Informative Synthesis Fairy tales play a big role in society whether we realize it or not. They have been told by parents to their children for many generations. Everyone has been introduced to fairy tales whether it’s on TV, from a children’s book, told by someone else, we have all heard a fairy tale. Most of the time fairy tales are being told without thinking what they are about. Fairy tales have effect on people even if they do not know it, and four fairy tale analyzers have written articles discussing it. “What Fairy Tales Tell Us” by Alison Lurie discuses about how the individual reader is affected by the messages of a fairy tale. Bruno Bettelheim’s “The Struggle for Meaning” expresses his thoughts on how fairy tales have an …show more content…
Bettelheim generalizes fairy tales as if they are all the same, Lurie talks about the different types of fairy tales and points out their differences. Even though Bettelheim and Lurie have different opinions they both have similar beliefs on perceiving information and using it throughout your everyday life. Both Lurie and Bettelheim have a common theme of finding the deeper meaning in fairy tales and they use similar terminology. The feel of Lurie’s article says that fairy tales help reiterate the truth that is already known and children should be shown these things, and Bettelheim that fairy tales informs that bad experiences happen and they are normal.
In Max Luthi’s article “The Fairy-Tale Hero: The Image of the Man in the Fairy Tale” he focuses on the human experience fairy tales. Luthi says that the way that women are influence, men are as well. Luthi also focuses on how the role changed from men to women in fairy tales. Luthi names many female figures and calls the heroes in the story and does not question oppressive issues.
In Karen Rowe’s article “Feminism and Fairy Tales” she talks about the traditional role of women, and focuses on how women fit into the role in society. Rowe also talks about the cultural approval between women and the choices they make. Rowe focuses in a lot on gothic romance and marriage. As Luthi does not question oppressive issues, Rowe focuses on some of the same tales that Luthi names, but finds oppressive qualities to
A parent will never know what goes on in the mind of their child, all a parent can do is shield the child from the negatives of life and hope negativity never enters their mind. Author Bruno Bettelheim wrote The Uses of Enchantment, published in 1976, the book contains an essay called “Fairy Tales and the Existential Predicament,” in which Bettelheim presents a psychological perspective of the impact that traditional fairy tales have on children. Bettelheim begins his essay with personal knowledge, rhetorical appeals (pathos and, logos) and textual evidence. In his essay, Bettelheim sets the stage by reaching out to to his audience, he writes “overcoming narcissistic disappointments, oedipal dilemmas, sibling rivalries; becoming able to relinquish
Bruno Bettelheim’s “The Uses of Enchantment” claims that fairy tales help expand the development of children. Although more adult topics like death are never specifically talked about, they tend to deal with other kinds of everyday problems. Children read stories like where the hero overcomes a series of obstacles in order to achieve their happily ever after, and then find a way to connect to that. These kinds of fairy tales help teach children understand difference between right and wrong. Fairy tales are in a way a child’s first teacher, they essentially mold the mind and help convey ideas that would otherwise be difficult to understand at such a young age.
Set in a patriarchal society, females are represented as passive and submissive. Women are reinforced and constructed to believe that they should be submissive and silent: ‘In the fairy tales, passivity is the most valued and honoured attribute a woman can possess in life’ (Nanda, 248). Women with good heart are innocent, beautiful and usually, saved by princes. Beauty is associated with intelligence, kindness and morality. On the other hand, women who don’t possess the good qualities are portrayed as ugly, evil, ambitious and usually dies in the end. They possessed repulsive traits like powerful, pride and vanity. These fairy tales constructed images of oppressed women and subjects under the patriarchal society. On the contrary, men are represented
The fairy tale helps the child to understand a balance between the good and the evil; it gives him a hope for a good future.” Fairy tales assure the
In the essay “Fairy Tales and Modern Stories”, Bruno Bettelheim argues that fairy tales can provide children more reassurance than realistic stories. Bettelheim used examples like “The Little Engine that Could”,”The Swiss Family Robinson” and “Rapunzel” to show how realistic stories and fairy tales both affected children’s thinking. The author claims that modern stories don’t compare to fairy tales, because they can’t provide an outlet for children to work through their problems and emotions. Bettelheim explains that fairy tales give children the reassurance and hope that there's a better future that is waiting for them. He argues that fairy tales can have a more impactful effect because it can offer “escape” and “consolation” for troublesome events in their lives. He even claims that modern stories fail to give the reader “encouraging
Maria Tatar points out how these stories help shape individuals at a young age. She explores how children reading these stories and using imagination can uncover fears and desires they have. But these fairy tales do not only have a good influence on children, but also
The tradition of telling fairy tales to children effects not only the listener but also the reader. Maria Tatar, in her book Off with Their Heads!, analyzes how fairy tales instill and reaffirm cultural values and expectations in their audience . Tatar proposes that fairy tales fall into three different tale-types: cautionary tales, exemplary stories, and reward- and- punishment tales. These three types portray different character traits as desirable and undesirable. Due to the tale’s varying literary methods it can change the effectiveness of the tale’s pedagogical value. In Tatar’s opinion, all of these tales are similar in the way they attempt to use punishment, reward, and fear to encourage or discourage certain behaviors. In the cautionary fairy tale “The Virgin Mary’s Child”, the use of punishment and fear to discourage certain behaviors is enhanced by the Christian motifs and values employed by the tale. These literary devices encourage the audience to reflect on and internalize the lessons that are presented in the fairy tale.
