In the start of the play, Othello, Iago is professing his hatred for Othello, for giving the

   The play "Othello" by William Shakespeare is based on an Italian story in Giraldi Cinthio's Hecatommithi (Groliers). In "Othello" we encounter Iago, one of Shakespeare's most evil characters.  Iago is an ensign in Othello's army and is jealous of Cassio's promotion to Lieutenant. Through deception and appearance, we see unfolded a plethora of lies and clever schemes. The astonishing thing about Iago is that he seems to make up his malicious schemes as he goes along without any forethought. Noted writer Samuel Taylor Coleridge describes Iago's plan as "motive-hunting of a motiveless malignity" (Scott 413). Iago seizes every opportunity to further advance his plan to his advantage. Greed plays a

Iago claims to “hate the Moor” (Act 1, sc 3, line 368) so he wants to

    In the Tragedy of Othello, by William Shakespeare, a great injustice is done to the main character, Othello the Moor. Othello is manipulated by the villain Iago to satiate Iago’s need for control and his desire for revenge. Othello the General has promoted another, Cassio, to hold the position that Iago feels he deserves. For the injustice that Iago feels has been committed against him, he brings about the destruction of Othello and his wife, Desdemona, using Cassio as his tool for doing so.

In other words, Cassio is a man who knows as much about war as an old woman does, unless it is what he has read in books. Therefore, Iago finds him hardly qualified for the job he has gained. Iago is also jealous toward Othello because it is rumored that he has slept with his wife Emilia. (Find Quote In Book) Iago now has a motive to make Othello think that Cassio and Desdemona are having an affair to get revenge on Othello and achieve his goal. His hatred and jealously toward Othello and Cassio seem to turn Iago, himself into “the green-eyed monster” (III.iii.1203) that leads him down a path of destruction.

When Iago found out Cassio became Othello’s lieutenant, he can be comprehended as jealous. He talks about Cassio’s lack of knowledge and experience with fighting (I.i.20-27). Although, Iago may seem jealous of Cassio, he is only furious with Othello. Later, when Cassio welcomes Emilia by kissing her hand, he is being polite. He also speaks very highly of Desdemona by saying, “One that excels the quirks of blazoning pens,” (II.i.69).

In Iago’s soliloquy, he explains that Cassio trusts him, which he can use to his advantage. Because Cassio is naturally charming, Iago knows that if he concocts a scheme where Cassio has lured Desdemona away from Othello, it will be plausible for Othello to believe it. (1.3.433-441) As previously mentioned, he knows his friends very well due to being analytical and simply being close friends with them, which is part of what made his malicious schemes so grand. Also, Iago divulges to himself and the audience that he believes that Desdemona loves Cassio, but not in the way he will make it appear. He knows that Othello is “of a constant, loving, noble nature,” and that he’ll prove to be “A most dear husband.” (2.1.308-313) Iago briefly scrutinizes Cassio, Desdemona, and Othello. Due to years of friendship, he knows all of them well. In this scene, Iago is not exposing his manipulative, cunning ways so much as he is merely analyzing his “friends.” This will prove to be useful to him later in the

Evidence of jealousy in Iago is more prominent and very evident in the beginning of the play when he explains to Roderigo that Othello has moved Cassio to lieutenant (the position Iago desires) although three of Venice’s most noble nobleman have informed Othello and Iago has fought in front of Othello in Rhodes and Cyprus (Shakespeare 1.1. 10 - 30). Iago’s sly behavior and ability to use other character’s roles and trust such as Othello’s love for Desdemona, Cassio’s pride in serving as Othello’s trustful lieutenant, and Rodrigo's over commitment to win over Desdemona from Othello allows his plan to fall through. His motive throughout the play is to get Cassio demoted from the

Othello’s love for Desdemona was so deep he could not bear the thought of another being with her; “If she be false, O! Then heaven mocks itself. I’ll not believe’t.” Iago uses the characters of Cassio and the obsessive Roderigo as his weapons in his cunning plan. Iago drives the idea into Othello’s mind that Desdemona has been unfaithful, inciting him into a state of jealousy. “Excellent wretch! Perdition catch my soul, but I do love thee; and when I love thee not, chaos is come again.” Othello growing insecurities about his wife’s faithfulness only adds to his psychological suffering which in turn acts as a catalyst towards the suffering of other characters involved in the play.Iago tells these lies with the intention of driving Othello insane as well as establish his dominance and influence the situations of those characters close to Othello. Evidence of this comes in one of Iago’s soliloquies from act two, scene one; “That Cassio loves her, I do well Believe’t: That she loves him, ‘tis apt and of great credit.” This section shows that he is trying to convince himself that his own manipulative lies are true and is trying to reassure his motives by justifying his own actions. By convincing Othello

