Our direct audience is our Red Team Core class. We expect our audience to be disturbed and awed by both of our makeup pieces. We intend to make our work stand out to our class and be remembered. The emotional reactions we expect is fascination by our work process of ideas and how we went about these art pieces. Our indirect audience has been people in our core space, the VA room and some of our friends. Several times one of our models has walked around the VA room or gone home with some evidence of our class work, such as fake bruises or eyes done up with eyeshadow and liner. And more often than not, people and friends have seen our work while our models have done these things. I expect the majority of our indirect audience to be confused
Intended audience: The intended audience is the consumer, by which I mean both students and parents who are making the decision on college and further their education.
Audience analysis is described as the process of examining information about your listeners. Then using that analysis helps you adapt your message so that your listeners will respond as you wish (Steven A. and Susan J. Beebe, 2015). It is highly important to read your audience when presenting a speech, the first thing I noticed about my classroom audience was everyone has a good sense of humor and were open minded as to what they might be hearing. In this paper I will be analyzing my classroom audience and describing how they might react to my speeches and what is the best way to present my speeches. I will discuss the differences between each person and how their views will shape my speeches as a whole because ultimately I must appeal to my audience.
6. What are my audience’s values in relation to this message? What do they care about most?
There is a wide group of people that could be the potential audience. It could be high school students that could read about this and are
How does your piece of art communicate, evoke, or inspire? What do you think the artist was trying to say with his or her work?
Describe the initial emotions you feel when viewing the art. Then list any adjectives that descrWhat category does the art fall under? How can you tell?
My audience applies to everyone in the US. My audience is very broad because my topic touches base on an issue that can or could potentially affect anyone directly or indirectly as well.
Whenever giving a presentation it is important to properly communicate with your audience. In order for a presentation to be affective, the speaker must know who they are presenting to in order to inform, persuade, or entertain them. In order to be successful in getting your message across it benefits the speaker to have information about their guest such as their interest, likes and dislikes. You never want to go into a situation unaware of who your audience is in order to keep them interested.
People express their emotions, creativity, and imagination through art. Emotions sometimes are understood better by words and drawing, for example, Paul Cezanne paints to express himself. One of his works is the basket of apples, which shows a table with a basket of apples on it and the apples are falling on the table. Cezanne is trying to get in people’s imagination, he wants people to look at his panting in a different way then normal. The panting uses many line, space, and texture.
Human emotions remain as one of the world’s biggest secrets. Like sleep, we know what happens to our body when we experience these emotions whether it be a release of hormones or a certain area on the body becomes more sensitive. But we don’t know why we have them, experience them, or what purpose they serve. All we know is everyone’s emotions behave differently. Different types of arts can elicit completely different emotional response from people. Some art may have the ability to appeal to dangerous emotions in certain people. Whether it be the corruption of a once faithful and beautiful young girl, plagued by the desire for romanticism and lofty ideas, or a handsome young nobleman who is obsessed with living life to fullest. Both are fueled by the emotion that a certain type of art elicits in them, leaving them in a never ending chase that ruins there life’s. In the Novels Madame Bovary and The Picture of Dorian Grey the protagonists in these stories perfectly exemplifies the danger of arts emotional appeal by showing the corruption and eventual downfall of two once young and beautiful souls by exposing them to art that pleases dangerous emotions such as desire, pleasure, entitlement and disappointment.
I agree with what everyone say. I would even add that by looking away we are simply adding to the bystander effect because we feel uncomfortable to learn more about the situation, to get involve. The focus on water being the basis concern for these people that is expressed through listening to emphasize the need to listen. How do we know what these people need and how do we learn that what they need the most is a human right when we always look away? It is true that by just listening the problem cannot be solved, but I think that it is the most important step. When we listen, we hear what people need and want. When we listen, we learn about what is important to them. When we listen, we learn about the actions that are already in place and whether
Four theorists are the contributing authors of the active research theory. These authors evolved the role audience play and their ability to actively engage with communication medians. The idea of deconstructionism was the focus of the work of Jacques Derrida and Michel Foucault during the 1960’s. Later in the twentieth century theorist Raymond Bauer developed The Obstinate Audience. In the early 1980’s a theorist by the name of Stuart Hall challenged the traditional theories of an audience role in the media and developed his encoding/decoding theory. Each contributed to the current understanding of the active role audiences engage in when information is presented.
To better prepare for their campaign they also researched target audiences, which revealed which audiences would have the biggest potential to
more on the emotion of the thing. E.g. there is a painting of a man
The delicate relationship between artist and artwork is one that seems so intensely personal that it _____. In spite of this intimacy, the positive or negative actions of an artist or the responses elicited from their works are assessed by the eyes of the public— usually in hopes of locating a correlation between the two. This begs the most direct question of whether or not it’s possible to separate art from the artist. Within this dispute, more complex and dark arguments exist.