Unlike any other form of literature or entertainment, Fairy Tales help children to discover their identity and suggest experiences needed to develop their character. In Bruno Bettelheim’s “Life Divined from the Inside” Bettelheim states that “Fairy Tales intimate that a rewarding, good life is within one’s reach despite adversity-but only if one does not shy away from the hazardous struggles without which one can never achieve true identity (Bettelheim 106). Anne Sexton’s “Cinderella” is a perfect example of Bettelheim’s definition of a Fairy Tale.
There is nothing more precious and heartwarming than the innocence of a child. The majority of parents in society want to shield children from the bad in life which is appreciated. Within human nature exists desires of inappropriate behavior; envy, deceit, selfishness, revenge, violence, assault and murder. The most well-known fairy tales depict virtue and the evil in life. Even more important, the form and structure of fairy tales suggest images to the child by which he can structure his daydreams and with them give a better direction to his life. (Bettelheim).
"Once upon a time," the most used introduction phrase in common fairy tales used to start an adventure. These adventures have been around for years. The importance of some tales might be more significant than others, also based on culture. My goal for this paper is to educate my readers with the importance of fairy tales, especially for younger children. Fairy tales have been around for centuries from generations to generations. Different cultures, such as the Japanese and Western, have also expressed them differently. All these fairly tales teach children different aspects of life, which make these tales so important.
Fairy tales make an important part of cultural prophecy, because they contain wisdom which is passed from parents to their children. They contain basic moral and ethical guidelines for children. Images and symbols used in fairy tales can help to judge about cultural, ethical, social and moral values popular in the contemporary society. Changes and similarities, which can be found in the popular fairy tale Cinderella by Jacob and Wilhelm Grimm, version of 1812 and the Disney version of Cinderella (2015), can help to realize the changes in cultures and historical epochs.
In a society unbridled with double standards and set views about women, one may wonder the origins of such beliefs. It might come as a surprise that these ideals and standards are embedded and have been for centuries in the beloved fairy tales we enjoyed reading as kids. In her analytical essay, “To Spin a Yarn: The Female Voice in Folklore and Fairy Tales”, Karen Rowe argues that fairy tales present “cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues.” Rowe presents an excellent point, which can be supported by versions of the cult classics, “Cinderella” and “Snow White”. Charles Perrault’s “ The Little Glass Slipper” and the Brothers Grimm’s “ Snow White” exemplify the beliefs that
However, few realize that there are many communal ideas imbedded in the plots that often go unrecognized. Fairy tales, more often than not, highlight a multitude of social aspects which might seem inappropriate for children. Constantly evolving, fairy tales, as indicated by Yolen and Zipes, illustrate the sexist views of the dominating class, the societal beliefs as they change throughout history as well as the community’s values especially during crisis.
As we grow up, we hear fairy tales and we read them into our lives. Every word and every image is imprinted into our minds. The fairy tales we read are never abandoned. They grow with us and our dreams become molds of the many morals and happily ever afters fairy tales display. We tell children fairy tales when they go to sleep and they read them in school and we even have them watch Disney adaptions that reinforce them further. Generally, they were everywhere while we grew up and they continue to be present while children are growing up now. But what influence do these stories have? We casually expose our children to these tales, but in some cases they can have particularly, harmful personal effects on them, although there is nothing completely or visibly “bad” about them or about the characters in them. Before we divulge our youth to these stories, we should assess their substance and see what sort of effect they may be having on them. They have received so much scrutiny and have been studied by many. Recognizing fairy tales effects on the minds of children is vital in their development. This paper will focus on the underlying messages that the average person wouldn’t recognize in these everyday stories. There’s a modern distort with fairy tales because while they still are widely popular with the youth, they influence children’s self images, outlooks on reality and expectations for their futures, especially for young women.
Fairy tales are full of tropes and stereotypes that exist from story to story, one of the main ones being the “happily ever after” ending. Most fairy tales, especially the traditional Perrault or Grimm versions, fall prey to this trope where the main goal is for the princess to find her prince, get married, and live happily ever after. Many critics, particularly feminist critics, find this trope to be problematic because of the extreme emphasis placed on marriage as women’s main, if not only, objective in life. Karen Rowe, for example, states in her essay “Feminism and Fairy Tales”, that “fairy tales perpetuate the patriarchal status quo by making female subordination seem a romantically desirable, indeed an inescapable fate” (342). In other words, Rowe relates the “romanticizations of marriage” portrayed in fairy tales with promotions of “passivity, dependency, and self-sacrifice” expected of women in their everyday lives (342). However, it can be dangerous to assume that every fairy tale conforms to the singular promotion of marriage as women’s only option. While early fairy tales such as “Cinderella” and “Sleeping Beauty” tend to glorify the romantic ideal of marriage, and in turn female subordination, contemporary tales and adaptations such as Brave and Frozen, are working to give women a more powerful position.