In The Home Scratch By Robert Frost Summary

Throughout the poem, Laurie Lee uses personification to relate that the arrival of autumn causes death to different aspects of nature. Lee describes how “slow moves the hour that sucks our life” (Lee 21). She uses personification to compare a prolonged period of time to drawing out death expressing that fall kills everything slowly. Also, Lee explains that “the day hangs fire, taking the village without sound”(Lee 5-6). Lee compares the sun illuminating the village to an assassin quietly killing off its prey. Furthermore, she believes that the sun is overpowering everything when it rises earlier as days shorten. Lastly, Lee uses personification to describe how autumn slowly changes the atmosphere of nature and destroys life as each day passes.

In the poem, Home by Pauline Kaldas, upon moving to Boston, the speaker expresses her longing for her hometown. She misses the atmosphere, the crowdedness, and the food that Cairo, her indigenous hometown possesses. The poem conveys that no matter where one goes to, it will never feel as sound and as delightful as home.

The moon has now become ominous as it forewarns of the child’s death. Spanish culture is once again brought into the poem as the moon becomes deathly. The moon has always been a figure of death in Spanish history and continues to be represented in that matter by this poem. The moon’s sensual appeal balances its foreboding nature. The boy is enticed by the mystery of the moon and does not heed her warning. Once again the boy warns the moon, “flee, moon, moon, moon” (17), as he shows his continued persistence to save the moon he has been draw into. He warns that the gypsies are coming, but the moon will not leave its dance. The moon says, “young boy, leave me, don’t step on / my starched whiteness” (19-20). This shows her lack of concern for the boy, which exemplifies her task to only attract him to her. Her starched whiteness once again contradicts her true mission to lead him to his demise. “Beating the drum of the plain” (22) stresses the intensity of the moment leading up to the point that “within the forge the young man has closed eyes” (23).

The imagery in the poem, specifically natural imagery, helps use the reader’s senses to develop a vivid depiction of the speaker’s connection to nature and dissatisfaction with the surrounding reality. The speaker’s continued use of the “moon” reflects her attribution of feminine identity and idolistic character to the moon. As opposed to referencing herself and her personal insomnia, she uses the imagery of the moon “beyond sleep” to convey her internal struggles with insomnia and her reality. Throughout the poem, the speaker also refers to shining, reflective surfaces, such as “a body of water or a mirror”, to describe the inverted reality in which the speaker experiences reciprocated love. Reflective surfaces often invert the image that is projected into them, seemingly distorting the true nature and reality of the projected image. The speaker’s reference to this reflective imagery highlights her desire to escape the burden of a patriarchal society and assume an independent and free feminine identity. Specifically, the use of natural imagery from the references to the “moon” and “a body of water” convey the speaker’s desire to take refuge within the Earth or in the feminine identity of the Earth, Mother Earth. Feminine identities are often related and associated with aspects of nature due to the natural cycle of the menstrual period and the natural process of procreation. The speaker takes advantage of these connotations to suggest Earth and natural imagery as an escape from the man-made terrors of male dominated society. In the second stanza, the speaker uses extensive imagery to develop metaphors conveying the speaker’s experience of jealousy of the moon

In Robert Frost's poem. “Stopping by Woods on a Snowy Evening.” the speaker uses literary devices to show the reader the poem's meaning. Symbolism plays an important role in this poem. Robert Frost uses symbolism to show the correlation between the woods and village with heaven. Mythological symbolism is also found in this poem. when the speaker talks about the lake. it is a reference to Hel in Norse Mythology. The tone of the poem, and Robert Frost's syntax. portray a tranquil yet dark feeling throughout the poem. The observations made exhibit how the speaker views life and death. The personification of the horse shows how the horse is important

The theme of the poem is loss. The seasons changing and turning impure are signs of that. Personification is used to express those words better in the poem. Personification is used on the word nature to help describe

The other section where symbolism is evident is “Small Porch in the Woods.” It is divided into several poems. In the first one, there is the mention of “unshifting star” which represents a change that is undisturbed. It is the turning point of the society. Despite the challenges communities face in their life, their ambition leads them towards achieving their objectives in life. The second poem under this section is about a heavy rain that fell in the month of April. Heavy rain is the representation of unhappy moments. The description presented by the narrator shows that it is a sad moment where everything is carried away. Throughout the poem, the rain is seen, as a lesson

