Inside Out, And Its Director Pete Docter

The film Inside Out tells the story of a young girl named Riley and her changing emotions after she is forced to move from her home town in Minnesota to San Fransico for her father’s job. The story is told from the perspective of her five emotions. Riley’s emotions are led by Joy, who attempts to guide her through the stressful event. Although Joy puts forth great effort, Sadness takes over. When trying to protect Riley’s core memories from Sadness, Joy is swept from headquarters through the dump tube and Sadness follows. With Joy and Sadness gone, Anger, Fear, and Disgust are the only emotions left in headquarters; therefore, Riley cannot be happy or sad. Because Joy and Sadness are absent, Riley’s personality islands diminish one by one. Riley fights with her family, pushes away from her friends back home, and loses interest in hockey. As Joy and Sadness navigate through Riley’s brain in search of a way back to headquarters, they encounter many obsticles. Back in headquarters, Anger, Fear, and Disgust place the idea of running away into Riley’s head. Joy witnesses the transformation of a sad memory into a happy memory, and finally realizes the importance of all emotions, including Sadness. With the help of Bing Bong, Riley’s imaginary friend, Joy and Sadness find their way back to headquarters and are able to stop Riley from running away. An update in headquarters takes place, and more personality islands develop. Joy learns to accept the

Inside Out is an animated movie about a young girl, named Riley, her world is turned upside down when her parents move her from her home in the chilly midwest to sunny San Francisco. She has five emotions inside of her head, each one controlling a different aspect of her personality. The five emotions inside her brain are Joy, Sadness, Anger, Disgust, and Fear. When she lived in the Midwest, Joy ran everything in the brain, but the stress of the move brought Sadness into play. When Sadness and Joy are thrown into the far part of Riley’s mind the only one’s left in the headquarters, where all emotions are controlled, they are faced with the challenging task of keeping Riley who she really is.

Similar to how the hazy quality adds to the oneiric atmosphere of the shots in the Dietrichson’s household, the elements of the mise-en-scène contribute to the realistic characteristics of the first shot. Here, the viewer is presented with a seemingly perfect upper class neighborhood full of California Spanish houses. The children outside are playing baseball and an ice cream truck drives by, representing the epitome of the American Dream. The image is sharp and clear, with the light source coming from the right. However, the lighting is practically uniform in this shot. There are several hues and colors present in this shot, which is consistent with the realm of reality. Each frame of the camera is busy and cluttered, and there is a great deal of movement from both the props and the actors. However, it can also be argued that the first shot—though fairly realistic—is interrupted by oneiric qualities.

The use of the color in the settings, make the film very unique in a very good way. For example all of the houses are colorful. The buildings and houses are very well placed throughout the film. The bright colors and well placed houses make the scenes and the overall movie unique. The bright colors make the movie memorable, because bright colors stand out more than other duller colors. Another example of the films features that make the movie memorable are the characters. The characters in this film wear very flashy clothing, which shows the audience that the characters have

Colour is an important image in both Chazelle and Hallstrom’s texts. Throughout La La Land, Chazelle incorporates an abundance of bright colours in the backdrop and the clothing. However, after travelling five years into the future, the characters are dressed in darker and duller outfits. Chazelle’s use of bright colours suggests the feeling of having hope, dreams and fantasy whilst the duller colours imply maturity and the reality of life. Hallstrom also uses imagery of colour to describe the

The color is largely lush and saturated, although dream sequences or certain sequences seen through the eyes of the young William Wallace are given an icy blue desaturated tint which matches the color of Wallace’s eyes. The camera is usually at a middle distance and a straightforward angle; in conversations between two characters Gibson tends to hold both in frame so that we can see them interact, rather than cut back and forth with two separate shots over the actors’ shoulders.

Inside Out, a Disney/Pixar animated film, centers around the life of Riley, an 11-year-old girl who endures a move to San Francisco that greatly impacts her emotional balance. The film features five characters - Fear, Anger, Disgust, Joy, and Sadness - who personify the five major emotions in Riley’s brain and how these feelings impact Riley. When Joy - the lead feeling character - aims to suppress Sadness in her entirety and, thus, prevents Riley from processing her sad feelings, Riley enters an emotionally distant and empty state. This film has been widely received, for it not only entertains its target audience of the younger generations, but also speaks to teenagers and even adults through its unique, yet accurate portrayal of how emotions in the brain function and the importance of staying in-tune with said emotions. The cultural work of Inside Out influences multigenerational understanding of mental health. In doing so, this motion picture challenges viewers to consider how complex emotional and mental problems can be, as well as encourages viewers to question the stigma associated with mental illness.

