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Insecurity In Othello

Decent Essays

Shakespeare’s tragedy, Othello, reveals the contextual issues that pertain to the foible nature of humanity, effectively demonstrating the social mores of the Elizabethan era. Shakespeare presents aspect of jealousy, racial segregation in the Elizabethan society and the assumed promiscuity of women as the intrinsic part of human nature which ultimately leads to the downfall of Othello.
The power of jealousy induced by Othello’s insecurity of his relationship with Desdemona is an evident factor leading to the death of Othello. Othello’s initial undeniable love towards Desdemona is demonstrated through hyperbole, “If it were now to die, ‘Twere no be most happy”, expressing his delight towards seeing Desdemona, proclaiming that this is the happiest …show more content…

The destructive nature of jealousy is outlined through metaphor, “Green-eyed monster”, where the green colour is associated with faithlessness, implying that jealousy is triggered by lack of certainty. As Iago constantly suggests Desdemona’s infidelity, Othello gradually loses trust in Desdemona. The reckless anger that overrides Othello’s morality is described metaphorically, “‘tis a monster. Begot upon itself”, suggesting his gradual decline. The intensity of Othello’s anger is further heightened through violent imagery, “Like to the Pontic sea, whose icy current and compulsive course”, where the sea is metaphoric of Othello’s emotion, revealing Othello’s violent thoughts. Shakespeare indicates Othello’s personal deterioration …show more content…

Venice was a city renowned for its courtesans, which resulted in the assumed infidelity of women. Desdemona’s true purity that contradicts the society’s perception is suggested through the recurring motif of “wedding sheets”, when symbolises virginal purity. Hence, the visual imagery of blood-stained wedding sheets at the end of the play is parallel to the demoralising of women in the Venetian society due to the flawed perception towards them. The society’s suspicion that all women are promiscuous is highlighted through sexual innuendo, as Iago suggests, “Making beast with two backs”, implying that their love is nothing more than lust. Women were common objectified in the Elizabethan society, as displayed through dehumanisation of Desdemona, “purchasing Desdemona”, alluding to the paying of courtesans, implying the promiscuity of Desdemona. Society’s perception towards women as such transforms The undesirable nature of promiscuous women further contributes to Othello’s action, as demonstrated through exclamation of Cassio, “I marry her! What!” implying that Bianca is unsuitable for marriage, as she is a courtesan. Othello’s initial perception of her from pure to sexually promiscuous as demonstrated through the shift in the diction of Othello, where “I love the gentle Desdemona” contrasts to the inflammatory tone, “cunning whore of Venice”, again

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