In this extract of A Midsummer Night’s Dream, Shakespeare vividly portrays Demetrius and Helena’s

A Midsummer Night’s Dream by Shakespeare detailed the story between warring characters. From couple conflicts to love quadrilaterals and the interference of outsiders, the story played out as a comedy, with Helena on the receiving end of a running joke. Introduced in Act One as the jealous friend of Hermia, as she was in love with Demetrius, who decided to marry Hermia despite Hermia’s love for Lysander. Hermia appears rather guilty as she confirms her distaste to Demetrius to her friend. However, her father disapproves of her relationship with Lysander. Despite her co-dependent aspirations, Helena exemplifies progressive ideals that counter the societal norms of Midsummer’s era.

Helena and Hermia have this kind of love and would do anything for each other. It happens that Helena is in love with Demetrius who Hermia is being forced to marry. Demetrius does not want Helena but Hermia. Helena loves her friend Hermia but at the same time wants to get her man.

Demetrius delivers this line in the forest after Helena has provided him with the information concerning Hermia and Lysander's plans to elope. Since Demetrius has taken what he wants from her and tells her to leave him alone. This shows that love can possess a cruel and abusive nature.

These words and the entire alliance between Demetrius and Helena have the subtext of a sexually sadistic and masochistic relationship (Greene et al. 151). This correlation leaves little in Helena to be admired by feminist critics. Her only intelligent scene in the play spawns from her discovery of the Athenian lads' infatuation with her as she screams, "Can you not hate me, as I know you do/ But you must join in souls to mock me too?" (III.ii.149-150).

The love for Helena appeared out of nowhere. He did not develop the passion for her, it happened in one day. True love needs true passion, not passion from a potion. Love is not something that is material; it is felt from the heart, not a potion. Demetrius’ and Helena’s love is forged

When Demetrius becomes more infatuated with Hermia’s beauty and kicks Helena to the curb, her heart and self-confidence become pulverized. She thinks that she is no longer beautiful, compared to Hermia at least. “No, no, I am ugly as a bear,/ For beasts that meet me run away for fear” (2.2.100-101). If Demetrius is no longer enamored by her beauty, then she convinces herself that she has none. Also, since, in her eyes, Demetrius is some righteous, benevolent man, she believes that she is ineligible of anyone so perfect.

7. What is Lysander’s comment about Demetrius’s previous love affair with Helena? What does this say about

Occurring in Act 2 scene 1, Helena informs Demetrius of Hermia and Lysander’s plans to run away together in hopes of winning Demetrius’s heart. After hearing about their plan, Demetrius is determined to stop Hermia and pursues after her into the woods. Helena isn’t far behind and tries to reason with Demetrius. Once again she expresses her love for him and even offers him to do anything

Helena is madly in love with Demetrius and would give her life for just one kind word from him.

At one time, Demetrius loved Helena, and then he fell in love with someone else. Initially, Demetrius had given his love to Helena: “He hailed down oaths that he was only mine, / And when this hail some heat from Hermia felt, / So he dissolved, and showers of oaths did melt” (MND 1.1.243-245). Helena loved Demetrius, and he promised to be with her forever. However once he met her friend, Hermia, Demetrius left Helena to chase after her friend. Helena’s jealousy of Demetrius’ love drives her to think about what he really wants. Helena believes that Hermia’s beauty is why Demetrius desires her. She tells Hermia, “Demetrius loves your fair”, and she goes further to say, “Were the world mine, Demetrius being bated, / The rest I’d give to be to you translated” (MND 1.1.182, 190-191). Her jealousy of Demetrius’ love has turned into jealousy of Hermia’s beauty. Helena obsesses over having Demetrius back to the point that she continuously follows him around. Demetrius is tired of Helena chasing him: “Do I entice you? Do I speak you fair?” (MND 2.1.199). Demetrius does not understand why she tries so hard to be with him when he does not even compliment her. Demetrius threatens Helena to leave him alone: “I’ll run from thee, and hide me in the brakes, / And leave thee to the mercy of wild beasts” (MND 2.1.227-228). At this point, he is beyond exhausted with Helena, and he will do anything to get away from her.

“O, take the sense, sweet, of my innocence! Love takes the meaning in love's conference.” Lysander's quote, “The course of true love never did run smooth,” is proven throughout the play as three couples face challenges and hardships as time goes on, that no love is easy and that anyone would do anything they can to keep the love they have. In “A Midsummer Night's Dream,” there are many examples of rough love, as seen with Hermia and Lysander when Lysander stops loving Hermia, when Helena love Demetrius but he does not love her back and with Titania and Oberon, as they argue over the changeling boy.

In Athens, women had very little rights. Womens fathers were the ones who got to choose whom they married, and that caused trouble for the lovers. Hermia’s father, Egeus, strongly believed in this rule. At the beginning, Egeus decides that he wants Hermia to marry Demetrius, which is good for Demetrius but bad for Hermia. Hermia, daringly refuses her father’s wishes, so they seek the help of Theseus, the Duke of Athens. Theseus listens to their situation, and being the authority in the situation, tells Hermia: “Either to die the death, or to abjure for the society of men. Therefore, fair Hermia,... if you yield not to your father’s choice, you can endure the livery of a nun...”(24). This shows how authority, in this case the law, gets in the way of “the course of true love…”(28). Egeus’s decision to have Hermia marry Demetrius does not only affect Hermia but also affects Helena. When Hermia’s father chooses Demetris to be her

Helena is a very desperate and aroused woman who loves Demetrius with her life. Even though she shows a great passion of love for him, Demetrius rejects this and therefore piles another burden of sorrow onto Helena’s shoulders. She is fed up with Demetrius rejecting her, but Helena is not tempted to give up yet.

“The course of true love never did run smooth,” comments Lysander of love’s complications in an exchange with Hermia (Shakespeare I.i.136). Although the play A Midsummer Night’s Dream certainly deals with the difficulty of romance, it is not considered a true love story like Romeo and Juliet. Shakespeare, as he unfolds the story, intentionally distances the audience from the emotions of the characters so he can caricature the anguish and burdens endured by the lovers. Through his masterful use of figurative language, Shakespeare examines the theme of the capricious and irrational nature of love.

A Midsummer Night 's Dream is a play about love. All of its action—from the escapades of Lysander, Demetrius, Hermia, and Helena in the forest, to the argument between Oberon and Titania, to the play about two lovelorn youths that Bottom and his friends perform at Duke Theseus 's marriage to Hippolyta—are motivated by love. But A Midsummer Night 's Dream is not a romance, in which the audience gets caught up in a passionate love affair between two characters. It 's a comedy, and because it 's clear from the outset that it 's a comedy and that all will turn out happily, rather than try to overcome the audience with the exquisite and overwhelming passion of love, A Midsummer Night 's Dream invites the audience to laugh at the way the passion of love can make people blind, foolish, inconstant, and desperate. At various times, the power and passion of love threatens to destroy friendships, turn men against men and women against women, and through