Inspired By The Harlem Renaissance: Zora Neale Hurston

Zora Neale Hurston was born January 7, 1891 in Notasulga, Alabama and later moved to Eatonville, Florida. She lived a happy childhood in her 8-room house and 7 siblings. As a child, she was raised in an all black community, therefore was never exposed to discrimination. Black achievement flourished in her town, including her father and mother. Zora’s father, John Hurston, formulated laws. Zora’s mother Lucy Ann Hurston aided in churches as a director of the christian curricula. However, following the death of her mother in 1904, Zora’s life shifted. Her father quickly remarried, resulting in a difficult relationship in which he no longer had the time or money for his children. (Gradesaver)

Zora Neale Hurston was born in Notasulga, Alabama on January 7, 1891. Her father, John Hurston, was a minister and he had several years as a mayor for that town. Her mother, Lucy Hurston, seemed to only have her family as any worries. Her childhood seemed to be perfect, it was free from racism and poverty (Zora 1). Although, everything changed when her mother passed away and his father remarried and soon was sent to boarding school. She was then expelled a while after her father stopped paying for tuition so she worked in a theatrical company as a maid (Zora 1). Quitting that job, at

Claude McKay was a black man born in Jamaica, he choose literature very on in life and kept with it. He moved to the United States at age twenty three to study at Tuskegee Institute and was immediately shocked by the blatant racism prevalent in Charleston, South Carolina. He moved to New York and shortly after became co-editor of The Liberator, a famous abolitionist newspaper, he wrote some of his most revered poems while working there. He was part of the Harlem Renaissance a movement that was a reawakening of artistic and cultural talents of African American people in the United States and helped to reinvigorate their pride in being black.

Zora Neale Hurston was born in 1901. She was raised in Eatonville, Florida. Hurston went to Howard University and progressed on to Barnard College. Hurston’s work reflected the use of African American legends in her short stories. Hurston was a vital figure who composed stories and played during the Harlem Renaissance in the 1920s and 1930s. She was committed to telling the stories of many cultures to allocate their social legacy with deference and love with an end goal to beat the unrefined stereotyping of her period. In 1925 during the Harlem Renaissance, Hurston wrote a story called “Spunk”. In the story “Spunk”, Hurston used the literary terms like character, setting, and conflict that catches the reader’s attention and made

     Zora Neale Hurston was a phenomenal woman. At the height of her success she was known as the “Queen of the Harlem Renaissance.” She came to overcome obstacles that were placed in front of her. Hurston rose from poverty to fame and lost it all at the time of her death. Zora had an unusual life; she was a child that was forced to grow up to fast. But despite Zora Neale Hurston’s unsettled life, she managed to surmount every obstacle to become one of the most profound authors of the century.

     The Harlem Renaissance was a time of racism, injustice, and importance. Somewhere in between the 1920s and 1930s an African American movement occurred in Harlem, New York City. The Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. It was the result of Blacks migrating in the North, mostly Chicago and New York. There were many significant figures, both male and female, that had taken part in the Harlem Renaissance. Ida B. Wells and Langston Hughes exemplify the like and work of this movement.

The Harlem Renaissance is an important time in American literature. There were writers at this time like Wallace Thurman, Zora Neale Hurston, and Langston Hughes. Langston Hughes wrote many poems such as the “The Negro Speaks of Rivers” and “The Weary Blues.”

Who was involved? Langston Hughes, W. E. B. Du Bois, Wallace Thurman, Zora Neale Hurston, Jessie Redman Fauset, Countee Cullen, Claude McKay, Jean Toomer, and Walter White are just a few of the literary contributors of the Harlem Renaissance (Richard Wormser, pbs.org). These people, through their writings, offered a better understanding of what it meant to be African American during this time in history. Louis Armstrong, Billie Holiday, Paul Robeson, Florence Mills, Cab Calloway, and Billy Pierce are just a few of the musical contributors (bio.com).

The Harlem Renaissance was an intellectual and literary period of growth promoting a new African American cultural identity in the United States. The years of 1920 and 1990 and “were clear peak periods of African American cultural production.” During these years blacks were able to come together and form a united group that expressed a desire for enlightenment. “It is difficult not to recognize the signs that African Americans are in the midst of a cultural renaissance” (English 807). This renaissance allowed Blacks to have a uniform voice in a society based upon intellectual growth. The front-runners of this revival were extremely focused on cultural growth through means of intellect, literature, art and music. By using these means

The Harlem Renaissance was different than I thought it was. I had imagined it was a time of African American’s gathering together in small groups and reading poems and writing stuff. When I began researching, the things that I found blew my mind. Seeing all of the big names of the Renaissance was cool because I have heard these names all my life, but never realized why those names were significant. Being a student in band, the name Louis Armstrong has been a name I have heard since 6th grade. Up until this project, I never knew the extent of the impact he made on the world of music.

The 1930's and early 1940's marked the peak of Hurston's literary career. It was during this time that she completed graduate work at Columbia, published four novels and an autobiography, and was awarded a Guggenheim Fellowship. Her writing brought her to the Caribbean where she became so intrigued by the practice of voodoo that she began incorporating these supernatural elements into her novels and stories. Although her work was receiving increasing acclaim from the white literati of New York, Zora often felt under attack from many members of the Black Arts Movement. She termed these detractors, members of the "niggerati", for being close-minded in their criticism of her racial politics.

During The Harlem Renaissance, artists and writers of the time period would express themselves through the experiences that they gain from the streets of Harlem. Claude McKay’s writings from the Harlem Renaissance demonstrates life during that time period by showing the Renaissance as “defined, and defied the boundaries of The Harlem Renaissance.”

The Harlem Renaissance celebrated their culture and was flourishing in African American art, literature and music. Like Langston Hughes who wrote his first award winning poetry, “The Weary Blues (1926); which caught a lot of support. Later his poem turned into jazz music, which brought him instant success, and his jazz and blues fits in variety of changing mood. He was a talented youngster who knew how to write poetry and create music that captures the attentions of the people who loves music.

One of Hurston’s stories, How it Feels to Be Colored Me, reflects the author’s perspective of the colored race (specifically herself). According to the story, when Hurston reached the age of thirteen, she truly “became colored” (1040). The protagonist was raised in Eatonville, Florida, which was mainly inhabited by the colored race. She noted no difference between herself and the white community except that they never lived in her hometown. Nevertheless, upon leaving Eatonville, the protagonist began losing her identity as “Zora,” instead, she was recognized as only being “a little colored girl” (1041). Hurston’s nickname “Zora” represents her individuality and significance; whereas, the name “a little colored girl” was created by a white society to belittle her race and gender (1041).

     The most accomplished writer of the Harlem Renaissance was Zora Neale Hurston. Hurston's many novels, books of folklore, poems, and short stories portrayed the lives of poor, unschooled Southern blacks, whom, in her words, were the greatest cultural wealth of the continent. Much of her work celebrated,