Insanity in The Yellow Wallpaper by Charlotte Perkins Gilman

Charlotte Perkins Gilman’s story, The Yellow Wallpaper, portrays the life and mind of a woman suffering from post-partum depression in the late eighteenth century. Gilman uses setting to strengthen the impact of her story by allowing the distant country mansion symbolize the loneliness of her narrator, Jane. Gilman also uses flat characters to enhance the depth of Jane’s thoughts; however, Gilman’s use of narrative technique impacts her story the most. In The Yellow Wallpaper, Charlotte Perkins Gilman uses interior monologue to add impact to Jane’s progression into insanity, to add insight into the relationships in the story, and to increase the depth of Jane’s connection with the yellow wallpaper it self.

In Charlotte Perkins Gilman’s “The Yellow Wallpaper,” the narrator must deal with several different conflicts. She is diagnosed with “temporary nervous depression and a slight hysterical tendency” (Gilman 221). Most of her conflicts, such as, differentiating from creativity and reality, her sense of entrapment by her husband, and not fitting in with the stereotypical role of women in her time, are centered around her mental illness and she has to deal with them.

Trapped in the upstairs of an old mansion with barred windows and disturbing yellow colored wallpaper, the main character is ordered by her husband, a physician, to stay in bed and isolate her mind from any outside wandering thoughts. “The Yellow Wallpaper”, written by Charlotte Perkins Gilman, describes the digression of the narrator’s mental state as she suffers from a form of depression. As the story progresses, the hatred she gains for the wallpaper amplifies and her thoughts begin to alter her perception of the room around her. The wallpaper serves as a symbol that mimics the narrator’s trapped and suffering mental state while she slips away from sanity reinforcing the argument that something as simple as wallpaper can completely

The geographical, physical, and historical settings in Charlotte Perkins Gilman's "The Yellow Wallpaper" were more than the primary character could handle. The geography would lead to think she could enjoy the environment, but she chose not to. The physical setting showed us the reader just how grotesque and unbearable it would be to live a room in which the wallpaper to over the narrators mind. Lastly, we looked at how historically women were not allowed to speak their minds about how they felt. Maybe now that John has seen his wife go completely insane for himself he will finally seek extra attention for

Through a woman's perspective of assumed insanity, Charlotte Perkins Gilman comments on the role of the female in the late nineteenth century society in relation to her male counterpart in her short story "The Yellow Wallpaper." Gilman uses her own experience with mental instability to show the lack of power that women wielded in shaping the course of their psychological treatment. Further she uses vivid and horrific imagery to draw on the imagination of the reader to conceive the terrors within the mind of the psychologically wounded.

“The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, is a great example of early works pertaining to feminism and the disease of insanity. Charlotte Gilman’s own struggles as a woman, mother, and wife shine through in this short story capturing the haunting realism of a mental breakdown.The main character, much like Gilman herself, slips into bouts of depression after the birth of her child and is prescribed a ‘rest cure’ to relieve the young woman of her suffering. Any use of the mind or source of stimulus is strictly prohibited, including the narrator’s favorite hobby of writing. The woman’s husband, a physician, installs into his wife that the rest treatment is correct and will only due harm if not followed through. This type of treatment ultimately drives the woman insane, causing her to envision a woman crawling behind the yellow wallpaper of her room. Powerlessness and repression the main character is subject to creates an even more poignant message through the narrator’s mental breakdown. The ever present theme of subordination of women in “The Yellow Wallpaper” is advanced throughout the story by the literary devices of symbolism, imagery, and allegory.

