Influence Of Greek Folk Song

In the Roman Empire, in its early years there was a great confrontation between the Romans and the Christians. At this point in time Christianity was a new and growing religion. These Christians believed that their God was the only God. They didn’t create idols of Him or build Him temples as the Romans did to their gods. These Christians also had another problem with the Romans and that was their theatre. They didn’t have a problem with comedies or tragedies but with Mimes. According to the text it says that “Because some mimes included sex and violence as part of the performance and because many of them mocked Christianity, Christian writers and believers demanded – unsuccessfully- the outlawing of the theatre of their time, which is to say, mime and pantomime.” They were unsuccessful in the outlawing of mimes and pantomimes but in 313 CE the Emperor Constantine issued the Edict of Milan and proclaimed religious tolerance to the Christians in the empire. The Christians were unable to hinder the mime movement and it became even bigger with other entertainment becoming just as excessive as mimes were considered to be.

The classical period was a time of war and conflict, and showed “an era of unprecedented political and cultural achievement,” (“Classical Greece”), during this time period, the Persians began to invade the mainlands and Greek Islands. “In 499 BCE, some Greek city-states and others in the eastern Mediterranean revolted against the Persians…” (Pollard 136) The civilization needed men to be warriors. Among the fact that Persia was invading Greece, it was the beginning of

Historians have long considered Ancient Greece to be one of the most influential societies on modern day life. Ancient Greece has inspired the modern world in five main areas: theatre, government, philosophy, art, and architecture.

In the text Black Athena by Martin Bernal, Bernal provides a contemporary and interesting perspective in relation to the discussion and examination of Ancient Greece’s development as a society as well as a culture. Throughout Black Athena, Bernal discusses the Ancient Model and Aryan Model, which are the two models that have been constructed and utilized to assist historians in understanding the reality and truth of how Ancient Greece developed to the society and culture it has become (Bernal, 1). Bernal specifies the clear distinctions when he discussing how both models have influence modern historians’ and their perceptions towards Ancient Greece; furthermore, he discusses how Ancient Greece has been examined and interpreted through the utilization of the Aryan model, which is viewing Ancient Greece as being influenced by Europeans (Bernal, 1). However, Bernal holds a completely different viewpoint on how Ancient Greece grew into the civilization it is. Through the examination of the linguistic and cultural similarities, Bernal argues the invasions by the Egyptians and the Phoenicians laid out the foundation for the development of Ancient Greek civilization and culture (Bernal, 2). In other words, he emphasizes how Ancient Greece’s development should be examine through what he calls the “Revised Ancient Model” (Bernal, 2), as he makes it evident that this model effectively shows the true and “complex reality” (Bernal, 3) of Ancient Greece.

The Greeks were known for giving offerings to their gods. They decided to build a theater where they could give their offerings. Although the main thing that they used it for was giving offerings, it was also used for some other things. This paper will be talking about Greek drama genres, why theater was so important, and how they make their voices heard.

Greek tragedies Oedipus the King and Euripides’ Bacchae are both timeless stories in Greek literature. The engaging plot of both is what is most rememberable however the significance of the chorus is overlooked. The chorus can be defined simply as a group of dancers and singers that participate in dramas by singing poetically and lyrically in certain pauses of the play. The music, movements and gestures of the chorus symbolically define the mood and the themes of the play as the story line develops. The flow of Oedipus the King and Bacchae are dependent on the chorus, proving their significance.

The Hellenism world 323-150 B.C. is divided in 2 eras, first Classical: this era was before Alexander the great and The Hellenistic: after Alexander the great, Hellenism is another word for Greece. The Hellenistic era resulting reached the highest cultural level of ancients. Alexander continued with his father plan to lead Greeks against the Persians. He destroyed Persian Empire, which had ruled the area for over 200 years. The Egyptians saw Alexander as a liberator, and he sized Egypt without a battle. Across the Hellenistic world the prevailing institutions and laws became Greek. Greeks and no Greeks, if they wanted a better position, they have to learn Greek, sometimes

In a relatively resource-poor region, a society rose from the access of foreign sources of raw materials and markets abroad. This society came to be known as one of the largest nations in Eurasia. The rise and fall of this great nation has to do with war-fare and the conflict between city-states. Their division led to the widespread of language and culture. This is the great story of Ancient Greece and how individualism changed the view Greece had on certain issues. (Bulliet 99) From 1000 B.C.E to 30 B.C.E, Ancient Greece’s view on individualism changed the political system Greece had, over time changed the way individuals thought and made important Intellectual changes, and gradually changed the Economic system such as bartering.

