Influence of Societal Expectation in Hunger and Siddhartha Essay

Siddhartha was raised in a life of luxury being raised as a prince since birth, he was one of the few people of his time who were able to receive an education consisting of the sciences, mathematics, art, and eventually at the behest of his father sports and archery. It has been written by Geshe Kelsang Gyatso in Introduction to Buddhism that “He mastered all the traditional arts and sciences without needing any instruction. He knew sixty-four different languages, each with their own alphabet…” (Gyatso 4) he was seen as a genius and wise beyond his years once telling his father that he could “…count all the atoms in the world in the time it takes to draw a single breath.” (Gyatso 5) Siddhartha’s father, Śuddhodana, took great effort in blocking religion from Siddhartha

Their journey as samanas and students in the stages of life leads them to questioning the path that they were following. Although, Siddhartha did learn and become much more knowledgeable after knowing the teachings from the samanas, he didn’t quite agree with their beliefs in retaining enlightenment. "[Siddhartha] is drawn by his goal, for he does not allow anything to enter his mind which opposes his goal. That is what Siddhartha learned from the Samanas. It is what fools call magic and what they think is caused by demons...there are no demons...everyone can reach his goal if he can think, wait, and fast." With this new found attitude Siddhartha sets out once again, with many new experiences and lessons waiting ahead for him.

Siddhartha never fully reached the definition of a householder by raising a family but held a position that would be deemed householder by our society today. Siddhartha found his way into the village after leaving Govinda and saw Kamala who propositioned herself to him and his sensual pleasure that he had suppressed for years while following the samanas was awakened. Siddhartha for many years was Kamala’s lover and helped him to become a rich merchant and have all the personal wealth he had taught himself not to want for most of his life. His ego was the focus of his life. He followed the teachings of greed and personal prosperity, everything he once disbelieved that was right for him. After years of pleasure and learning that, he was not amazed and entertained by the simple pleasures that gave him such joy many years before. He found those simple pleasures distasteful and he realized why being a merchant was not his choice of life choice. As he chooses to leave Kamala and that life behind, he doesn’t realize that he has fulfilled a quota of being a

As with the Brahmins, Siddhartha’s experience with the Samanas is not a fulfilling one. Hesse writes, “he slipped out of his Self in a thousand different forms. He was animal, carcass, stone, wood, water, and each time he reawakened” (Pg-15). Siddhartha learned a great deal from the Samanas, yet he was still unable to reach enlightenment. During his time with the Samanas, Siddhartha never saw or heard of a single person achieving enlightenment. Feeling disillusioned with the teachings of others, Siddhartha decided to leave the Samanas, and seek out the venerable Buddha. Siddhartha seeks out the Buddha and hears his sermon, but he ultimately decides to seek his own path to enlightenment. In leaving the Buddha, Siddhartha begins to follow a Buddhist path. Siddhartha says, “But there is one thing that this clear, worthy instruction does not contain; it does not contain the secret of what the Illustrious One himself experienced he alone among hundreds of thousands" (Pg-34). In this part of his journey, Siddhartha realizes that no one can teach him how to achieve enlightenment. As Gautama did before him, Siddhartha heads out to find his own path to enlightenment.

Siddhartha becomes a rich man and soon loses his desire to search for Nirvana.  Along with Kamala, a man named Kamaswami influences Siddhartha.  He convinces Siddhartha that material possessions can "fill" his life.  Siddhartha takes the advice, and he begins to live his life for money.  He starts to gamble and to compromise his true beliefs for material pleasure. While living in the village, Siddhartha slips into a deep depression.  He feels that he has lost a part of his soul, and he attempts to commit suicide.  However, during this attempt, Siddhartha becomes reborn and longs once again for Nirvana (http://splavc.spjc.cc.fl.us/hooks/ew/SmithSidd.html).  At this time, Siddhartha meets a ferryman named Vasudeva.  Vasudeva fascinates Siddhartha the way Buddha did (Welch 71).  Vasudeva tells Siddhartha that the way to find inner peace is by listening to the river.  He also tells Siddhartha that the river will teach him two things; however, Siddhartha must learn these things on his own.  Siddhartha's relationship with the ferryman is the key for Siddhartha to reach Nirvana.  Eventually, Siddhartha takes the place of Vasudeva as ferryman, and he soon attains

Siddhartha was a proactive, self-sufficient young man. He quickly absorbed the Brahmin’s doctrine and decided he wanted to learn even more; he had to become a Samana. Of course, in order to make such a step he needed his father’s permission. When he first requested, his father rejected the idea and said

At the beginning of the novel we see foreshadowing of Siddhartha’s constant tangle with conformity when it states “Govinda knew that he would not become an ordinary Brahmin… or just a stupid sheep amongst a large herd” (Hesse 4). This relates to the fact that Siddhartha doesn’t want to go through the motions of what the Brahmin’s are trying to teach. Rather he wants to find his self-fulfillment which he can only do by not conforming to ways that make him who he is not. The first instance of this is shown when Siddhartha confronts his father about leaving the house saying “With your permission, Father, I have come to tell you that I wish to leave your house tomorrow and join the ascetics.” (Hesse 10). At first his father rejects his son’s notion to leave, but after time has passed and Siddhartha remained where his father rejected him in

Here Siddhartha is demonstrating that he is the only one that matters when it comes to thoughts of who he is, and only his opinion of himself matters. Acceptance and the ability to look into himself will lead to that road of happiness. Also, to be minimalistic as to if there is nothing to be needed then it is not. This is something many people should take into consideration as to stay away from being materialistic.

