Internal And External Conflicts In The Time Of The Doves

In analyzing portrayals of women, it is appropriate to begin with the character of Margarita. For, within the text, she embodies the traditionally masculine traits of bravery, resilience, and violence as a means of liberating herself from an existence of abuse and victimhood. Even more, the woman plays upon stereotypes of femininity in order to mask her true nature. The reader witnesses this clever deception in a scene where the character endures a “wholesome thrashing” from her huge, violent, and grizzly bear-like husband, Guerra (81). Although Margarita “[submits] to the infliction with great apparent humility,” her husband is found “stone-dead” the next morning (81). Here, diction such as “submits” and “humility” relate to the traits of weakness, subservience and inferiority that are so commonly expected of women, especially in their relationships with men. Yet, when one

In this essay, female oppression in La Casa de Bernarda Alba will be discussed and analyzed. However, in order to be able to understand the importance of this theme and the impact it has had on the play, one must first understand the role of female oppression in the Spanish society in the 1930s.

The Portrayal of the Plight of Women by the Author, In Their Particular Period of Time

In her novel, In the Time of the Butterflies, Julia Alvarez unfolds a dramatic character transformation of the Mirabal sister, Maria Teresa. She is detailed to be a very thoughtful character who always seem to look out for others, especially those important to her in life. Alvarez induces this empowering development of Maria Teresa through the usage of diction, point of view and selection of detail.

Julia Alvarez in her book In the Time of the Butterflies uses lots of describing, connecting and helping us to realize things that happened in 1960, in Dominican Republic. The book genre is historical fiction, in this genre truth is often based on emotion validity rather than factual reality. Author looks up the ways to demonstrate the essence of each person's thoughts, feelings, and emotions. In this book it tells about three sisters that with the revolution have released people of their country from the dictator’s oppression. It is not a secret, for Dominican Republic it was a very hard time. Throughout the novel, Alvarez uses violent imagery, which I think supported the deeper immersion into this time situations. In the book there are four

In the Time of the Butterflies, written by Julia Alvarez, creates a fiction story about the true events of the Mirabal sisters and taking over the Dominican Republic’s government. In the Time of the Butterflies contains the classic war between passion and responsibility. Personal causes, love, a desire for revenge, determination to redress a wrong, or other emotions or drives conflict with moral duty. In In the Time of the Butterflies, many characters confront the demands of a private passion that conflicts with his or her responsibilities. Patria, the oldest Mirabal sister, struggles with her faith, and deciding whether to join the revolution with her sisters, or to follow her faith. Patria’s religion was an important aspect of her life since she was very young and throughout the course of the story, she attains and loses her faith in God.

In “Lieutenant Nun: Memoir of a Transvestite in the New World” by Catalina de Erauso, a female-born transvestite conquers the Spanish World on her journey to disguise herself as a man and inflicts violence both on and off the battlefield. Catalina discovers her hidden role in society as she compares herself to her brothers advantage in life, as they are granted money and freedom in living their own lives. Erauso decides to take action of this act of inequality by forming a rebellion, as she pledges to threaten the social order.The gender roles allotted to both men and women in the Spanish world represent the significance of societal expectations in order to identify the importance of gender in determining one’s position in the social order in the Spanish World.

Julia Alvarez’s novel In the Time of the Butterflies shows the lack of fairness in society and the importance of maintaining a strong family bond. Trujillo was not fair between men and women and granting men the rights to do whatever they want. The Mirabal sisters’ revolutionary against president Trujillo and fighting for freedom of the country and its people. In Saudi Arabia women are now granted to drive, but there some other things that men can do but women cannot. The Mirabal family has a strong maintain of a family bond. Minerva is one of the four sisters who is brave and had the courage to stand for others and started the revolution against the president.

Julia Alvarez’s book, In the Time of Butterflies, is the detailed retelling of how four sisters lived through an oppressive dictatorship. Throughout the book each sister goes through a great deal of hardships both mentally and physically. The Mirabal sisters’ throughout the book sacrifice so much, by doing this it shows their determination towards receiving their freedom, and their courageousness.

Death is a word associated with loss, grief and sadness, but in the novel In the Time of the Butterflies we see death in a whole new perspective; martyrdom. Strong, independent, caring, honest, and having firm beliefs are all characteristics we see in a martyr especially in Patria. In the novel we explore the wonders of Julia Alvarez’s writing and get to witness Patria as a martyr and an individual who fought for the right of women against a dictator: Trujillo.