Pixar’s Inside Out is an interesting take on how our emotions work as well as how our brains operate. The story starts off with a narration by Joy, voiced by Amy Poehler, explaining how her job works, and how she and the other emotions came to be inside the mind of young Riley Anderson. The emotions watch and guide Riley by influencing how she reacts to different daily situations. The only thing the emotions are not prepared for however, is an unexpected move from Minnesota to San Francisco (Inside Out). This hilarious take at how our brains work allows Inside Out to create an entertaining and engaging movie using character interaction and its deeper emotional and psychological meanings.

Inside Out is a movie based on the emotions of the life progression of Riley. The movie starts off when Riley was born. In a dark room Joy ascends to a button, which is the control center in Riley’s mind, and touches it which makes Riley give a little baby giggle. As a result of Riley’s giggle, a glowing little ball is produced, a memory, and because the memory was created by Joy, the memory ball is yellow. Then after 33 seconds, Sadness comes and touches the button to make Riley cry. As Riley grows into a toddler Fear comes into Headquarters. He helps Riley in her interaction with her surroundings as she plays, and keeps her safe from electrical outlets and cords. Then when Riley is introduced to a plate of broccoli we first encounter Disgust

Inside Out is a Disney-Pixar film in which a girl, Riley Anderson has her entire world flipped upside down when her father’s job forces them to relocate from Minnesota to San Francisco. Disney worked with scientists to make this as realistic as possible, it is still readerly. There is no room for interpretation of the movie, even if someone noticed something new about it each time they watched, it would still be the same. Regardless of it’s readerly nature, I enjoyed this movie more compared to other Disney movies that are the run of the mill love story.

Muted, cool colors appears across the scene, which is a significant change from the warm brown in the beginning sequence. The pale and sickly colors furthers the horror aspect of the film, followed along by the dusty and elongated state of the visible furniture.

The Pixar movie Inside Out received praise for being one of the first movies to center on the inner workings of a child’s mind. The movie is about Riley, an 11-year old girl and how she deals emotionally with having to move away from her home and the events that transpire after. The entertaining part of the movie is that the emotions – Joy, Sadness, Disgust, Anger, and Fear – are portrayed anthropomorphically.

In the movie inside out, a running theme throughout the movie is growing up despite the ups and downs in someone's life. One of the major examples in the movie is when the character Riley begins the journey of becoming accustomed to being older and in a new school and a completely new state and city. “You remember how she used to stuck her tongue out when she was coloring? I would listen to her stories, all day. I just wanted riley to be happy.” Throughout the movie, her emotions notice how she is reacting to growing older and how she reacts in a different way then when she was younger back in Minneesota. She didn’t have the same drive as when she did back in her old town because of all of the things she was facing. Also as important in the movie is when she is faced with all these hard

Both the movies, Inside Out and Eternal Sunshine of a Spotless Mind focus heavily on memory and the impact that memory has on one's life. The movie Inside Out focuses on how memories and the emotions attached to them can shape us and a our personalities. The movie depicts in animated form the basics of memory, short term memory, long term memory and forgetting. It as shows the idea of mood congruent effect. Mood congruent effect is the idea that you remember memories that were encoded when you were in that same mood easier than when you are in a different mood.

Sadness, Joy, Fear, Disgust and Anger. Five emotions felt by human beings on a regular basis. These five emotions are personified as characters in the movie “Inside Out”. The movie Inside Out is about an 11-year-old girl named Riley who is living a happy life until she moves with her family to San Francisco (Rivera, Docter, del Carmen, 2015). Cognitive, social and linguistic development are all essential parts that contribute to the development of a growing child, such as Riley. The movie displays these types of development in terms of memories, emotions, attention, humor and many other aspects. The purpose of this paper will be to explain why the movie Inside Out (2015) is appropriate for children ages 6 to 12 years of age in terms of their cognitive, social and linguistic development.