Inspiration and Manipulation Essay

Emily Dickinson was an exceptional writer through the mid-late 1800’s. She never published any of her writings and it wasn’t until after her death that they were even discovered. The complexity of understanding her poems is made prevalent because of the fact that she, the author, cannot expound on what her writing meant. This causes others to have to speculate and decide for themselves the meaning of any of her poems. There are several ways that people can interpret Emily Dickinson’s poems; readers often give their opinion on which of her poems present human understanding as something boundless and unlimited or something small and limited, and people always speculate Dickinson’s view of the individual self.

Harriet Jacobs and Emily Dickinson convey the female experience in very different ways. Dickinson was a white-American poet known for and secluded because of her eccentric nature. Jacobs was an African-American writer enslaved and isolated because of her race and gender. It is easy to see the differences in Dickinson and Jacob’s personal lives, but it is also easy to draw parallels between Dickinson and Jacobs as their work shares a very common theme; the power of silence. While Dickinson suggests that a woman who understands how to use silence can be powerful, Jacobs finds empowerment in silence itself, but what is most interesting is how the two women navigate silence in order to become powerful.

Emily Dickinson, recognized as one of the greatest American poets of the nineteenth century, was born December 10, 1830 in Amherst, Massachusetts (Benfey, 1). Dickinson’s greatness and accomplishments were not always recognized. In her time, women were not recognized as serious writers and her talents were often ignored. Only seven of her 1800 poems were ever published. Dickinson’s life was relatively simple, but behind the scenes she worked as a creative and talented poet. Her work was influenced by poets of the seventeenth century in England, and by her puritan upbringing. Dickinson was an obsessively private writer. Dickinson withdrew herself from the social contract around the age of thirty and devoted herself, in secret, to writing.

Emily Dickinson, born in 1830 in Amherst, Massachusetts, is regarded as one of America’s best poets. After a poor experience at Mount Holyoke Female Seminary, where she was regarded as a “no hope,” her writing career took off in full swing. Although her family was more conservative, regular churchgoers, and socially prominent town figures, Dickinson preferred a socially reserved lifestyle that renounced the traditional values of her day (Baym, 1189-93). The iconoclastic spirit pervasive in Emily Dickinson's poetry reflects her conflict with the traditions of New England society.

Her themes of love, death, immortality, change, and uncertainty are not “recondite ones” (Vendler), but her unique viewpoints on them are. Her syntax is not that of an author trying to hammer a message into their audience’s heads, but rather imitates the natural flow of a person’s thoughts and the disorganization of it, almost in a Modernist or Post-Modernist way. Ironically, the only thing Dickinson portrays as certain and constant is a cycle of change. Indeed, every time period is a time period of change, and today seems like that more than ever. However, Dickinson’s poems show that change is not necessarily something to fear, as so many have, but something to accept, and perhaps even

The last two lines of the poem are a timid reflection on what might happen “Had I the Art to stun myself/ With Bolts—of Melody!” (23-24). The idea that creation is a power that can get loose and injure even the creator illuminates why in this poem the artist positions herself firmly as a mere spectator. In these first two poems, we meet a Dickinson who is not entirely familiar to us—even though we are accustomed to her strong desire for privacy, these poems can be startling in the way they reveal the intensity of Dickinson’s fears. She is, after all, shrinking from what is dearest to her—nature, one of her favorite subjects, becomes a harsh judge, and poetry, her favored medium of communication, can suddenly render the reader “impotent” and the writer “stun[ned]” (19, 23). The extremity of her positions in shrinking from the small and beautiful things she loves creates the sense that this is just the beginning of a journey by leaving so much room for change.

