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Indian Classical Music Structure And Sets It Apart

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What differences Indian classical music structure and sets it apart in the world’s classical traditions? Give examples that highlight structural and conceptual differences. (For example the shruthi or the drone – how vital is it, and what is the philosophy behind it?)
Indian classical music is one of the oldest forms of music in the world. It is rooted in antiquity, with traces of its origin found in areas such as the ancient religious Vedic hymns, tribal chants, devotional temple music, and folk music. Indian music is melodic in nature, as opposed to Western music which is harmonic. The most important point to note is that movements in Indian classical music are on a one-note-at-a-time basis. This progression of sound patterns along time is the most significant contributor to the tune and rhythm of the presentation, and hence to the melody. Indian music can be further distinguished into two main streams of Hindustani (Northern Indian) and Carnatic (Southern Indian). The origins and fundamental concepts of both these types of music are the same, although the prime form of music here is the ancient complex patterns of melody called raga merged with Talas or rhythm that affects energy centres laying emphasis as a tool of meditation for self-realization.
North Indian music, known as Hindustani Sangeet is usually considered to be a mixture of traditional Hindu musical concepts and Persian performance practice. North Indian classical music sprang from an amalgamation of musical
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