nature was taking over the story. The Storm is a story that was centered on the nature and how does it force Alcee and Calixta to do things that they did not want to do. In this essay, I will analyse or show how does naturalism was introduce in the story.

“Why we crave horror movie” is a type of mini review written by Stephen King in playboy 1981 in which he had discussed, various features of the horror movies. Stephen King is an American writer well famous for writing the horror movies and is popular in the world of literature as Richard Bachman. In this mini-review King had used an ethical approach to delineate the differences between the some of the horror movies and to highlight certain psychological factors responsible for people’s craving for the horror movies. In this piece of writing, King had spotted certain emotions that become reason for this psychological drive. Moreover, he by using his straightforward approach

Do you enjoy watching murder, the paranormal, and any other morbid scene which makes the hair on the back of your neck stand up, your palms sweat, and your adrenaline surge? Why people enjoy watching murder, tragedy, and carnage in their spare time has been a mysterious phenomenon. If these gruesomely horrific scenes would not be enjoyable in real life, why is watching a recreation of it so riveting? Stephen King, a world-renowned horror novelist, wrote “Why We Crave Horror Movies” to give insight as to why horror movies, although gruesome and morbid, captivate audiences. King also aims to persuade readers to continue to watch horror movies, arguing that they are a crucial part of keeping sanity. King delves into this psychological aspect of humans and believes that the desire to watch horror films is a normal tendency of humankind. “Why We Crave Horror Movies” includes appeals to emotion, logic, and author credibility in order to convince readers of the positive, normal desire to watch horror films, why it is important to watch them, and why the reader should believe what the author is saying. King utilizes the rhetorical devices—pathos, logos, and ethos—in an effective way through the use of metaphor, logic, humor, and emotion to persuade readers that watching horror films is normal.

If somebody asked me what my favorite type of movie is I would probably say horror. I would say horror because it provides a thrill in me that no other type of movie sparks within me. When reading Stephen King’s article I realized there is more to a horror movie than just thrill, there is anticipation, and even suspense shown. In “Why We Crave Horror Movies”, Stephen King uses a mysterious tone and pathos to successfully persuade his audience of kids and adults into watching mysterious horror movies that will let you re-establish your feelings.

“Strawberry Spring” offers the reader an opportunity to “show that we are not afraid” of facing our fears (King, “Why We Crave” 1). After all, anyone who has heard of Stephen King will automatically know that reading one of his stories may result in a thrill. For example, near the beginning of the narrator’s encounter, “a junior named John Dancey” happened upon a “dead girl lying in a shadowy corner of the Animal Sciences parking lot” (King, “Strawberry Spring” 2). Accordingly, the explicitly specific imagery used to reveal the brutality of Gale Cerman’s death is quite unsettling! Most of us spend our entire lives avoiding our “hysterical fear” of death, and allowing us to read such a description is “daring [our] nightmares” (King, “Why We Crave” 1). “Strawberry Spring” fulfills Stephen King’s claim that one reason we watch and read horror is to show “that we are not afraid” (1).

In Stephen King's "Why we Crave Horror", the famous novelist argues for a rather depressing explanation of society's fixation with horror movies. He insinuates today's generation's obsession over gory and demonic storylines is a result of our internal need for violence that must be satisfied. Such claims may shock readers at first, however, King's use of diction, imagery and tone leave us no choice but to agree with his analysis of human behaviour. He uses these rhetorical tools to prove to the naive reader that we truly are "mentally ill".

“Storm Country” by Paul Crenshaw is about his own childhood growing up in Arkansas which is in the heart of tornado alley (Crenshaw, 2004, pg. 203). He explains his encounters with tornadoes and the memories that this remarkable but destructive storm left. Paul Crenshaw explained his story about a tornado in a descriptive way which gave life and meaning with every sentence. After I was done reading I started to think about my own experiences with storm watching during the day and even at night. I agreed with every point he made about the mesmerizing moment of when a storm hits by relating it with my own points about storms.

In Stephen King’s somewhat subjective essay in the 1984 Playboy magazine, Why We Crave Horror Movies, King describes his reasoning behind why so many people are fond of watching movies residing in the horror genre. The content of his essay, though inserted in an unconventional area for

Both “Knocking” by Rick Hautala and “The Road Virus Heads North” by Stephen King are masterfully crafted horror stories that lead readers on a psychological rollercoaster. The authors are able to generate such a detailed and in-depth atmosphere that it causes readers to picture themselves in the terrifying situations that they have devised for those reading. Through the evolution of “monsters”, point-of-view and atmospheric conditions which help to create a mood that engulfs readers both King and Hautala are able to write brilliant horror stories.

Feminist American author, Kate Chopin, is known for her stories with strong and daring female lead stories. Her common themes display women, femininity, marriage, liberation, oppression, and perseverance. The Louisiana based novelist famous works started the feminist movement. Chopin’s stories The Story of an Hour and The Storm have many similarities and differences as do the majority of her work. The main characters, Calixta and Mrs. Mallard, both portray an odd attitude towards marriage.

It was a dark, cold, November night. The moon overlooked the lake as it mirrored its reflection. It was peaceful, too peaceful. I was on my way to my aunt’s, who lived a mile or so from my house. I didn’t want to go, but my mother made me. She was working a double shift at the hospital and she didn’t want me to be alone tonight. Tonight was the night my brother died two years ago. It’s a funny story how it happened, but that’s a story to tell another time. According to Stephen King’s essay “Why We Crave Horror Movies” he draws viewers into horror stories like the one above simply because we crave it. King claims in his essay we obsess over the wanting of horror as if we are daring the nightmare. The human condition is finally allows people

A woman's happiness and success during this era is often dependant on the male or husband of the marriage. During this era, Chopin displays to us in both her short stories "The Storm" and "The Story of an Hour" of how reliant women are in their relationship and lives. Women during this era were heavily looked down upon. They were looked so down upon that even the women themselves would look down on themselves resulting in more reliant on the men for their success in life. The women during this time era would be so reliant on men they would do much for the men despite whether they had loved him or not. Chopin many times wrote her short stories with women in marriage with men just for the benefits of living and success rather than love; a “vignettte exploring female desires that cannot be fulfilled in marriage, a common theme for Chopin.” (Brantley 1). During the 19th century, both men and women weren't seen as equal at all. Another push to being reliant on men is government rules and policies of men being the more stronger party of the marriage, relationship, or family. Men were seen as the “better” sex so then women were more reliant. Women had to depend on men to supply them in order to live a healthy lifestyle. Kate Chopin displays this highly in her two short stories as the two women seem really reliant on their male counterpart. The two women shows signs of weakness while their male counterpart were away.

The good thing about films is that we not only have the opportunity to choose from a wide selection of different genres, but also compare them and understand their purpose in the world. The Horror genre has used the basic principles throughout time, and as a result, films of this type have not proven to be as timeless as another genre: Science Fiction/Fantasy. At first, these two genres might at times seem similar as they have at several occasions been blended together, but their basic, common theme serves different meanings about humans. I shall compare and contrast these two genres and focus on both classic films and modern films. From the Horror genre perspective I shall discuss Psycho (1960) and The Mist (2007), while in the Science Fiction/Fantasy genre I will examine 2001: A Space Odyssey (1968), Pan’s Labyrinth (2006), and Serenity (2005). Although the Science Fiction/Fantasy genre and the Horror Genre share some similarities, the differences lie in their focus on human progress.