In The Eyes Of The Beholder. Coming Of Age In The United

People often have different opinions and views toward stories or news articles they have read. My Parents killed Santa and Nobody Cared (Santa) by Dakshana Bascaramurty is an essay that tells the story of how a child was shocked to learn from the parents that Santa was unreal and did not exist. On the other hand, In Defense against Graffiti (Graffiti) by Alex Boyd discusses the positive of graffiti. Between the two, the story Graffiti by Boyd is a much better article because it is informative and exciting to read. For some time now there has been controversy on weather graffiti stands out as an art or not ever since it began to appear in a number of galleries worldwide. The reason Alex Boyd’s “Graffiti” is a better essay is because it seeks to distinguish between retrogressive instance of graffiti and positive especially in the messages that they put forward.

Art has been around ever since the ancient city of Pompeii. The people of Pompeii used graffiti as a way to display their cleverness; from poetry contests to playful recombinations of the letters that form Roman Numerals. In the early ‘70s, graffiti was used as a way for young teens to mark their territory. During that time, many people – especially in New York City – saw graffiti as vandalism and prohibited it. Even though graffiti has been misused in some occasions, as long as the purpose is not to deliberately mischievous or malicious destruction, graffiti is art.

Graffiti refers to pictures or words inscribed on public property. It has been around for thousands of years found in caves to modern buildings. However, several people argue whether modern graffiti is a force representing good or evil. Graffiti is a negative method of portraying “art” due to the fact that it negatively affects people within a community and the community itself, it consumes a lot of a cities’ economy, and it is not necessary for it to be produced on public property.

Most people think of graffiti as vandalism or the defacing of private property by wild teenagers with spray cans. I had never really thought about graffiti or art for that matter until I found myself defending something I didn’t know about because I liked what I saw on the sidewalk in Memphis, Tennessee. Now, that’s sounds crazy but I did my best to explain using simple words that I hoped they would understanding.

The cutting edge of the public art development, connected with the hip-hop society of breakdancing and rap music, began with African-American and Latino teenagers in Philadelphia and New York in the late 1960s (MacDonald 1). At that time graffiti to most, was considered to be a form of art work. Regardless of those that thought of it as art, there were and are still numerous individuals that loathe the graffiti movement. Works of art have been dependably charming for ages, as it is a method for self-expression and inventiveness. Artistic expressions have advanced in many ways, such as public canvases offering an approach to modern day unique artwork. Graffiti is progressively turning into a hobby. Although one of the major controversies of graffiti surround the statement that it is not art and considered vandalism, graffiti allow artists to display grateful meanings, skills and expressions to the public.

Graffiti is the act of inscribing or drawing on walls for the purpose of communicating a message to the general public. The term comes from the Greek term "Graphein," which means to write. Graffiti has been around since men first started drawing pictures in caves. However, the focus of this paper is not on pre-historic or amateur graffiti, but on the modern hip-hop graffiti movement that began in the late 1960 's. The graffiti has two versions: a "legal" aspect, in which artists are able to spray paintings and murals of great spectacle and technical. The illegal side, is where they express their painting in public spaces such as schools, metros, trains, posters, and wall Streets, etc. Graffiti are a poor choice for people who practiced this objective because it deny people in follow good roads which is seen a bad self-expression and they also may be expensive, putting pressure on low-income families. Controversial, secrecy, and taboo are some points that connect with graffiti argument where graffiti has changed over the years.

From the early humans who painted on cave walls to the angst-ridden teenager getting their kicks from spray painting profanities on the side of a small business, human beings seem to have an intrinsic desire to paint images on the walls that surround them. This has led to many individuals painting on walls without permission. Although the walls cannot speak, city officials and the owners of businesses can and when they do, “Graffiti” is usually one of the words used to describe the images produced. However, although often overlooked, a line does exist between graffiti and street art. Christine Graff writes “Graffiti is defined as ‘writing or drawings scribbled, scratched, or sprayed illicitly on a wall or other surface in a public