In most history books, Pancho Villa is depicted as a often cruel but always fearless and cunning leader who courageously fought the dictatorial behavior of Porfirian Diaz in the Mexican Revolution. And some of this is certainly true. The great majority of reports and undocumented stories of Pancho Villa's epic struggles against injustice are all about males, but authors Anna Macias and Elena Poniatowska record the fact that women were a big part of the Mexican Revolution and that Villa was a viciously bloodthirsty scoundrel when it came to women and young girls. In order to set the record straight, Macias and Poniatowska present the writings of three women who ably report involvement of women in these moments in history; for example: a) there were women fighting on the side of Villa and his revolutionary band of warriors; and b) "hundreds of thousands" of women "of every class, were among the victims and casualties" of the conflict.

“In those things toward which we exerted our best endeavors we succeeded” (Classon). Everyone goes through hardships, however they are experienced disparately. In a narrative, an author chooses a point of view specific to emphasize certain aspects of their narrative. The two types of point of views employed in “The Wars,” “Mrs. Akbar,” and “Fronteras Americanas” are first person and third person omniscient, respectively. Third person omniscient point of view is an “all-knowing kind of narrator” (“Omniscient Narrator”) that has “full knowledge of the story’s events and of the motives and unspoken thoughts of various characters” (“Omniscient Narrator”). First person point of view is a type of narrative where the “protagonist relates their story” (“First Person”), using the pronoun ‘I’. Timothy Findley’s “The Wars” follows the life of a young man after the death of his sister. Remorseful that it occurred on his watch, he enlists in World War I in attempt to escape his grief. Written in third person omniscient point of view, the author not only confers with Robert Ross the protagonist, but many other characters and their inner turmoil all focused around the journey of war. Mariam Pirbhai’s “Mrs. Akbar” depicts the difficulties faced by an immigrant woman in keeping her family tied to their native roots. Also written in third person omniscient point of view, the author shows both the mothers and daughters outlooks. Guillermo Verdecchia’s “Fronteras Americanas” translating in

For decades Minerva, Maria Teresa, Patria and Dede’s bravery and heroism have lived in the heart of many Dominicans who suffered from the ruthless dictatorship of Rafael Leonidas Trujillo. The Mirabal sisters were four brave women who defied the traditional role of women in their Era and had a major role during revolution against Trujillo. Much of their story has been told in books and in movies from many different accounts. In Julia Alvarez’s novel “In the Time of the Butterflies”, she writes fictionalized personal accounts of the Mirabal sisters. Julia Alvarez structures her Novel in three parts with each chapter having a first person narrative for each sister. Alvarez personalized the way each of them would speak, feel and think, to even structuring Maria Teresa parts in the Novel as journal entries. This paper is an attempt to analyze how the structure of Julia Alvarez’s novel “In the Time of the Butterflies” can give the reader a better understanding of the Mirabal sisters, while utilizing Manuel F. Medina’s “Writing From Memory: History, Stories And Narrative Voices In In The time of The Butterflies by Julia Alvarez”.

The novel In the Time of the Butterflies, by Julia Alvarez and the play Antigone by Sophocles, both include similar characters, situations, and actions that react to the idea of a dangerous growing authority. The characters Dede from the Time of the Butterflies and Ismene from Antigone both strive to stay out of trouble with the government; however Dede’s approach is more effective as she becomes an oracle character by the end of the novel, for she lives to tell the story of the Mirabal sisters. Dede uses her relationship with her sisters and her own family to survive through the dangerous reign of Trujillo. When facing a regime such as Trujillo's regime, the survivors who live to tell their story, like Dede, are crucial to understanding and analyzing important historical moments. These survivors live through real tragedies, so they are primary resources with personal opinions and experiences.

The novel The House on Mango Street is filled to the brim with women who are unhappy and unsatisfied with their lives. Readers meet wives who are destined to spend their lives in the kitchen, mothers who waste away cleaning up after their kids, and girls who are stuck in a hole that they can’t escape. Through Sandra Cisneros’s use of literary devices such as motifs, symbolism, and imagery, we are able to learn that the women end up in these situations by conforming to femininity, and we find the theme of women are often held back by their own gender roles.