Inequality In Charlotte Perkins Gilman's Interminable Grotesque '

In the short story “The Yellow Wallpaper”, Charlotte Perkins Gilman, talks about a woman who is newly married and is a mother who is in depression. “The Yellow Wall-Paper” is written as the secret journal of a woman who, failing to relish the joys of marriage and motherhood, is sentenced to a country rest cure. Though she longs to write, her husband - doctor forbid it. The narrator feels trapped by both her husband and surroundings. The woman she sees behind the wallpaper is a symbol of herself and the Victorian women like her.

In The Yellow Wallpaper, Charlotte Perkins Gilman discusses the oppression men have towards women through the story of a nameless narrator during the 19th century. In the story, the unknown narrator, a woman, is telling her struggle for freedom and her fight to escape from the subordination in her marriage with a physician. In the story, the narrator suffers an illness that prevents her from doing things she likes such as writing. Throughout her illness, the narrator slowly becomes aware of her situation and then starts to fight to change her living condition with her husband. Through the use of two major symbols established throughout the text, Gilman brings awareness of women’s struggle to end their oppression by men and their fight to change the way society is dominated by men. In addition, the symbols used by Gilman underline the way women suffrage awareness slowly began to spread during the 19th century.

‘The Yellow Wallpaper’ is centred in the writer’s narration, by setting the narrator to be not entirely reliable and an oppressed woman. The character are showed to be feeling trapped and unhappy with

Yet Edna and Gilman’s protagonist are women who receive their imperfections through their surroundings; the carnality and madness are the results of their oppression. Until the happenings of The Awakening, Edna has been married to Mr. Pontellier for a long time. She goes through her awakening after a vacation in the Grand Isle, but before, she has been a subordinate wife without any doubts in accordance to her role. Just as Mrs. Pontellier begins the story as an average, sensible woman, the main character of “The Yellow Wall-paper” begins as a mentally secure person. Gilman’s heroine depicts the “garden-- large and shady, full of box-bordered paths” (4), the “pretty old-fashioned chintz hangings” (5), and even “those sprawling flamboyant patterns” (5) of the wallpaper in an ultimately sensible manner, what serves as an indicator of her capability of thinking and speaking from a rational standpoint. What is more, she is sent away to the mansion not in a view of the fact that she has mental issues but because her husband believes that she has depression. She admits that she is of the opinion that if she “had less opposition and more society and stimulus,” she would get well sooner (4).

   In the disturbing novel, The Yellow Wallpaper, the setting in which the action takes place is extremely important. The author uses setting to focus the reader’s attention into the story in a gradual manner. Also, the manipulation of setting allows the author to subtly introduce symbols in the text. These symbols represent Gilman’s view on the status of women in the patriarchal society of the nineteenth century.

The initial description of this woman is of her “stooping down and creeping about.” The woman in the wallpaper is a direct reflection of the narrator’s confidence and feelings of inferiority, and the change they undergo. Initially, the woman in the wall symbolizes the narrator’s fear of presenting herself and her opinions, and being her husband’s equal.

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

In “The Yellow wallpaper”, the wallpaper is a metaphor that expresses women’s protest against the repression of the society and their personal identity at the rise of feminism. During the Victorian era, women were kept down and kept in line by their married men and other men close to them. "The Yellow Wallpaper", written By Charlotte Perkins Gilman, is a tale of a woman, her mental difficulties and her husband’s so called therapeutic treatment ‘rest cure’ of her misery during the late 1800s. The tale starts out in the summer with a young woman and her husband travelling for the healing powers of being out from writing, which only appears to aggravate her condition. His delusion gets Jane (protagonist), trapped in a room, shut up in a bed making her go psychotic. As the tale opens, she begins to imagine a woman inside ‘the yellow wallpaper’.

In the story”The Yellow Wallpaper,” Gilman reveals changes in the narrator that expresses the yellow wallpaper which she has to write down in her journal because the 1900’s women didn't get the respect that men all got. At first the wallpaper was nothing to her but now it has her and now she is found of the room. The different symbols used in the,” The Yellow Wallpaper” by Charlotte Perkins Gilman reveal changes the narrator to a feminist story which shows her frustration by being trapped and not being herself. First symbol that Gilman stated in this reading was the yellow wallpaper. In this symbol the narrator has thoughts of hating the room with this wallpaper but throughout the story the wallpaper dwells in her.

Gilman’s “The Yellow Wallpaper” centers around a woman who is dealing with a serious mental condition. In the story readers see different themes, symbols, and metaphors that are portrayed throughout the book. The madness aspect, society and class, freedom, and treatments all are different themes and symbols that the author uses throughout the story. Society and class play a big role in the story. Society is much different in the 1950s apart from how it is today.

Gilman writes “The Yellow Wallpaper” as a description of the flaws in marriage and in society. Though at its core the story is about a woman’s descent into madness, Gilman’s purpose through the representation of the wallpaper itself is to point out the oppression of a woman’s freedom and creativity; to tell a dramatized story of how one frees themselves. The wallpaper is an object of obsession for the narrator; it is a thing which confuses, disgusts, and captivates her. The colour yellow is never used to represent something that is happy— its use as a symbol represents that of a sickness, something that is “repellant, almost revolting”, with a “sickly sulphur tint” (Gilman, 649).

In the “Yellow Wallpaper” by Charlotte Perkins Gilman, there are many of literary techniques that illustrates the theme to express the story. Irony, imagery and symbolism are some literary devices that is presented among the story.  “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of acceptance and how she struggles to express her own thoughts and feelings. The story appears to take place during a time where women were oppressed. Women were treated as if they were under one’s thumb in society during this period which is approximately the 19th century.

“The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of belief. The story appears to take place during a time period where women were oppressed. Women were treated as second rate people in society during this time period. Charlotte Perkins Gilman very accurately portrays the thought process of the society during the time period in which “The Yellow Wallpaper” is written. Using the aspects of Feminist criticism, one can analyze “The Yellow Wallpaper” by Charlotte Perkins Gilman through the dialogue through both the male and female perspective, and through the symbol found in the story.

Beverly Hume’s essay “Gilman’s ‘Interminable Grotesque’: The Narrator of ‘The Yellow Wallpaper’”, is a thorough analysis of the short story “The Yellow Wallpaper”. It proposes new ideas and thoughts on plot points and the overall meaning/purpose of the work. Beverly came to the conclusion that “The Yellow Wallpaper” is a “disturbing, startling, and darkly ironic tale about womanhood in the nineteenth-century.” She also comments of the grotesque of the pice and how the author tried to bring it to life, but failed and shows she doesn’t understand the complexity of it.

Charlotte Perkins Gilman’s “The Yellow Wall-paper” serves as a perfect example of how women are treated in the 19th century. The distracting details both surrounding and filling the new house that the main character and her husband move into haunt her. Throughout the story, the main character, as she observes the house while in isolation, notices the true meaning in life, specifically for women. Gilman’s piece unveils the unfortunate requirements that women must meet in order to become accepted into society. The imagery and description of the house mentioned in “The Yellow Wall-paper” holds a much more symbolized sense reassuring the main character about women’s roles in life, according to humanity.