Siddhartha resolved that he would first go to the Samanas, ascetics that hard lives of self-denial of all comforts and pleasures in order to rid themselves of desire and those emotions that would hinder them on the journey to discovering Atman. Although joining these extremist monks was a high ambition, Siddhartha knew that he would succeed as a Samana, for he believed that the path of the ascetic would aid him on his journey of self-discovery. As his time with the Samanas lengthened, Siddhartha began to take pride in the knowledge that he was not blinded by the material world like everybody else was; he saw the world for what it truly was -- bitter lies and misery. Despite the fact that Siddhartha was becoming a great Samana, revered by even the older monks, he felt that what he had learned from them he could have learned on his own and in less time. Once again, he was not satisfied with the path that he was on and aspired to achieve even greater heights by parting from the Samanas. This ambition is plainly displayed when Siddhartha’s friend Govinda, who had become a Samana as well, proclaimed that Siddhartha would have learned to walk on water had he stayed with the ascetics. Siddhartha simply says that he would “let old

Siddhartha’s life was more of a journey, a journey filled with whimsical decisions and many questions; Siddhartha simply did as he pleased. After living this capricious lifestyle, he noticed that he felt empty inside. He wondered why he felt this way for a long time and decided to leave his current life. He abandoned all possessions and left his father in a quest to seek peace with the shramanas. Soon the cycle of the nature of Siddhartha was formed. Siddhartha would seek something and pursue that something blindly and by abandoning his previous lifestyle. It was not until he was an old man did he finally reach peace through the guidance of a river. Siddhartha’s life had changed immensely numerous amounts of times by the time he was old, but the change he experienced was not necessarily caused by of outside influences. He experienced change, but every change originated inside of him; of what he wanted to follow next. Of course, this still required Siddhartha to change to his new surroundings in every instance he obeyed new lifestyle. When he followed the shramanas, he left everything he had previously known and owned. When he left for the city, he completely changed his demeanor and became rich. Once again, when he lived by the river, he abandoned all possessions and former values. I believe that Siddhartha

“Hunger”, by Lan Samantha Chang, is a cautionary tale of an immigrant Chinese family in this complex story about unrelenting hunger, oppression, love and loss. Narrated by Min; the deeply unhappy and obedient wife of Tian, a gifted violinist, finds work as a music teacher in New York, but ultimately fails to land a permanent job at the school. Driven by personal failure and his unrelenting hunger for the violin Tian cruelly forces his two daughters, Anna and Ruth to play the violin, so they can follow in his footsteps. Tian’s inability to separate himself from his violin ends up destroying his family. Chang uses Tian’s obsessive hunger for the violin as a symbol of his identity, showing us that we must be careful

In his short story “The Hunger Artist,” Franz Kafka illustrates this prideful individual, who strives to starve himself to a disturbing and gruesome extent, losing his humanity. Kafka uses symbolism in order to fully create this idea of an individual’s, in this case the starving artist, estrangement from society.

Unlike many people he treated business as a game and did not stress over his failures and did not praise his success. As a result, Siddhartha was able to go from “rags to riches.” Over time however, Hesse writes, “Gradually, along with his growing riches, Siddhartha himself acquired some of the characteristics of the ordinary people, some of their childishness and some of their anxiety” (77). Though Siddhartha envied them for the one thing he lacked, the sense of importance with which they lived their lives.

In many of the stories that we’ve read by Franz Kafka, food has been a reoccurring motif, tying into many of the themes present in Kafka’s storylines. The main characters have consistently been seen hungering and some desperately search for food while others try to abandon the requirement of eating. In his stories, Kafka has used the object of food and the state of hunger to help identify the major conflicts regarding the main characters in their lives. In these stories, the protagonists each suffer in some way and at the root of their suffering is food and hunger, whether it be literal or figurative.

He is even referred to as a ‘suffering martyr’ and obsesses himself with the limits of suffering. The hunger artist wants a ‘performance beyond human imagination since he felt that there were no limits to his ability for fasting.” Moreover, the hunger artist complicates our appreciation of his art when he admits that fasting is easy to do. If we take fasting to be a metaphor for suffering, he is saying that suffering is easy. It could be argued that the artist as a suffering figure is nothing new. The hunger artist is merely revealing his suffering to the world. He is not conveying his suffering to a medium we are accustomed to, such as writing. His medium is his cage and the public