Individual Vs Government In Antigone

The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the

In Antigone, Sophocles introduces the struggle between loyalty to civil law versus familial loyalty and divine law, which is a central conflict in the play. Antigone has a firm belief in upholding family values and honoring the gods and deceased by burying her brother. In contrast, Creon wants to do what is best for the city which is, in his opinion, forbidding the burial of Polynices. Both Antigone and Creon believe that their point of view is more important, and neither is willing to change perspective, causing the chain of destructive events in the plot. Loyalty causes the deadly dispute between Antigone and Creon because of their conflicting perspectives about precedence.

The major moral conflict in Antigone by Sophocles is the conflict over which value is most fundamental. The play presents the moral conflict over whether the god's law or the city's law is more powerful. This seems to be the most prominent theme. The conflict arises mainly between the tragic heroes Antigone and her uncle-in-law Creon, King of Thebes. The city of Thebes had been through a war in which Antigone and her sister Ismene have lost both of their brothers to it, Eteocles and Polyneices. Eteocles's fighting for Thebes was buried and honored as a hero. (lines 24-26) Polyneices was left unburied and dishonored because he is considered an enemy of the city. (lines 27-32) Creon edicts that whoever broke the law by burying

Standing for what you believe in and know what's right and wrong is important . In the play, Antigone, Sophocles demonstrates that through the conflict of the character. The play is a well-known tragic drama about the conflict between Antigone and her uncle Creon who is king of Thebes.Both character have different believes, idea and opinions regarding divine law and civil law. In Antigone the author Sophocles demonstrates the how important one's moral beliefs is, through the actions of the characters and how the beliefs impact the outcome of the play.The conflict between civil and divine law through Antigone and Creon, shows the important one's beliefs and how it impacts the outcome of the play. A reader can Identifying which law is more important in the play by looking at how the laws impact the characters and the outcome of the play. Both Antigone and Creon go at it expressing each others believes and whether one is right or wrong.Throughout the play civil law is more significant and powerful.

The play entitled Antigone was written by a man named Sophocles, a scholarly author of philosophy and logic. The play Antigone is probably one of the most prominent interpretations of a tragic drama. The two main characters of the play are Antigone and Creon. There is much conflict between Antigone and Creon throughout the play, both of them having their own ideas and opinions regarding divine law versus human law. The theme that I am going to analyze is the conflict of divine law vs. human law. The reason for this is because this theme seems to control the whole play. It is an issue of which law is the "right" law, and if Creon's and Antigone's acts were justifiable.<br><br>The play Antigone can be summarized by the following: King Creon

Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are

Conflict; a serious disagreement or argument, typically a protracted one. Every person deals with conflict, whether it’s large or small, internal or external. In the ancient Greek set play, Antigone, the author Sophocles challenges his characters to choose between family or authority. The author Sophocles illustrates the two concepts of family versus authority, while proving family ties to be more important through the main character Antigone, the heroine of the story, as a symbol for family. While Creon the antagonist represents authority. Sophocles writes the play out to uphold a theme of an authoritative king who only wants to abide by the laws, no matter who it affects, only to show in the end, it is the king who loses. Throughout the play character development and symbols are used to illustrate that family is more important than authority.

This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be

The play Antigone by Sophocles is a play like no other. There are three major themes or ideas which have a very important role in the play. The first major theme is fate, on how the play comes about and the turn of events that come about throughout it. Another main theme or idea is the pride the characters have and their unwillingness they have to change their minds once they are set on something. The last major theme is loyalty and the practical problem of conduct involving which is a higher law between the divine laws and those of the humans. It is an issue of which law is the "right" law, and if Creon and Antigone's acts are justifiable or not. The issues that Antigone and Creon have between them

However, the central conflict is between the protagonist, Creon, and the antagonist, Antigone. This conflict can be classified as Man vs. Man. Creon and Antigone compete with one another on the basis of which law is superior, man’s law or god’s law. Creon believing that man-made laws should not be defied, is forced to, due to his beliefs, sentence Antigone to death upon defying the law. This leads to the internal conflict present within Creon. Should he kill Antigone for defying man-made law or acquit her because her intent to follow god’s law? Due to his relentless and uncompromising beliefs of man-made law being superior to all other laws, he is forced to sentence Antigone to death, though many disagree. It seems as the moral thing to do, however, in the end, it turns out to be more than he could bargain for.

In many historical and present instances, expression of individual opinion and rights are often oppressed. Such an idea is present in Sophocles’s Antigone, excerpts from Henry Thoreau’s “Civil Disobedience” essay, and the article “PRO/CON: Is Snowden a hero or traitor” by Mark Weisbrot and James Carafano. Each piece of literature provides a perspective on the topic of oppression and its effect on the human society. The oppression of others’ rights, opinions, and freedom often negatively affects society and damages the mentality of its people.

In Antigone, by Sophocles, there is conflict between the characters Antigone and Creon. Antigone is characterized as a rebellious girl, who turns into a martyr, and just lost both her brothers, Eteocles and Polynices, in a war between the city-states of Thebes and Argos. Eteocles was fighting the war on Thebes’s side, Thebes is where they live, but Polynices was fighting for the Argos army. Creon, the king of Thebes as well as Antigone’s uncle, has made a law that Polynices may not be

In the play Antigone, the Greek tragedy, Antigone is caught for burying her brother against the king's will. You probably thinking, well nothing like this would happen. But this moment to many of us is very relatable in the sense of how we stand out. Thank goodness for America and it’s freedom, because in some places it’s against the country's law to have a different religion, gender or ethnicity. If you were to live in one of these countries would you still be bold enough to stand out because of what you believe? Would you be willing to sacrifice everything for your standards even if this means not being a good citizen? You might be surprised what people sacrifice for. In this essay you will hear more about my personal thoughts about what

In the drama Antigone, Sophocles considers the source of authority and power in society. When King Creon makes a law that forbids the burial of Antigone's brother, Polynices, she ignores the king’s authority, risks her life, and buries her brother out of loyalty to the gods. The situation leads to a conflict among the people of Thebes, Antigone, and Haemon. They must decide where their loyalty lies, and whose authority should take precedence, that of the king or that of the gods. While a number of views about the role of authority and power are expressed through characters such as Creon, Antigone, and Haemon, the drama seems to support the view that authority does not rest only with one person.

Unlike most Greek tragedies, Antigone is not essentially about the opposing powers of good and evil. Instead, the play demonstrates the conflict between one’s duty towards their family and their country and social expectations. “Antigone presents a conflict between family loyalty and loyalty to the state, between demands of the state and the will of the individual” (MacKay, 166). The king