The Chimney Sweeper Compare And Contrast

“The Chimney Sweeper” (128): This version of the Chimney Sweeper is very upfront and saddening. The version that is presented in the songs of innocence is much more of a calm town and is not as straightforward, while this version is very short and to the point. In this version its very deep as the narrator basically just calls out the parents/church for doing these horrible things to the children. I really love all three stanzas of this poem because they all have a really deep meaning and Blake transitions through them very well. Reading this poem over and over I don’t know what to make of it other than it is an absolute horrible situation. I think it can be tied in to

When writing a collection of poems, most poets chose to focus on maintaining certain themes throughout their literature and Cornelius Eady is not an exception. Cornelius Eady’s collection of poems in Brutal Imagination focus on issues such as racism, family crisis, internal conflict, and death. The first part of the collection circles around a servant who works for Susan Smith and is the caretaker for her children. The story centers around the perspective of the servant who is also the overarching narrator. The story describes old version of United States when racism was still bluntly present and affected individuals identities and financial opportunities. Based off the information presented in the collection, the servant can possibly be male. The general plot follows deeply into the difficult life of the male servant through examining the issues he faces. The first poem within the collection set-ups the rest of the story with context for the readers giving them a few expectations about what they should look forward to reading further. Eady draws the reader through integrating an origin for the male servant and his connection to Susan Smith’s family.

The Songs of Innocence poems first appeared in Blake’s 1784 novel, An Island in the Moon. In 1788, Blake began to compile in earnest, the collection of Songs of Innocence. And by 1789, this original volume of plates was complete. These poems are the products of the human mind in a state of innocence, imagination, and joy; natural euphoric feelings uninhibited or tainted by the outside world. Following the completion of the Songs of Innocence plates, Blake wrote The Marriage of Heaven and Hell and it is through this dilemma of good and evil and the suffering that he witnesses on the streets of London, that he begins composing Songs of Experience. This second volume serves as a response to Songs of

Both “The Chimney Sweepers” poems were written during the industrial revolution. During the industrial revolution families were living in poverty, and times were challenging. Often times for families to survive they would sell their children to master sweeps, or master sweeps would welcome orphans and homeless children into the industry of menial labour. They used children between the ages of five to ten depending on their size. Parents would often sell their children younger, because their small frames were more desirable. Even though “The Chimney Sweeper” (1789) and “The Chimney Sweeper” (1794) were written five years apart they show many similarities and differences.

William Blake's The Chimney Sweeper, written in 1789, tells the story of what happened to many young boys during this time period. Often, boys as young as four and five were sold for the soul purpose of cleaning chimneys because of their small size. These children were exploited and lived a meager existence that was socially acceptable at the time. Blake voices the evils of this acceptance through point of view, symbolism, and his startling irony.

The narrator in “The Chimney Sweeper” is a young school-age boy, who never tells the reader his name, which speaks of the selflessness of child. In the first stanza, the boy tells his brief life story and about his mother’s death that leads to his father selling him into slavery. In the rest of the poem, the boy tells the reader about the brutal conditions of slavery that he and his peers must endure. Specifically, the boy tells the readers about Tom Dacre, a boy who is struggling with the misery of working endless

He would wake up the household when the house was warm and the children still spoke indifferently to him even though he warmed up the house and even polished the children’s shoes. The child describes the family as ungrateful for what the father does for them. The theme of Those Winter Sundays is hard to determine. Because there is more than one theme. The poem explores themes like ungratefulness and love. The love theme is not upfront and easy to identify because it is not really portrayed, one can see it in the father as he does these things for his family. Ungratefulness is easier to see because they do not thank the father for anything he does. The tone of this story could be regret because the speaker regrets not showing any appreciative towards his dad. The poem also comes with the elements of speech such as internal rhyme, imagery, and personification. Internal rhyme can be found in the first stanza line 5 when he says “banked fires blaze. No one ever thanked him.” The rhyme is in the words banked and thanked. Imagery is also found in the first stanza line 2 when he states “put his clothes on in the blueblack cold, then with cracked hands that ached.” And finally, personification is found in the second stanza the last line when he says “fearing the chronic angers of that house.” This is personification because they are giving the house the emotion of being angry.

