Intercalary Chapters

Unbroken begins the novel with a dedication then a quote from Walt Whitman. After the Table of Contents, there is a map representing the Western Coast of the United States, Japan, and the Pacific Ocean. It is this area where the story of Louis Zamperini takes place. After the map there is a two page preface. Then the story begins and is broken into thirty-nine chapters. These chapters are then broken into five parts, each part a different stage of Zamperini’s life. After, there is an eighteen page epilogue, eight pages of acknowledgments, fifty-two pages of notes, and a fifteen page index.

In Matt Taibbi’s book The Divide, the criminal justice system is revealed to have become a form of social control over the poor. Taibbi refers to this divide between rich and poor as “two systems in a vacuum,” where there are two separate systems depending on whether you’re rich or poor that people seem to accept. When looking at both systems in comparison, however, the system makes no sense. An example Taibbi uses throughout his book is the legal process of petty crimes, such as drug dealing or just sleeping on a park bench overnight, where, due to minimum sentencing laws, people have had to serve a minimum 20-year prison sentences. These are people that are poor and desperate enough to sleep on a cold park bench, but instead of giving them

(Page 4). The reader can conclude that the characters seem to be a little uneducated and have a southern accent.

Throughout the essay, the use of vernacular speech can be observed when looking at the dialogue between characters. For example, “Good day, Mrs. Henderson. Momma responded with “How you, Sister Flowers?”. In the dialogue between Mrs. Henderson and Mrs. Flowers, it can be seen that Flowers speaks respectively with sophistication while Mrs. Henderson speaks carelessly using an older southern tone. This results in a clear comparison between the characters in the essay which represent the importance of education and vocabulary. The constant use of the wrong verb by “Momma” bothers the author, giving us a better idea of language’s role in her life. In addition, the author foreshadows part of the lifeline, so we gain a better understanding of the story when the lifeline is presented later on.

The writer composes the story from the perspective of an analyst. She alludes to occasions later on, facts, and information that no character could have known in the setting of the story. Incorporated into the content are genuine quotes said or composed by the general population she expounds on, including the primary character. She utilizes an extremely objective voice, giving successive analysis of distinctive individuals' outlook and continually alluding to insights to demonstrate her point. Since the book does not focus on the point of view of any single character, it peruses more like a news article than a story, which frequently exhausting its groups of readers. Accordingly, Hillenbrand's written work style once in a while obstructs the correspondence of her thoughts because she regularly includes actualities, quotes and investigation in the book; it usually bores audience on the grounds that it peruses more like a news article instead of a

There is a line of thinking out there that would lead a person to believe that everything is always as it appears – everything is on a nice straight plane. Look at the surface of the ocean, and all that needs to be seen is seen. This admittedly shallow line of thinking can lead to multitudes of problems, especially in the case of this class when looking at something like literature. That especially rings true when observing a novel like Cry, the Beloved Country by Alan Parton, where a deeper meaning seethes out of every word in what originally looks to be a straightforward tale. This is particularly true in the all-important intercalary chapters of the book, as they provide a break from the main plot and an aside into something different

Punctuation in the form of commas and dashes is used to slow the pacing of the story and create suspense or an unresolved tone. Poe uses these dashes in “The Tell-Tale Heart” to emphasize the narrator’s madness, allowing the reader to hear and understand the fragmentation of the narrator’s thoughts on a much closer level. This is exemplified in one passage, where the narrator states “TRUE! -- nervous -- very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses -- not destroyed -- not dulled them.” This adds to a jolting tone to the passage, as the narrator begins feverently, represented by exclamation points, then suddenly pauses for extended stretches, then starts again. The long pauses between statements caused by multiple dashes in a row evoke this aforementioned madness, due to the fact that, by normal standards, a “sane” person would not speak with such a disjointed

In this chapter, as in many other chapters, he intersperses short sentences into his narrative. In fact, some of his paragraphs in this chapter are only 1 sentence long. What kind of information is conveyed in these short paragraphs?

important segments and chapters of the book, in an attempt to convey the emotions and points of

1. High pressure for local adaptation combined with low pressure for lower costs would suggest what type of international strategy: A. global B. multidomestic C. transnational D. overall cost leadership 2. Foreign direct investment includes the following form of entry strategy: A. licensing B. franchising C. joint ventures D. exporting 3. According to Michael Porter, firms that have experienced intense domestic competition are A. unlikely to have the time or resources to compete abroad. B. most likely to design strategies aimed primarily at the domestic market. C. more likely to design strategies and structures that allow them to successfully compete abroad. D. more likely to demand protection from their governments.

1. Coming out of the Constitutional Convention in Philadelphia, different views of federalism were carried: (1) Alexander Hamilton believed that the national government was the superior and leading force in political affairs, since the people created it and its laws were the “supreme law of the land;” (2) Thomas Jefferson believed that “the people” were the ultimate sovereigns, and since the states was a result of agreement among the states, the states were supreme over the national gov’t.

The usage of informal language in the beginning of the story, produces transparent characters by exposing their flaws through their speech. Opening with the reckless announcement addressed by Mrs.Turpin, “I wish I could reduce”(3). in front of strangers had marked her hasty character. This early exposure of her flaw notes the tragedy of her character for being quick to speak, quick to conclude and quick to judge. As Mrs.Turpin begins to build judgment upon others from “Girl Scout Shoes” to “bedroom slippers” as she “expects”(5) Mrs.Turpin becomes a false believer, drowning within her own deceptive conclusion by gripping onto her theory of goodness being carried by people’s shoes. Ultimately,

this clipped, laconic style was considered to be highly realistic and appropriate around the time this work was written. Also, Hammett’s “objective” point of view plays hand in hand with that literary style, such as how Spade is shown to be calmly rolling a cigarette after the news of Archer’s death through pages 16 to 18; his feelings are unknown, but readers see his careful precise technique. The clipped, laconic and objective style puts emphasizes on objects and actions, allowing readers to decide for themselves the characters’ reactions and consciousness. Coupled with the usage of real-life underworld slang, Hammett is able to bring this fiction closer to reality. Even disregarding the language and style, he also uses characters to symbolize events that have

The narrators alternate, showcasing the fluctuating levels of coherence, understanding and emotional strength. The dialect differs from character to character and the language each character uses, varies on level of intensity and subjectivity. Each character’s speech varies from being confessional to teetering on the line of awareness and consciousness. The characters each have their own view on life and on the way Addie Bundren lived her life: through these alternate character’s eyes, we can piece together the bits and pieces of Addie’s life, death and the haulage of her decaying body to Jefferson. The narrative seems to be fragmented however, it also exhibits a type of unity. The story takes place over the course of a few days yet the differing “sub-plots are logically and skillfully interwoven” (Ross 309). Faulkner forces the reader to see the narrative from multiple perspectives.

Throughout the story, Coupland breaks nearly every paragraph with asterisks. This is one of the most noticeable aspects to his style in this story. By breaking the paragraphs apart like this he accomplishes two things effectively: 1) reading for the audience is made easier by grouping single thoughts and breaking up text. 2) It gives a journalistic feel to the main characters experience – like it is his diary. The “diary entry” style really puts emphasis on the isolation aspects of being in a remote location with only single thoughts being given at a time; which also leaves a little mystery as to what is happening to the main character when he isn’t “writing down/giving” his thoughts for the audience. The overall feel to the story is very comedic, satirical and reinforced by the choice of language.