To understand the extent that Dickinson’s modernist tendencies shine through in Adrienne Rich’s writings, it is important to first explore the impact Dickinson had on Rich’s life and compositions in general. It is no accident that Rich adapts styles and themes from Dickinson’s poetry; many parallels can be drawn between Dickinson’s and Rich’s life, including how “she [like Dickinson] set herself apart [from society’s framework] in order to define her own emotional and social territory” (Martin, 171). Also, both writers revered and feared their fathers, even though both chose to pit themselves “in opposition to [their fathers], to live according to [their] own premises” (Langdell, 166). Although Rich states that she could not have lived her life the way Emily Dickinson does in her essay “Vesuvius at Home: the Power of Emily Dickinson (1975),” she also admits that she has “come to understand her necessities [and] could have been a witness in her defense” (Rich, 158). Rich admires Dickinson, even calling some poems of her own mere “imitations”

Emily Dickinson, who achieved more fame after her death, is said to be one of the greatest American poets of all time. Dickinson communicated through letters and notes and according to Amy Paulson Herstek, author of

Emily Dickinson’s reclusive life was arguably a result of her proposed bi-polar disorder. This life and disorder unduly influenced the themes of her poetry. She chose not to associate herself with society and volumes of her poems, published posthumously, examine this idea as well as the themes of nature and death. The clearest examples of these themes are presented in the following analysis of just of few of her

Seventy-five years after the 1890s publication of the premier volumes of Emily Dickinson's poetry, critics still squabble about the poet's possibly lesbian relationship with her sister-in-law, Susan Huntington Gilbert Dickinson. Indeed, the specifics of Dickinson's relationship to Susan are ambiguous at best. All of the critical attention that her mysterious sexuality

Emily Dickinson is an American poet born in Amherst Massachusetts December tenth, 1830. As a child Dickinson’s love for books was massive yet she did not start writing poetry until she was eighteen. However, she was not known of until after her death. Nonetheless, some people other than her family did now about Dickinson’s remarkable poems. Furthermore, most tried encouraging her to publish her poems yet others did the contrary. Emily Dickinson’s life is what caused her to write such great poetry.

Emily Dickinson a modern romantic writer, whose poems considered imaginative and natural, but also dark as she uses death as the main theme many times in her writings. She made the death look natural and painless since she wanted the reader to look for what after death and not be stuck in that single moment. In her poems imagination play a big role as it sets the ground for everything to unfold in a magical way. The speakers in Dickinson’s poetry, are sharp-sighted observers who see the inescapable limitations of their societies as well as their imagined and imaginable escapes. To make the abstract tangible, to define meaning without confining it, to inhabit a house that never became a prison, Dickinson created in her writing a distinctively elliptical language for expressing what was possible but not yet realized. She turned increasingly to this style that came to define her writing. The poems are rich in aphorism and dense

At first Glance, “The Soul Selects Her Own Society” by Emily Dickinson is puzzling, even meaningless. However, upon further analysis it is clear that the poet has made several deliberate choices to assist the reader in discerning the poems meaning. Her deployment of poetic devices correlates to the narrative she is writing, allowing the reader to deeply perceive the poems message. Emily Dickinson’s “The Soul Selects Her Own Society” provides commentary on an individual’s ability to decide who can enter the most intimate parts of her life, which the reader can empathize with through figurative language, repetitive sounds, and enjambment.

Emily Dickinson was one of the many famous American poets whose work was published in the 19th century. Her writing style was seen as unconventional due to her use of “dashes and syntactical fragments”(81), which was later edited out by her original publishers. These fragmented statements and dashes were added to give emphasis to certain lines and subjects to get her point across. Even though Emily Dickinson was thought to be a recluse, she wrote descriptive, moving poems on death, religion, and love. Her poems continue to create gripping discussions among scholars on the meaning behind her poems.

The controversy surrounding Emily Dickinson is her odd lifestyle and her tendencies to be somewhat of a recluse. She is sometimes considered abnormal because she does things differently from most others. She spends much of her life dressed in white and withdrawn from much of society. Of course, her peers take this negatively, but what they do not understand is that her being so private is more of a meditation to her, instead of a hiding. She just wants to escape the pressures she feels are normally required of women. She does not want to be a servant to sick and elderly. She feels she has more potential for her mind to grow, and those obligations would just be hindrances to her writing (McQuade 1255). Her childhood and her staying out of society as an adult, along with many other aspects known and not known, influence her poems and the style in which she goes about writing the works. Her techniques of writing are completely different from any other writer, whether prose or poetry. Dickinson composes her phrases by marking them off with a dash, placing a space before and after. This small maneuver places more emphasis on her “impress of the mind in its analysis of experience” (McQuade 1256). Her slant thymes and unique form of expression produces more of an oddness to the audience.