Innocence Of Phoebe In Catcher In The Rye

In the novel, The Catcher in the Rye, Holden is a rather unique character. He has several complications with other characters that he runs into, and does not seem that he is able to relate to anyone. However, Holden has a younger sister named Phoebe, and he seems to connect with her in a way that he does not with anyone else. She is only ten years old, so she and Holden both have a childlike mind. On the other hand, Phoebe seems to have a positive outlook on life while Holden sees most things in a negative light. Another contrast between them is that Phoebe puts in effort at school, and Holden is clearly not concerned his performance at school.

The carousel and gold ring finally allow Holden to accept change as a natural part of life and that it is necessary for one to grow as a person. Holden buys a ticket for Phoebe, his kid sister, to ride the carousel but refuses her offer to go on as well. Instead, he sits and watches: “ I went over and sat down on this bench and she went and got on the carousel” (211). By doing this, Holden chooses to no longer be a child. He starts to accept that he needs to start maturing and watches Pheobe, like the other adults are watching their children. This is a step in the right direction for Holden as up until this point in the novel, he has refused to change because of his fear. While Holden watches Phoebe ride the carousel, he watches her reach for the gold ring. As she reaches, Holden thinks to

Throughout the novel, The Catcher in the Rye, J.D. Salinger uses the repetition of imagery and symbols to bring about major character developments as well as themes; however, the carousel scene in particular brings major changes in Holden to light as well as closure to the novel. Prior to this scene, the reader follows Holden through his internal struggle of wanting to stay in childhood, but the reader ultimately watches as Holden comes to the understanding that there is no way to avoid growing up and losing one’s innocence to the adult world. Holden avoids growing up and he acts as though he has to stay as a child for Allie because he has a certain guilt for Allie dying at such a young age. However, Holden’s encounter with Phoebe at the carousel, specifically the concept of a carousel, the

After Phoebe asks what he wants to be when he grows up, Holden goes into detail and illustrates, “… I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff—I mean if they’re running and they don’t look where they’re going I have to come out from somewhere and catch them. That’s all I’d do all day. I’d just be the catcher in the rye and all”(Steinbeck 191). Holden values a child’s security in the highest regards and is willing to save one from hitting the bottom of a cliff. As the bottom of the cliff represents the unpleasant and demanding world of adulthood, Holden is finally separating himself from childhood and accepting that he is an adult. After Holden encourages Phoebe to enjoy the carousel, he observes, “All the kids kept trying to grab for the gold ring, and so was old Phoebe, and I was sort of afraid she’d fall off the goddamn horse, but I didn’t say anything or do anything. The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off, but its bad if you say anything to them…”(Steinbeck 232). Holden is overprotective over his younger sister Phoebe, except when she is on the carousel and he learns that she can develop her own independence. Noting that children also have risks and decisions they have to make themselves without adult interaction, like reaching for a gold ring but knowing the risk of falling. Holden can finally completely separate his adult self and his child self, and only look back with nostalgia. Earlier, Holden regards himself as “the catcher”, the savior who protects children from frightening reality of adulthood, but after seeing a lot of maturity in Phoebe he encourages her to reach for “the gold ring”, without any need for safety and

Holden visits his parents apartment because he wanted to see his little sister. Holden has to sneak into the apartment because if his parents see that he ditched school his father will “kill him”. He talks to Phoebe but Holden can’t stay their for a long time because soon his parents will wake up. As Holden is leaving, he passes Phoebe the red hunting hat; “Then I took my hunting hat out of my coat pocket and gave it to her. She likes those kinds of crazy hats. She didn’t want to take it, but I made her.”(Salinger,198). Phoebe is a very mature girl for her age, she is very smart and initiative. She is also very aware of her surrounding and reality, slowly losing her innocence. Holden as a big brother wants to protect and try to save her innocence. Holden “makes her” take the red hunting hat because he doesn’t want what happened to him, happen to her. He wants her experience her childhood and not race to adulthood. Phoebe at first is hesitant because she wants to live her own life. However Holden is scared of her falling out the rye, meaning going to adulthood. The fact that he gave her his favorite hat that he uses for protection show how he also wants her to be protected from the corruption of the outside world. Holden doesn’t just the desire of innocence but to preserve his sister's

The relationship between Holden and Phoebe forms a major theme that the novel aims to deliver. The fact that he is having this conversation with Phoebe, a child who is anything but simple and innocent, reveals the oversimplification of his worldview. Holden himself realizes this to a degree when he acknowledges that his idea is “crazy”, yet he cannot come up with anything more pragmatic; he has trouble seeing the world in any other way. His “catcher in the rye” fantasy reflects his innocence, his belief in pure, uncorrupted youth, and his desire to protect that spirit. On the other hand, it represents his extreme disconnection from reality and his naïve view of the world. Phoebe exposes to Holden a living embodiment of childhood. And it is a scene with her where she exposes to Holden the illogical nature of his supervisory actions, indicating that his desire to preserve her innocence will only halt her own inevitable development. Phoebe is the Greek word for “protector of children” (Bloom 2009, p185). Within the novel she is Holden’s protector. She comforts him, provides him with financial security, and protects him from getting in trouble with their mother. Reiff describes this reversal of roles between Holden and Phoebe as “Now, instead of saving the world by protecting the children, Holden wants to reject the world and shut himself off from evil by becoming a ‘deaf-mute’ in the West. It is Phoebe who rescues him from this total withdrawal” (Reiff 2008, p71). Phoebe forces Holden to view her as a human—living and progressing— rather than as a forever preserved child, and it is this humanization that causes Holden to accept her eventual progression into

