Comparing William Blake's Songs Of Innocence And Experience

The poet, painter and engraver, William Blake was born in 1757, to a London haberdasher. Blake’s only formal education was in art. At the age of ten, he entered a drawing school and then at the age of fourteen, he apprenticed to an engraver. ( Abrams & Stillinger 18). Although, much of Blake’s time was spent studying art, he enjoyed reading and soon began to write poetry. Blake’s first book of poems, Poetical Sketches, "showed his dissatisfaction with the reigning poetic tradition and his restless quest for new forms and techniques" ( Abrams & Stillinger 19). Poetical Sketches, was followed by many other works including, Songs of Innocence and Songs of Experience. These series were accompanied by etchings, which depict

“The Chimney Sweeper” (128): This version of the Chimney Sweeper is very upfront and saddening. The version that is presented in the songs of innocence is much more of a calm town and is not as straightforward, while this version is very short and to the point. In this version its very deep as the narrator basically just calls out the parents/church for doing these horrible things to the children. I really love all three stanzas of this poem because they all have a really deep meaning and Blake transitions through them very well. Reading this poem over and over I don’t know what to make of it other than it is an absolute horrible situation. I think it can be tied in to

The Songs of Innocence poems first appeared in Blake’s 1784 novel, An Island in the Moon. In 1788, Blake began to compile in earnest, the collection of Songs of Innocence. And by 1789, this original volume of plates was complete. These poems are the products of the human mind in a state of innocence, imagination, and joy; natural euphoric feelings uninhibited or tainted by the outside world. Following the completion of the Songs of Innocence plates, Blake wrote The Marriage of Heaven and Hell and it is through this dilemma of good and evil and the suffering that he witnesses on the streets of London, that he begins composing Songs of Experience. This second volume serves as a response to Songs of

On January 1st, 2017, a gang held an alleyway waiting for people to come through so they and take their money. The alley was very dark. People came through the alley at nights and trashed the alley, cracking windows, leaving cigarettes on the dirty spray-painted ground littered with sharp shards of glass from a broken window. Their leader, Kole Blazer, was there in the rooftops, waiting for someone to come through, when he saw someone betray his gang: Mike Blazer, his brother. Kole was taller than him by only a few inches. He had brown hair, freckles, blue eyes, more muscular than his brother who was always the weaker one, but they were twins and he wanted to keep a secret. His brother betrayed them and now it’s time for payback.

The idea of innocence loss is prominent in the last three stanzas because this is the part of the story where the child begins to understand the world. In order to make this transition, Thomas uses rhetorical situations such as tone and symbolism to convey the shift. In the fourth stanza, Thomas uses the child’s sleeping as a symbolism for the dark coming, meaning the idea of maturity and aging is hinted. This initiation equates the beginning of the world of maturity, and the end of youth. It also involves the loss of innocence, freedom, and purity. The loss of innocence also infers that the child’s unification with nature is no more, since the setting is referred to the Garden of Eden, the child’s ability to create and fantasize is no longer possible. Despite the clear transition where the child is starting to understand the implications of the world outside of his own, he continues to ignore its heavy presence. In the fifth stanza, the child continues to enjoy the paradise of youth, with the author describing his attitude as he “[runs his] heedless ways.” The author describes the child’s reluctant actions by using a rhetorical situation called register. Register helps the language of this poem to give it authenticity, and meaning to the themes. Thomas displays some of his Welch register in the poem, giving the poem a more genuine feel. In stanza five, Thomas uses a phrase “sky

Blake wanted to show that there are two sides to every situation by writing companion pieces for most of his works. “The Chimney Sweeper”, for example, has the same title in Songs of Innocence and Songs of Experience, as well as “Holy Thursday” that appears in both. “The Lamb” and “The Tyger” are also paired poems contrasting the concept of good and evil that Blake focused on through out his poems.

William Blake’s “The Chimney Sweeper” in his Songs of Innocence is a literary masterpiece that is still relevant and impactful in the modern world. In lovely form and description, Blake explains the atrocities and hardships of the Industrial Age in a poem suitable for school-age children and with the beautiful simplicity that only a writer like Blake could produce. The Songs of Innocence is a look into the purity and wonderful outlook on life that children usually have. While in its counterpart, the Songs of Experience, Blake uses adults as protagonist. The Songs of Experience is a look at the effects that hardships and failures have on adults, therefore having a pessimistic outlook toward life. In his these two works, Blake produces a parallel universe between childhood and adulthood where the optimism of dreams of childhood and the bitterness and stagnation of adulthood never seem to know one another.