Iago, who presents himself as Othello’s confidante, signifies the antithesis of the virtues of the play, and Othello’s belief in the lies this villain tells destroy these values and lead to his demise.  Iago is disloyal from the start.  From the beginning he tells us, “In following him [Othello], I follow but myself. / … I am not what I am” (I, I, 55-62).  Iago feigns devotion to Othello only to bring him down, and in doing so he makes himself seem virtuous and turns the true virtue, in Desdemona, to vice.  When scheming to make Othello think that Desdemona is having an affair with Cassio, Othello’s lieutenant, he plays on her concern for people, and her willingness to help Cassio come back into Othello’s favor: “So will I turn her virtue into pitch, / And out of her goodness make the net/ That shall enmesh them all” (II, iii, 360-62).  As the opposite of all that is valued in the play, Iago is able to make the virtue of the other characters into their downfalls without them suspecting it.  He observes of Othello, “The Moor…Is of a constant, loving, and noble nature” (II, I, 288-89).  He then plans to use this nature to “Make the Moor thank me, love me, and reward me / … Even to madness” (II, I, 308-11).  Iago uses Othello’s trusting nature and Desdemona’s goodness to create the

William Shakespeare’s Othello, the Moor of Venice is a play of great manipulation and jealousy. Iago is the antagonist character of the play Othello. Iago becomes irate and filled with jealousy when Othello names Michael Cassio as his lieutenant, because Iago believed he should have been the one promoted not Michael Cassio. By manipulating everyone around him, Iago portrays himself as an honest noble man whom can be trusted. Iago being known for the honest man he earns everyone’s trust and therefore learns their weakness for his ultimate plan of destruction. Iago’s greatest skill is disguising his manipulative schemes of destroying and betraying the ones around him with what he leads people to believe as honesty. Iago uses their

Othello, not knowing that Cassio was in fact speaking with Desdemona in hopes of being reinstated as Lieutenant, mistakenly believes that the two are having an affair and that Desdemona has lost her chastity. Iago skillfully capitalizes on the situation by developing his attack further: "She did deceive her father, marrying you" (3.3.220). Othello begins to see Iago's reasoning: if she could deceive her father, she could just as easily deceive her new husband. Once Othello's bliss has been decimated, Iago concentrates on weakening Othello's perception of himself; Iago very carefully and very tactfully chooses words and metaphors that subconsciously pit Othello against the Venetians. Othello begins to perceive himself as an outsider in his own country, "a malignant and turbaned Turk" (5.2.365). A fruitful marriage with a Venetian woman becomes out of the question in Othello's mind. Iago's successful manipulation takes a self-confidant man and reduces him to one at ends with himself and with the woman he loved.

In act One, scene one we see Iago's conversation with Roderigo about Cassio being promoted ahead of him and how Iago believes that this is because of favourtism. This suggests one of many reasons why Iago plots against Othello. From this conversation we see that Iago is envious of Cassio being promoted ahead of him, and plotting against Othello as a means of seeeeking revenge. “I follow him to serve my turn upon him”. Iago believes that he

different point of view. To effectively manipulate one must know the weakness of the targeted person. Therefore, using their emotions to enable the manipulation easily. Othello is a tragedy, written by William Shakespeare in the seventeenth century. The play by William Shakespeare includes the character of Iago. Iago is the antagonist in Othello, who cleverly plans out his tactics. Viewing the character of Iago from an analytical point of view shows Iago exposing himself to be a psychopath. Iago can use the weakness of the characters to set up scenes, and earns himself the title “The Honest Iago.” Consequently, psychopaths act as pleasurable people, but in reality, they are different in private. A psychopath sees themselves as preferable and worthy of the respect of others. The complex character of Iago sees himself as being superior to Cassio and is inclined to seek vengeance on Cassio and Othello. The character of Cassio is similar to Othello since they both appear to be impeccable. In Othello, the complex character of “Honest Iago” creates a psychotropic weapon by using the vulnerability of the character’s emotional state to create the perfect tactics.

important scene where the play’s main themes of jealousy and doubt surface. Through Iago's way of displaying subtle but effective implications in speech patterns and mannerisms, it draws Othello's inner conflict to start and eventually take a hold of him as the play continues. The subconscious worries of Othello become known, not only through Iago's words and unsupported claims, but by filling his mind with the image of doubt envisioned as Cassio. Taking form of his worries, Iago plays the mirror reflecting Othello's inner fear and Cassio as the physical form of all his apprehensions. This scene reflects the most hidden parts of Othello in a way where his future actions become a direct result of this scenes affect and conclusion. Those that believe Iago to be the one to set up Othello's future endeavors and downfall are mistaken in the realization that Iago mirrors Othello's own self in worries and fears. The role Iago has in this scene is not one to manipulate Othello into believing what's not there but to believe what's there by Othello's own mind.

At all points of one’s life, one has desires; what separates and defines a person is determined by how that person goes about dealing with those desires. Some believe in working honestly towards his or her aspirations and others in seizing it at any cost. Iago, the antagonist of the play Othello is one of those people who would do anything in order to get what he wishes. Because Othello names Cassio lieutenant instead of him, he begins to device a plan in vengeance to bring Othello and Cassio down, which ends up tragic for all of the major characters. Iago’s obsessive need for revenge stems from jealousy and ambition, and because he is a master manipulator, the plan goes extremely smooth for the majority of the play.