Hundreds of years ago Greek plays were very popular. People would plan to go to these plays for entertainment and to have fun with their friends. These plays would also help to teach the audience all about Greek mythology. The main character in these plays often had something tragic occur at the end, such as death. This character was the referred to as the “tragic hero.” A couple hundred years later a Greek philosopher named Aristotle described tragedy with 4 simple elements, nobility of the character, the flaws of the tragic hero, the start of the tragic hero’s downfall, and his/her punishment. In Things Fall Apart, Oedipus, and Antigone there is a character that shows this definition of tragedy by the end of the book and or play. This is usually caused by something called hubris, excessive pride. Things Fall Apart, Oedipus, and Antigone all fulfill Aristotle 's definition of tragedy.

Music in Ancient Greece was well integrated in their society, it played a large role in various ceremonies from marriages to funerals, as well as entertainment like plays or epic poetry. Although it is believed that music was invented in Africa over 55,000 years ago, music really began and took shape in Ancient Greece. Even the word music came from the Greek word muses who were believed to be the daughters of Zeus and were the patron Goddesses of creativity. There are many references to music in ancient Greece, from drawings on pottery of people playing, as well as literary works that even describe how the instruments sounded. Speaking of instruments, in addition to the voice being used as one, there are several instruments that are known to have existed in Ancient Greece, a few different string instruments including a lyre, a kithara (which is believed to be the ancient equivalent of a guitar), and a barbitos, which is a taller version of a lyre. They also had several wind type instruments including and aulos, pan pipes, a hydraulis (which eventually led to the modern day organ), as well as a salpinx, which was an ancient type of trumpet with a bone mouthpiece that was the origin of the many brass instruments that we know of today. Finally, we also know of several percussion instruments that were used by the ancient Greeks, these include a tympanum, which was like a tambourine, a crotala, and a koudounia. Music was actually one of the main teachings, along with gymnastics

Greek theatre and medieval drama were both very popular artistic events in their own periods of performance. However, from ancient Greece to the renaissance, time has set them apart in terms of methodology; their practitioners use a creative process based off of different mindsets. Therefore, the significant time lapse between the two genres has had an evident impact on the way theatre was perceived and presented. In comparing aspects such as religious motivations, conditions of violence and character development, the distinct theatrical natures of Greek theatre and medieval drama will be made apparent.

Very few civilizations have had as profound an influence on the world as those of ancient Greece. The Greeks laid the foundations for fields varying from philosophy to political theory to war tactics. However, this influence was not just due to their intelligence or success, but their widespread presence in the Mediterranean. Greek culture was spread throughout their known world in two distinct manners, the foundation of apoikia in the Archaic Age (8th century to 500 B.C. ) and imperialists by poleis, primarily Athens of the Classical Age (490 - 323 B.C ). Though the culture of a mother city (mētropolis) may have spread through two very different manners of “colonization.” The word is not used in the literal sense, but rather hereafter used to mean “spreading of culture”, as the former can hardly be described using the contemporary definition of colonization and the latter was through Athenian empire-building. These developments had a significant impact on ancient Greece and our modern perception thereof. Like most of the ancient world, we can best analyze these methods of colonialism through extant artifacts. I will analyze an inscription of the foundation oath of Cyrene, which recounts the decision and manner in which the island of Thera sent its citizens to the form a new polis, and the fragments of the Lapis Primus, a marble monolith that documented tributes to Athens when the city was at the peak of its imperial age, evidencing the magnitude of their power and influence in the Greek region.

The history of the Greek Chorus can be traced back to a relatively small time period; from the original Dithyrambs, to Thespis' small, but revolutionizing changes to the system, to Aeschylus' triple entente of tragedies The Oresteia, which included the infamous Agamemnon. To truly understand the Greek Chorus, and what role it was meant to play when it was created and thereafter altered, one has to go back to the beginning of time…which in this case happens to be somewhere around the seventh century, B.C. During this time, the festival of Dionysus was held annually in Athens to celebrate and honor the god for which it was named. Dionysus, being the Greek (and Roman) god of wine and of an

A final cultural difference is the importance of the chorus and its use in the plays Agamemnon, Oedipus, and Medea. The chorus was not highly involved in the action of the plays. In general, the chorus’ main functions were to create a psychological and emotional background to the action through its odes. It introduces and questions new characters, as well as point out the importance of events as they occurred, to establish facts and avow the outlook of society. Finally, the chorus covers the passage of time, between events, and separates episodes (Calder 21). Within the play Agamemnon, by Aeschylus, the chorus represents the voice of wisdom of the city as well as its limitations (Novelguide). The chorus’ limitations are clear when they fail to

Theatre is an art that transcends time and builds a new world for the audience atop the stage. A play is defined as “a dramatic composition” or “the stage representation of an action or story” (The Merriam-Webster Dictionary). This refers to drama being performed live by actors on a stage. Ancient Greece is accredited to inventing theatre and drama. In Greece during that time, at the height of popularity, were the stories of the well known flawed heroes and their journeys.