In The 1920S, Jazz Experienced A Rise In Popularity When

Jazz is a style of music composed of various instruments. Originating in New Orleans, Louisiana it is believed that jazz rose up from the traditional African American style of dance music. As Jazz progressed it became very adaptive including styles from Spanish, blues, folk, and orchestral. “Anthropologist call this process ‘Syncretism’— the blending together of cultural elements that previously existed separately.” (www.nytimes.com) This new style of music would soon start to catch the ears of those in the northern region of the United States. Jazz would make its way up to Chicago, New York, and Charleston branching out throughout the US.

     During the 1920’s which is also known as the “Roaring Twenties”, Chicago became the focal point for Jazz after clubs around New Orleans were closed. Record deals were being made there and soon Jazz was being acknowledged for the brilliant music it played. Famous musicians who received acclaim for their work in Chicago were Earl Hines, Johnny Dodds, Louis Armstrong, and King Oliver. In New York City, it

African Americans had a major role in the development of popular entertainment in America. Following the Civil War, black Americans, developed a new style of music called ragtime which eventually evolved into what we now know as Jazz. In developing Jazz, African Americans contributed knowledge of the dance and folk music of people across Africa. Together, these musical forms had a major influence on the development of music within the United States and around the world during the 20th century. Early jazz and blues recordings were made in the 1920’s and the early part of the 20th century saw a constant rise in their popularity.

There were many jazz musicians. Louis Armstrong is one of the most important jazz figures. Louis Armstrong is one of the first great soloists in the 1920’s musicians. His career rose in New Orleans. He influenced other jazz musicians by his fearless trumpet styles and distinctive vocals. Louis gave jazz music a purpose. He spread jazz throughout the world. Fletcher Henderson also influenced jazz music. He was an extraordinary musician and he impacted jazz music immensely. Without the jazz musicians, jazz music would not have been possible. With the assistance of the jazz musicians, the music industry

In the article, “Birthplace of Jazz,” Naydja Bynum writes that jazz “...is not an invention. It's alive. It grows, it dies, it changes, it stays the same” (Bynum). Many aspects of society in the 1920’s contributed to the life jazz music brought to the world and the impact it continues to have on modern music today. Post-war strains, racial segregation, and the wild, carefree life of the of the era had the greatest influence on the music of the 1920’s.

Jazz is an American music genre, founded by African-American musicians. It emerged in the early 1900s as its creators merged aspects from West African musical traditions with aspects from religious music and from many other types of popular music based on European traditions. While some elements of jazz were borrowed from other musical genres, the music that came forth was one of a kind, an art form of its own. A significant element of jazz is improvisation, the adjustment of a melody or countermelody as a song is being performed. Therefore, a song may be different every time it is played.

Knowledge of jazz has fallen far behind its development. Most people do not know the facts on jazz, only some generalities and stereotypes. Often being called America’s only original art form, jazz began as an ethnic music, but there is much more to jazz than music. It is difficult to think of jazz without thinking of African-American

A style of music that was created in the 20th century, Jazz has had a major impact on American culture. Originating from work songs African American slaves used to sing on plantations, the foundations of jazz first began as a three piece music group using instruments like the Fiddle, Banjo and the drum. These instruments formed a style known as Ragtime, which can be recognized as one of the first styles that marked the birth of jazz. Although jazz grew out of a lifestyle shaped by plantation life, over the course of the next hundred years, jazz evolved immensely, as it underwent many changes and branched off into various substyles. In the beginning of the 1900s, New Orleans style of Jazz also known as “Classic Jazz” became tremendously popular to all ethnicities. Performed by black, whites and African American creoles, Classic Jazz took the form of a small-band. These bands would performed at parties and dances with large brass instruments that had been salvaged from the civil war which include the clarinet, banjo, bass, guitar saxophone, cornet, trombone, tuba, drums and occasionally a piano. This dynamic new music combined syncopation of ragtime with modified popular melodies like marches, hymns work song and the blues. However in 1925 everything changed as Jazz introduced a new genre called Hot Jazz. This new style of jazz was characterized by spontaneous collective solos, that stirred up an emotional and “hot” climax. Additionally Hot Jazz was played with drums, banjo

Jazz is a music era where the African Americans started to thrive. Before Jazz was made ragtime music played a role of introducing Jazz. When ragtime started to use improvisation in the music. Jazz originated in New Orleans in the early twentieth century. Jazz music was no longer considered ragtime by 1918; however, jazz was barley starting in 1895-1917.

Jazz is first seen in America in the early 20th century, in one of the most diverse and unusual cities of the time, New Orleans. It’s roots however can be traced back all the way to African and European music. It’s rhythm and “blues” quality is seen in African music, as well jazz’s tradition of playing an instrument in your

Jazz is a genre of music that originated in African American communities in the United States in the late 19th and early 20th century. The Jazz Era was a big deal throughout 1915 to 1935. Jazz was brought up in many different ways. There was many jazz artist who contributed to the era such as Jelly Roll Morton, Joe King Oliver, Sidney Bechet, Louis Armstrong, and Duke Ellington. As the jazz era ended, some artists struggled and some continued on with fortune and fame.

(Padgett, 2016). Thankfully in the 1920’s, African American musicians began to more commonly take centre stage. This created a mesh of African American traditions and white middle class ideals, and represented a vast cultural shift, (Boundless,

Jazz which had originated in New Orleans has spread very quickly through the country. Jazz during this time was really popular with famous artist Louis Armstrong playing in jazz groups. It made new dances such as the Charleston and Black Bottom. According

“Unfortunately, the history of black music has been a continuous one of whites’ lucrative expropriation of black cultural forms” (Kelley). “Black music has become a part of a structure of stealing” (Kelley) on the part of a white-dominated music industry. This structure began primarily during the jazz era of the 1920’s. Black jazz artists were exploited for their talent, without being given the full credit or compensation for their work that they deserved. Furthermore, their music and style was copied and credited to white artists, and the few black artists who were able to succeed in the industry were submitted to a form of musical segregation via race records.

African Americans were responsible for bringing jazz music to Europe. Due to the fact that the people in Paris were far more excepting of colored people, many African American singer and dancers made their way to Paris to start their careers and a make a name for themselves. There are few cities in the world that are more associated with jazz than Paris (Pelzer). Most of the time, African American’s in Paris were just looked at by Parisians as entertainers (Stovall). These African American were objects of Parisian curiosity and fantasy, and the audiences were very much intrigued by the exoticism that went into so many performances. These foreign entertainers became the backbones of the Paris Jazz Age (Pelzer).