In The Trial And One Hundred Years Of Solitude

It’s interesting to see the ways different authors depict how a character matures. In Harper Lee’s novel, To Kill a Mocking Bird we can easily see how she chose to do it. The novel is set in Alabama in the 1930’s, while black vs. white racism was a big issue and problem for many. Atticus is the father of Scout and Jem, young children who witness the discrimination first hand when their father, a white man, defends a black man in court. Lee does a great job developing the characters; especially the narrator, Jean Louise Finch (Scout). Scout’s thoughts, conversations, and actions, illustrate that she’s emotionally maturing from the innocent child that she was.

Characters lose their innocence throughout American literature. What exactly does “losing their innocence” mean? Losing one’s innocence can be seen as a character maturing. A character may lose his/her innocence in ways including the viewing of a traumatic event, especially one that will scar his/her life forever. Losing one’s innocence can also be caused by losing one’s trust in someone whom he/she once trusted, catching a glimpse into the “real world”, or performing an act of immorality. The recurring theme of loss of innocence, as seen throughout American literature and reality, can affect a person and the people around him/her both negatively and positively. As a result, the audience can see the character mature through losing hope of dreams, becoming an outcast of society, gaining a new perspective of ideas, or gaining confidence. Negative and positive effects falling onto characters as a result of a loss of innocence can be found in works such as The Scarlet Letter, The Great Gatsby, To Kill a Mockingbird, Of Mice and Men, and The Hunger Games; this theme can also be seen in real life through the effects of children exposed to violent video games.

What it Means to Kill a Mocking Bird: an in depth analysis of the morals in Harper Lee’s To Kill a Mockingbird

Journalist, Ted Conover expresses an interest in writing a book about the lives of prison guards by proposing to the New York Department of Correctional Services to interview corrections officers, but his access is denied. He then decides to immerse himself into the culture and apply for a correctional officer position. After a brief training, Conover is randomly assigned to Sing Sing as a “newjack” or a rookie, to one of the most infamous maximum security male prisons in the United States. He meets other officers with goals of becoming involved in law enforcement; ex-military looking for a demanding, disciplined and tactical position; and those who just need a steady job with dependable benefits for their families. Some of these individuals are frantic enough to commute hours on end to make a living wage.

“The third stage of narrative development was characterized by the appearance of rogues… relying on cleverness more than force, and motivated more by profits than by passion” (Williams 14). Rogues defied whatever came in between their pursuit, whether it be law or authority (Williams 14). In the third stage of criminal literature, the protagonists were all rogues despite of their unlawfully ways, they “aroused reader sympathy” (Williams 16). Williams described these rogues as “outsiders, existing apart from the social structure either by choice or by fate” (William 16). He also described these rogues as “individualistic, opportunistic, self-reliant” as well as “defiant of authority and entirely free” (Williams 16). William argues that the evolution of these narratives took place in three stages: the first being the “early execution sermons and final confessions”, the second being “the incomplete narratives of life and, finally the full length rogue narrative” (Williams 17). Williams’ article describes how criminal literature changed from “promoting obedience, [to] encouraged defiance” (Williams

Nathaniel Hawthorne was born on July 4, 1804 in Salem Massachusetts and died on May 19, 1964 in Plymouth New Hampshire. Mr. Hawthorne was injured when he was young and during that time he became fascinated with literature and writing, eventually he went to college and made friends many of whom are famous classic writers. After graduation he returned home and wrote many of his famous book, The Hollows of the Three Hills, An Old Woman's Tale, My Kinsman, and many more. During this time Hawthorne worked for the Boston Custom House, where he met his first wife. They eventually got married, moved to Massachusetts, and had three children. Due to financial reasons they moved back to Salem and he got a job at the Salem Custom House, soon he was let go due to the election of a new president named Zachary Taylor. During this time he started writing again, this is when he wrote The Scarlet Letter.

On August 9, 2014,a young man by the name of Michael Brown was shot and killed by a police officer. It is little known why the shooting occurred, but the boy was unarmed.This could be one of many cases of modern day racism and segregation. In 1930, “even after the abolishment of slavery in 1865, blacks were still almost powerless(BBC 2)”.Blacks were heavily segregated and had almost no rights.Many cases of segregation in the 1930s caused a lot of current day racial tension in the united states.

