Inception Outline

There are many different elements of film that filmmakers can utilize to make a film. Direction, storyline, cinematography, mise en scene, as well as point of view and tone can all lend a hand in making a film great. One might say that the most important aspect of a film is the script. Others might argue the actors are the most important part. However, an impressive balance of all of the different elements of film are what can elevate a film to greatness. That is why the best film viewed this semester is Night of the Living Dead.

I never gave much thought into what it takes to shoot, direct, edit, and complete a motion picture. Sure, it may sound fun, but after this assignment, it felt like a lot of work. There are quite a few specialized groups that put together the films that we enjoy in our movie theatres. No wonder why it takes months and even years to edit a film, these folks are making sure things are done and synced correctly! The following essay will identify information pertaining to film and importance for their audience so the person or persons watching can have an understanding of what it is they are viewing. A story that has no meaning or becomes very confusing in the details that are presented does not make a good film.

In 1926, the technology used today for special effects did not yet exist. All the stunts and explosions that happened in the film had to happen in real life. Using actual explosions and doing real stunts made movie production in the early days of film much more dangerous than it is now. Throughout the film, Keaton climbs all over the train, from throwing supplies out of the back on the train car to sitting on the

To go along with that, I don’t really think that the film needed to rely on any fancy technical aspects anyway. It relied heavily on the emotional aspects and the actors to make the movie great and I think for the most part that they accomplished it. And out of the sparse special effects that were present, every one of them was very deliberate and had a purpose to help move the story along. Every piece of it helped set the tone for what people were supposed to feel, even though there wasn’t a lot of them. The lack of fancy technical aspects help create it and make it cinematically beautiful, One weakness that this movie had, in my opinion, was that it was confusing at times just because it wasn’t a super well known story of the time.

For this establishing scene the realism is viewed simply through the continuity editing that I have already touched on in some detail about the actual shots, angles, and camera movements involved here. This “invisible” style that is seen in so many Classic Hollywood films makes it seem like what is shown definitely could happen in real life. The only thing here that might not go hand in hand with that is the fact that this type of depiction was definitely not what the industry and the audience in their own reality was used to. Therefore, the superior thing about this fact is that because we know that it was not normal for its’ time, it takes that central theme of industry decryption and makes it even more poignant by itself and especially to the people that first saw this

Inception depicts the meaning of an idea, captivating the audience wanting more as the film continues on. Its breathtaking few hours of escape, literally an escape from the subconscious of the human mind, with breakneck action and unpretentious “huh?”-rewind-this-again moments.

By utilising a variety of filmic techniques, both Scott Hicks and Anthony Fingleton created a key action scene to engage and connect the audience to their films. To convey the intensity of the scene, Hicks and Fingleton used a vast range of filmic techniques, however the two key features used, were sound

Nolan creates an atmosphere where one scene will move steadily to the next, building anticipation until all hell breaks loose. Nolan has really done his research with this film as he explores a deeper meaning in good vs. evil. It makes the film seem so real life unlike most fantasy superhero movie. For some reason, the viewer can actually imagine this happening in real life. The lights and effects are very promising.

A stylised moment was when Joey met the tank during the war scene; this moment was very intense as Joey was faced with a huge big tank that he cannot compete against. It shows the old technology in this case the horse meeting the new technology the tank. As Joey meets the tank he screams and gallops fast past the tank, while doing so Joey breaths rapidly. This is shown when the actors controlling the horse move the stomach inwards and out. There is a use of strobe lighting effects into the audience to make them feel Joey’s fear and panic that he is going through. In addition there is loud classical music playing in the background to intensify the emotions that the horse is going through. When Joey is first faced with the tank he runs, this is shown by the clever use of the revolve. The use of juxtapositioning occurs here, as it shows the old warfare facing the new warfare.

The intention of this essay is to discuss the romantic notion of a film director who has etched their own cinematic vision into the body of their film work, and whether the theory and practice is dead and an infringement of the spectator’s imagination and is it the spectator who finds meaning in the film. I will be closely looking at critical material, primarily André Bazin and Roland Barthes and applying them to several case study films directed by Christopher Nolan including The Following (1998), The Prestige (2006) and Inception (2010), to examine whether Nolan possesses the qualities of an auteur and if so, does that imply an ideological view of what the auteur resembles or an artistic one.

Wes Anderson has been recognised as one of the most successful directors in the cinematic world with a distinct authorship towards his work. The auteurs approach of analysing films include the more important elements that makes up a film such as: editing, cinematography, lighten, casting, themes, story line, art direction and aesthetic style (Rosenberg, 2010). Anderson’s films all possess distinct techniques that he was heavily involved in producing. The Royal Tenenbaums (2001) featured many of his signature techniques such as using the recurring themes, filming styles, type of music and backdrop to give audiences a better understanding of the film and imprinting a certain tone throughout the film.

When it comes to movies, many directors are good at their jobs. However, other directors are great in the art of film making. There is no doubt such statement is considered utterly subjective, but what would life be without subjectivity, for it is our differences that make us thrive against a monotonic existence. By the same token, Alfred Hitchcock and Christopher Nolan utilize their singularities to create films that for decades have impacted the movie making universe. In fact, it is their differences that provide us with a high contrast to compare and scrutinize their job and find what made them great at it.

The Analysis of Saving Private Ryan by Steven Spielberg Analyse he methods used to make the opening sequence of ‘Saving

Inception is an overhyped blockbuster accompanied by several moving parts that will leave you in awe, but nonetheless it 's a work of art. Dom Cobb (played by Leonardo DiCaprio) is not your normal thief he has the ability to enter people 's dreams and steal their ideas from their subconscious. His skill set has made him very sought after in the world of corporate espionage which has also cost him everything he loves. Cobb gets a second shot at redemption. He’s offered a job, plant an idea in someone 's mind. If successful it 's the perfect crime, but even with intricate planning a dangerous enemy awaits them at every turn. With only one man that could have foreseen this, Cobb. One of the most anticipated movies of the summer, leading to an outrageous amount of hype being built up prior to the premier of the film. It has it flaws but none the less it is truly a masterpiece.

Christopher Nolan is credited as being an illusionist in the way that he directs his films. Inception and The Prestige are two of his films that will keep you pausing and rewinding for the duration while you try to keep up with the complex story lines and mind bending conclusions. Both films share a dark and sinister vibe,putting them amongst the neo noir genre of films, and The Prestige being set in an ominous, turn of the century London, and Inception based around extracting thoughts from the depth of minds it is no wonder they follow such shadowy themes.