Robert Frost had a fascination towards loneliness and isolation and thus expressed these ideas in his poems through metaphors. The majority of the characters in Frost’s poems are isolated in one way or another. In some poems, such as “Acquainted with the Night” and “Mending Wall,” the speakers are lonely and isolated from their societies. On other occasions, Frost suggests that isolation can be avoided by interaction with other members of society, for example in “The Tuft of Flowers,” where the poem changes from a speaker all alone, to realizing that people are all connected in some way or another. In Robert Frost’s poems “Acquainted with the Night,” “Mending Wall,” and “The Tuft of Flowers,” the themes insinuate the idea of loneliness

The night symbolized death, and the walk was the person's journey to find their lost life. This poem was somewhat disturbing to me. I thought of a lost soul, thirsting to finish a mission that was not completed in life. Frost depicts death in a frightening manner with the contents of this piece of work.

Frost uses personification by giving "Truth" human-like qualities such as interrupting the speaker. This personification alerts the reader that "Truth," or reality is a major part of the theme of this poem, by giving it

Furthermore, a second poetic device used in both of these poems was personification. In “Reluctance,” Frost personified the parts of his body to explain how torn he was about losing his love: “…The heart is still aching to seek/ But the feet question ‘Whither?’…” (Frost, 17-18). The personification in this stanza made the persona’s uncertainty and pain apparent and contributed to the establishment of the mood. If the persona himself had bluntly said that he wanted to look for his loved one but didn’t know where to look, the impact would not have been nearly as dramatic. Millay also used personification in her poem, “Time Does Not Bring Relief”. Personification was used to communicate the role time played in her life during her loss: “Time does not bring relief; you all have lied/ Who told me time would ease me of my pain…” (Millay, 1-2). The lack of involvement time had in the speaker’s life during her loss made it apparent how deeply grief-stricken she was. Nevertheless, if this poetic device had not been used to convey the theme, it would have turned out less impressive, if not awkward. Millay used an additional personification in her poem which was used to personify the rain: “…I miss him in the weeping of the rain…” (Millay, 3). The

Poetry is a literary medium which often resonates with the responder on a personal level, through the subject matter of the poem, and the techniques used to portray this. Robert Frost utilises many techniques to convey his respect for nature, which consequently makes much of his poetry relevant to the everyday person. The poems “Stopping by Woods on a Snowy Evening’ and “The mending wall” strongly illuminate Frost’s reverence to nature and deal with such matter that allows Frost to speak to ordinary people.

Robert Frost is the author of Out Out--, “Stopping by Woods on a Snowy Evening, and Nothing Gold can Stay. His literary work communicates deep meaning through the use of metaphoric language and deception. Being raised most of his life on a farm; his works perceive the natural life of a normal person while out in nature. “Frost believes that the emphasis on everyday life allows him to communicate with his readers more clearly; they can empathize with the struggles and emotions that are expressed in his poems and come to a greater understanding of ‘Truth’ themselves” (Robert Frost: Poems Themes).

Robert Frost said many times throughout his life that all men share a common bond. In his poem “The Tuft of Flowers” he analyzes the potential of such a bond, in first person. Frost turns an everyday common job, into discovering a common bond with another laborer. The author uses a comparison between aloneness with a sense of understanding to demonstrate his theme of unity between two men. In another one of Frost’s poems “Birches” he imagines walking through the woods looking at all the trees, and seeing the top bending towards the ground. When he sees this he imagines they are bending from kids swinging on them, rather then what is really happening to them. It can be analyzed that Frost had a very definitive appreciation for nature, and a very broad imagination.

The speaker furthermore conveys the idea that nature is a grandeur that should be recognized by including the element of imagery. The poet utilizes imagery as a technique to appeal to reader’s sense of sight . It is “the darkest evening of the year” (line 8) and a traveller and his horse stop “between the woods and frozen lake” (line 7). By writing with details such as these, readers are capable of effortlessly envisioning the peaceful scenery that lies before the speaker. The persona then draws on reader’s sense of sound. “The only other sound’s the sweep / Of easy wind and downy flake.” The illustration allows readers to not only see,