Due to the work of description and Figurative Language, the reader is able to discover that the unnamed narrator is someone who has fashioned in the profession of murder before. This troubled person also identified to be confident yet calm. This is determined according to the way the narrator interprets

” Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird " (Lee 78) . One of Harper Lee's strongest themes throughout To Kill a Mockingbird is that the characters are being judged by their appearances rather than who they really are. This misjudgement is shown through damages not only society's eyes, but also their thoughts and actions. In To Kill a Mockingbird , Harper Lee develops the theme that prejudice and misjudgement can be compared to a foggy window where society fails to see past the fog and therefore, also fails to see past the character's appearances. Throughout the novel, Maycomb's community knows to believe that one's appearance plays a much larger role in a person's judgement rather than their reality. This false accusation creates a barrier between the truth and peoples assumptions. As a result, not only does Maycomb fail to understand why others like Mr. Raymond and Boo Radley live the way they do but in the process, also decrease any chance to relate to characters such as Tom Robinson. When Maycomb's society buried their memories of Boo Radley by sending an innocent man to his death sentence and forced another to live in a world of lies where they grew to judge men by their appearance rather than what’s on the inside.

Franz Kafka was a very intelligent writer of his times. Kafka was born in Austro-Czechoslovakia. He was mainly a writer of short stories, and complex diaries, yet he did publish a small number of novels. The works of Kafka have been interpreted as allegorical, autobiographical, psychoanalytical, Marxist, religious, existentialist, expressional, and naturalist. His novels have a wide variety of interpretations. Of his novels, The Trial is one of the more complex in aspects of literature (Bryfonski and Hall 288). The Trial was written with the intention of an autobiography for Kafka. The Trial delves into the mind of the victim, K., and also into many things not comprehended by Kafka himself. He wrote this book in order to better convey his

In The Trial by Franz Kafka, the protagonist K. is going through what is often thought of as one of the most dehumanizing aspects of society. Even in the United States many criticize the justice system for being dehumanizing. People are forced to wear the same thing, act the same way, and are given numbers instead of names. In The Trial Kafka emphasizes the dehumanizing aspects of this process by exacerbating the bureaucratic steps that must be accomplished and adds more uncertainty and secrecy to the steps. Kafka’s writing shows the lack of information that K. is given, and the symbolic dehumanization that occurs during the whipping and with K. lacking a last name.

Characterized by his defiant speech that the judge asserted would hurt his case, Josef K sees himself more of a victim of unfortunate injustice and annoyed at the court. However, throughout the novel, Josef K realizes more and more how powerful the system is and how serious his situation is. He is initially not incarcerated and only restricted – which mirrors his almost aloof attitude about the situation. This transforms rather quickly into the trial taking over his life and obsessing over it – hiring a lawyer, and becoming more and more involved in the practice. Ultimately, after hearing the parable about the Law, Josef K realizes his insignificance.

However, even a lost mind as Jean’s is able to awake and apprehend the most brutal violation of his gist - the hypocritic affectation of own identity. Unfortunately, it happened too late and he was unable to recover properly as his attempt of murder depicts. This fiction is a warning to us even though it was written one and a half century ago, warning to both society and individuals -- do not deceive and do not get deluded -- you might never be yourself ever

The opening establishes and embodies the world of the justice system, “the man’s world”, accompanied by its seriousness, organisation and harshness in its outlook on reality, the depiction of a typical arrest, identification and trial of a convicted criminal. However, this “world”, according to Wood is threatened, stating that it is somewhat disrupted by the protagonist’s “frivolousness, selfishness, and triviality” (272).

Franz Kafka’s short story “In the Penal Colony” explores the identities and beliefs of the characters without ever explicitly giving them names or points to reference them by other than their titles. This allows us to really delve into who the characters are, and allows us to add the concept of who the character is to things we see in history, daily life, or other characters. Kafka uses the character of the Officer to show the poisonous ways of staying in old times, without adapting to new changes in society, and also shows the pitfalls that come with building a life off of the suffering and misery of others.