The poem is sectioned into six quatrains, which follow the following pattern: reality, reality, dream, dream, dream, and reality. Through use of this poetic device, the poet presents the impression to the reader that it is inevitable that reality must always be returned to, and that the children will have no escape from their labour. Though the dream may present the impression that it is a welcome escape, it only serves to further emphasise the cruel conditions of the child’s life. ‘The Chimney Sweeper’ falls into the category of a lyrical poem, which presents it to the reader as a song of sorts, almost akin to a nursery rhyme. Traditionally, nursery rhymes are sung to young children, emphasising the narrator’s naive tone. The irony in this must also be noted, as the child ought to be protected by his parents singing to him as he falls asleep; he should not be partaking in the dangerous occupation he has been forced

The Romantics, like William Blake and Lord Byron, put emphasis on feelings and moral sensitivity hoping to make their readers better people by doing so, which influenced a significant change in what people thought made a hero a hero. In other words, they set a new standard for people through their works. This new idea of a hero eventually became known as the Byronic hero, named after the Romantic poet Lord Byron. Romantic writers used their imagination and talent to help redefine the values of society, setting a new standard of what it means to be a hero.

Romantic Poetry: Blake’s Biblical References William Blake’s illustrated collection of poems, “Songs of Innocence and Experience”, were written to contrast the different elements of the human soul. Throughout the collection, Blake redefines both innocence and experience, and closely contrasts them through two parallel poems, “The Lamb” and “The Tyger”. Both poems incorperate biblical references, amd present a clearer view of the relationship between innocence and experience. Blake was a pious man, and as a young child, he had visions of God, angels, and believed to have recieved messages from his deceased brother.

Before being good or bad, human beings are just humans who have to live with their own nature, which they sometimes cannot control. Man can do good or evil but he always makes it with a unique purpose, his personal satisfaction, because it is simply in his nature. Thus, human beings aware of good and evil are confronted with conflicting choices but they never act against their will. The poem, “The Human Abstract”, written by William Blake reflects on these characteristics of human beings and demonstrates how they are unconsciously corrupted by their own nature in a selfish way.

During the British Romantic period, some writers used material from the Bible or imitated the Bible in style of writing or content. William Blake, a Romantic writer, engraver, and painter, believed that “the Bible was the greatest work of poetry ever written” (Barker 2004). The Bible influenced him throughout this life, specifically influencing both his writing and his art. There are many references to Biblical themes within his writing, and there are also many references to specific passages of Scripture (Barker 2004).

     William Blake’s “The Chimney Sweeper” was mainly about the possibilities of both hope and faith. Although the poem’s connotation is that of a very dark and depressed nature, the religious imagery Blake uses indicates that the sweeps will have a brighter future in eternity.

William “Bill” Cronon, an environmental historian and vice Chair of The Wilderness Society, believes that because society differ its self from the nature, it makes the nature to be seen as wild, remote, and inaccessible. In his essay “The Trouble with Wilderness; or, Getting Back to the Wrong Nature”, published in 1995 by the New York Times and in Uncommon Ground: Toward Reinventing Nature, Cronon traced the idea of wilderness throughout American history. Cronon presents the potential danger in society’s traditional concept of wilderness. He points out how society detached itself from nature simply by idealizing it and thinking of it as something distant and remote. Approaching the concept of nature in this way leads to an ultimate separation of us, as members of society, from what we could consider to be our true home. As a result of that, the nature is seen as wild, remote and inaccessible. Although Cronon might be right to some extent, that is not always the case. Songs of Innocence and Songs of Experience were written by William Blake and published together in 1798. In Songs of Innocence and Songs of Experience the nature is a key feature; in some poems the nature seems to be close, and sometimes it is more remote. The distance of nature from society does not play a role in Blake’s poems; although in Songs of Innocence the adjacent nature is

Some of William Blake’s poetry is categorized into collections called Songs of Innocence and Songs of Experience. Blake explores almost opposite opinions about creation in his poems “The Lamb” and “The Tiger.” While the overarching concept is the same in both, he uses different subjects to portray different sides of creation; however, in the Innocence and Experience versions of “The Chimney Sweeper,” Blake uses some of the same words, rhyme schemes, and characters to talk about a single subject in opposite tones.