After about three days of drifting, Holden gets very excited fantasizing about how he will go out west and start life anew. However, before he leaves, he must say goodbye to Phoebe. This shows how Holden prioritizes Phoebe over himself, valuing her innocence. Holden writes a note telling Phoebe to meet him at the museum because he is planning to run away. Then Phoebe arrives at the museum with a suitcase and begs to run away with him. Holden responds harshly that she cannot go with him and she begins to cry. Then after a few moments Holden says, “I’m not going away anywhere. I changed my mind. So stop crying and shut up” (Salinger 207). Presumably he told Phoebe that he would not leave to make her stop crying, but he notes that Phoebe was

When his visiting Phoebe’s school he discovers crude language written on the wall. Holden immediately thinks of ‘Phoebe and all the other little kids’ and how he would hate them to see the foul words. This proves that Holden has a natural protective instinct and symbolically takes on the persona of ‘catcher in the rye’ as he wipes the words off the wall. Holden wants to shield the children from seeing the obscenities of adulthood prematurely, just as the catcher wants to protect children from falling off the ‘cliff’. At the end of the novel Holden appears to have more acceptance of the idea of growing up. As he watches Phoebe on the carousel he deduces that sometimes you ‘have to let them fall’ (referring to the children on the carousel.). Holden now understands that growing up is inevitable and fighting it is useless. However, regardless of this new found clarity, he still obsesses about living in an uncomplicated world. He delights in the fact that the carousel goes ‘round and round’ because it continues to fuel his fantasies of staying in one place forever. It would seem that even though he has made progress, Holden still struggles with letting go of the life he wishes were

Holden tells Phoebe that what he actually wants to do when he 's older is he wants to be the "catcher in the rye". He tells Phoebe the lyrics to the song that the boy was singing, "If a body, catch a body, coming through the rye." Phoebe corrects him telling him that the song he is referring to is actually a poem, and the correct lyrics are "If a body, meet a body, coming through the rye." He acknowledges her, but he believes he is right, being as he 's the older brother and all. Using the lyrics that he believes are right as his inspiration he creates a fantasy world, making himself the

However, during his encounter with Sunny he refuses to have sex with her and thinks about calling Jane as deep inside he craves real affection. This shows that he is steadily maturing into a sensible adult. His sensible nature is also displayed when "misadventure piles on misadventure, but he bears it all with a grim cheerfulness and stubborn courage. He is finally saved as a result of his meeting with his little sister Phoebe."(Burger) Holden's ability deal with aspects of society directed to adults such as liquor, sex and nightclubs shows that he is maturing into an adult. At the end of the novel, Holden cries and says that "he felt so damn happy, to tell the truth" when he sees Phoebe riding the carousel. He is overwhelmed with joy because Phoebe displays the innocence he wants to protect but also knows that she is out of his reach and have to face the world of an adult at a certain point. This shows that he has finally grown into an adult and knows what an adult must go through in society. All this shows that Holden has grown into a sensible adult from an immature teenager through his actions and helps in creating a successful bildungsroman.

It causes him to be even more depressed facing this issue, but he needs to solve it. Similarly when Phoebe is on the carousel, Holden is worrying about her falling, but it causes him to recognize that “the thing with kids is, if they want to grab for the gold ring you have to let them do it, they fall off, they fall off." (211). This causes Holden to understand that this is life and he must accept everything. One might object that this does not cause Holden to mature. However, to Holden from how he despises the society and avoiding it to now being about to at least admit this issue, not avoiding it and later start to go to school. He might not fully mature, but it is a huge step for him to becoming mature. Children will grow up including Holden and follow the way life works no matter what. Hence, Phoebe induces Holden 's way of viewing the world. Hence, the relationship with Phoebe changes Holden 's perspective of the world.

Phoebe was mad at Holden because she couldn’t run away with him. However, she followed him to the zoo. Holden brought a carousel ticket for Phoebe and was happy first time, through the entire story, simply by watching her ride. “I felt so damn happy all of a sudden, the way old Phoebe kept going around and around” (213). He realizes that his action would affect his impressionable younger sister. Finally, he decided not to run away

Holden’s need to save others from a loss of innocence also manifests itself as a compulsion to shield children from obscenities. Upon arriving at Phoebe’s school to deliver a note, he notices that someone has written an obscenity on the wall: “Somebody had written ‘Fuck you’ on the wall. It drove me damn near crazy. I thought how Phoebe and all the other little kids would see it … and then finally some dirt kid would tell them - all cockeyed, naturally - what it meant … I kept wanting to kill whoever’d written it” (201). Holden reacts with an unexpected level of hatred for whomever had written it.

I was afraid some teacher would catch me rubbing it off and would think I'd written it. But I rubbed it out anyway, finally. (157) By Holden saying this it proves that he does not want phoebe to be exposed to the negativity of the adult world. Some also believe that by Holden helping Phoebe keep her innocence she is also helping him redevelop his perception of the world.

Not only does Holden feel great affection for Phoebe, Phoebe feels great affection for Holden as well. It isn't too hard to understand that she and Holden are especially close since one of their brothers is dead and the other lives miles from their home. It is also surprising on how quickly Phoebe realizes that Holden came home earlier than expected. It is obvious that Phoebe is much more mature and articulate for her age to realize something like that so quickly. It is as if she is Holden's older sister instead of the younger one.