The poem is sectioned into six quatrains, which follow the following pattern: reality, reality, dream, dream, dream, and reality. Through use of this poetic device, the poet presents the impression to the reader that it is inevitable that reality must always be returned to, and that the children will have no escape from their labour. Though the dream may present the impression that it is a welcome escape, it only serves to further emphasise the cruel conditions of the child’s life. ‘The Chimney Sweeper’ falls into the category of a lyrical poem, which presents it to the reader as a song of sorts, almost akin to a nursery rhyme. Traditionally, nursery rhymes are sung to young children, emphasising the narrator’s naive tone. The irony in this must also be noted, as the child ought to be protected by his parents singing to him as he falls asleep; he should not be partaking in the dangerous occupation he has been forced

This poem dramatizes the conflict between a child who desires a verbalization of love and a father who expresses love through actions rather than words. The first stanza informs the reader that the action of the poem occurred in the past, and the speaker reflects upon it. The speaker describes the house as being “blueblack cold” during the wintertime (2), which not only allows the setting to be determined but also allows an inference to be made about the emotional companionship (or lack thereof) within the house. The father used to awake earlier than the rest of the family in order to start a fire to keep his family as comfortable as possible, though “no one ever thanked him” (5). This line introduces the regret of the reader pertaining to the treatment of the father.

The narrator speaks of what could symbolise the lower or working class "the Chimney-sweeper", crying out against the system, and the upper class "Church" subduing them. Both the chimney and church are personified to symbolise the people they represent. This dominance is also related in the personification of "Soldier" and "Palace". The soldiers fight the wars that the monarchy decides, their blood on the King and Queen's hands. They sigh as to their shared plight, but their sighs only end in their deaths. This stanza's rhythm is different in that it follows a heptameter meter. Its pace is faster, which might reflect an increase in excitement by the narrator in what might be anger.

can be when they are sent away from their families to work at a very

     William Blake’s “The Chimney Sweeper” was mainly about the possibilities of both hope and faith. Although the poem’s connotation is that of a very dark and depressed nature, the religious imagery Blake uses indicates that the sweeps will have a brighter future in eternity.

William Blake focused on biblical images in the majority of his poetry and prose. Much of his well-known work comes from the two compilations Songs of Innocence and Songs of Experience. The poems in these compilations reflect Blake's metamorphosis in thought as he grew from innocent to experienced. An example of this metamorphosis is the two poems The Divine Image and A Divine Image. The former preceded the latter by one year.

“The Chimney Sweeper” is a poem written by William Blake (1757 –1827). His main aim is to expose the social defects in his age and the vices which afflict his society and to confront his readers with the dreadful suffering of the working paupers. According to Blake, the chimney-sweeping life is not a life at all; the labourer children have lost their childhood, their freedom, and their innocence. He criticizes the victimisation of children and the injustice of this oppressive labour. He shows how Tom; the chimney sweeper and other children suffer from long hard labour in addition to physical and psychological abuse. Blake insists that these children are living in abject and inhumane conditions of deprivation, misery and humiliation

In both of William Blake’s poems, “The Little Black Boy” and “The Chimney Sweeper,” an innocent-eye point of view portrays the stresses of society in an alternative way to an adult’s understanding. The innocent perspective redirects focus onto what society has become and how lacking each narrator is in the eyes of the predominant white culture. Each naïve speaker also creates an alternate scenario that presents a vision of what their skewed version of life should be like, showing how much their unfortunate youth alters their reality. From the viewpoint of children, Blake’s poems highlight the unhealthy thoughts or conditions in their lives and how unfortunate they were to be the wrong race or class level. These narrators were cheap laborers and were in no control of how society degraded them. Such usage of a child’s perspective offers important insight into the lives of these poor children and raises awareness for the horrible conditions children faced in the London labor force prior to any labor laws. The children of the time had no voice or platform on which to express their opinions on their conditions. Blake targets society’s lack of mindfulness towards the children using the innocent-eye point of view and illusions of what they dream for in life.