In the 1950’s, women weren’t respected for doing anything besides being an outstanding wife and mother. Women and men weren’t on the same level when it came to rights in the eyes of the law. Also during this time, mental illnesses were not accurately researched, and since doctors weren’t fully aware of all the information about mental illnesses, patients did not always get the best treatment and were treated as freaks. In the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman, both of these elements are present. Gilman did a wonderful job portraying how women are not taken seriously and how lightly mental illnesses are taken. Gilman had, too, had firsthand experience with the physician in the story. Charlotte Perkins Gilman 's believes that there really was no difference in means of way of thinking between men or women is strongly. “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband 's lack of belief. The story appears to happen during a time period where women were mistreated. Women were treated as second rate people in community during this time period. Charlotte Perkins Gilman shows the thought process of the community during the time period in which “The Yellow Wallpaper” is written. Using knowledge on equal rights between women and men, one can carefully study “The Yellow Wallpaper” by

Charlotte Perkins Gilman 's "The Yellow Wallpaper," relays to the reader something more than a simple story of a woman at the mercy of the limited medical knowledge in the late 1800 's. Gilman creates a character that expresses real emotions and a psyche that can be examined in the context of modern understanding. "The Yellow Wallpaper," written in first person and first published in 1892 in the January edition of the New England Magazine, depicts the downward spiral of depression, loss of control and competence, and feelings of worthlessness that lead to greater depression and the possibility of schizophrenia.

The yellow wallpaper involves a narrator’s battle with depression. Moving to a colonial mansion for the summer, the narrator experiences the limitations and frustrations a regular woman could go through during the 19th century. In Charlotte Gillman’s story, women are depicted as being under the control of their husbands, giving the husband full of authority on his wife’s life. In The Yellow Wallpaper the wife tells us “so I take phosphates, and air and exercise and I am absolutely

People often say artists and writers are touched by a hint of madness. This story explores the idea that madness comes from the inability to be creative or expressive. Charlotte Perkins Gilman demonstrates that the narrator’s hunger for creativity both motivates and feeds her madness. Until the creativity itself is consumed by the madness.

treats her like a child and just like a child she is kept in this

Charlotte Gilman’s short story “The Yellow Wallpaper” is centered on the deteriorating psychological condition of the female narrator. As a woman in a male dominating society in the 19th century, the narrator has no control over her life. This persistence eventually evolves into her madness. The insanity is triggered by her change in attitude towards her husband, the emergent obsession with the wallpaper and the projection of herself as the women behind the wallpaper. The “rest cure” which was prescribed by her physician husband, created the ideal environment for her madness to extend because, it was in her imagination that she had some freedom and control.

with a rest cure. The doctor in the story is much like the doctor that

Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a short story told from the perspective of a woman who’s believed to be “crazy”. The narrator believes that she is sick while her husband, John, believes her to just be suffering from a temporary nervous depression. The narrator’s condition worsens and she begins to see a woman moving from behind the yellow wallpaper in their bedroom. The wallpaper captures the narrator’s attention and initial drives her mad. Charlotte Gilman uses a lot of personal pieces into her short story, from her feministic views to her personal attributes. “The Yellow Wallpaper” is a short story written from a feminist and autobiographical standpoint and includes elements, like symbols and perspective that the reader can analyze in different ways.

In the story “The Yellow Wallpaper,” Gilman creates a character of a young depressed woman, on the road to a rural area with her husband, so that she can be away from writing, which appears to have a negative effect on her psychological state. Lanser says her husband “heads a litany of benevolent prescriptions that keep the narrator infantilized, immobilized, and bored literally out of her mind. Reading or writing herself upon the wallpaper allows the narrator to escape her husband’s sentence and to achieve the limited freedom of madness which constitutes a kind of sanity in the face of the insanity of male dominance” (432). In the story both theme and point of view connect and combine to establish a powerful picture of an almost prison-type of treatment for conquering depression. In the story, Jane battles with male domination, because she is informed by both her husband and brother countless brain shattering things about her own condition that she does not agree with. She makes every effort to become independent, and she desires to escape from the burdens of that domination. The Yellow Wallpaper is written from the character’s point of view in a structure similar to a diary, which explains her time spent in her home. The house is huge and old with annoying yellow wallpaper in the bedroom. The character thinks that there is a woman behind bars in the design of the wallpaper. She devotes a great deal of her