Graffiti has been around for more than half a decade and practiced worldwide. However there is debate between whether it is a form of art or vandalism. Graffiti artists’ debate that many do not understand the reason most graffiti artist take the risk of incarceration, fines, injuries, and in some cases death to paint a wall. A graffiti artist can have the simple desire to become recognized, or to create a piece that speaks to their audience as a form of self expression. Because graffiti is associated with gangs and acts of destruction to some many cannot see the history and importance graffiti can have on a worldwide scale. Due to the fact that graffiti is usually produced illegally, meaning it is

Graffiti is writing or drawings that are scribbled on walls or surfaces. But these drawings or code writings are illegally written or drawn on public properties of not their own. Lots of places that have odd or racist writing on public properties are known to be illegal drawings. A lot of known groups draw specific signs and codes to communicate to others or to claim properties that aren't theirs, to show intimidation and fear to others. Those groups are called gang graffiti. Gang graffiti accede violence to show preeminence of there such called territories.When gangs have indicated their neighborhood, anyone that's not part of their gang will have a higher chance of being attacked. An example occurred on April 6, 2016, fifteen-year-old high school player had a brutal bleeding due to not being in a gang.

During the 1970’s, New York City faced a fiscal crisis that brought it to the brink of bankruptcy resulting in severe budget cuts for many of its assets (Dunstan, p.g. 1). The budget reduction of public transportation and its security resulted in the birth of a deep culture that that seemingly replaced the void that was left behind. The empty subways turned into glimmering canvases for those who wanted a form of expression. What started out as simple name taggings turned into a voice for society’s mutes. Despite being constantly at odds with the law, the community stood together and graffiti evolved into a more law abiding and more accepted variation of what it originally was. Despite its evolution and recognition, it has been constantly denounced as mere vandalism rather than a form of art. Graffiti is art because it is the purposeful arrangement of elements for aesthetic appeal, can be used for the purpose of illustrative mimesis, and is a visual form of creative activity.

Here begins the controversy of taking a random object without any alteration and choosing to call it art. (Fig. 1) was considered one of the most enigmatic icons in which Duchamp took a urinal and signed it R.Mutt. The first time he submitted it was to the exhibition of the American Independents Society exhibition in 1917 and it was rejected for its controversy. Duchamp was able to place this work of art in a gallery because he believed that as an artist if he decided it was a work of art and established its legitimacy as a work of art it became a work of art.

Going by the traditional definition of graffiti, simple writings or illustrations on walls, the art can be traced back to ancient times with cave paintings and hieroglyphics and such. The need to communicate through visuals has always been ingrained in all types of human culture; evidence of graffiti can be found everywhere, from ancient Pompeii to early 20th century America. However, the modern form of the art, characterized by tagging and complex personal expression, emerged some time around the late 1960’s. At this time, kids in urban communities had no voice, no way to express themselves and their ideas to the world. They began writing on walls, subway cars, ice cream trucks, any surface they could reach with paint. Initially, most graffiti was made for rather simple purposes: to get the attention of a girl, or just to be able to write your name somewhere, but eventually escalated into full-blown murals and artworks used by artists to express themselves. This trend grew and spread, quickly

Graffiti is a way to show a passion of an artistic form. “In a recent interview, the artist and political activist known as Bansky observed: “I’ve learned from experience that a painting isn’t finished when you put down your brush – that’s when it starts. The public reaction is what supplies meaning and

Many historians agree that graffiti and other related visual arts show “life in motion.” Tracing the history of visual arts in both Latin America and the United States, one notes that visual artists have fomented revolution by altering aesthetic practices and transforming social contexts. One compares modern graffiti tags and pieces, defined as “unauthorized writing or drawing on a public surface,” to other visual art forms such as sketchbook work, prints, murals, and portable frescoes because all illustrate ideas through writing. Artists have written on the walls of buildings, trains, and many other locations to advertise their nametags and spread their views of race, politics, religion, gender, and economics among the greater public. Since

If you walk through almost any city, the buildings, bridges, and any other available spaces are seemingly filled with colors, picture, and words that are not part of the original architecture. This graffiti, which is a mix of tags, stencils, pieces, and freestyle, seems to have almost taken over cities across the world. Some of this graffiti, such as tags, are eyesores, but some pieces, such as the High Line “Love Is the Answer” and “Kiss” murals in New York City, are sites that have become iconic pieces of artwork. Unfortunately, pieces like these are also starting to be covered to a seemingly astronomical rate, which is causing outrage among those who visited to them.