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Internal Conflicts In 'Paul's Grapes Of Wrath'

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store in town. At Paul’s refusal, she runs away with their newborn while Paul is in the barn tending to the animals. The newborn’s lungs become engulfed in the dust and he succumbs asphyxiation. The storm is the main element of nature in the story which encompasses the characters and embodies their internal conflicts:
Tense, she fixed her eyes upon the clock, listening. There were two winds: the wind in flight, and the wind that pursued. The one sought refuge in the eaves, whimpering, in fear; the other assailed it there, and shook the eaves apart to make it flee again. Once as she listened this first wind sprang inside the room, distraught like a bird that has felt the graze of talons on its wing; while furious the other wind shook the walls…only to return—to return and quake among the feeble eaves, as if in all this dust-mad wilderness it knew no other sanctuary. (Ross, 423)
The passage …show more content…

‘What’s ahead of you here? At least we’ll get enough to eat and wear… Look at it, you fool. Desert—the lamp lit at noon—’
… ‘We’ll have crops again,’ [Paul] persisted. ‘Good crops—the land will come back. It’s worth waiting for.’” (Ross, 424-425)
Atwood states in Strange Things, “Women-in-the-wilderness books frequently contain…a scene in which the woman looks in the mirror and sees that she has been altered” (Strange Things, 107). In “The Lamp at Noon”, the “mirror” is the storm. Ellen feels confined by it and begins to see her hope and marriage with Paul deteriorate. The storm is also a “mirror” for Paul:
Before [him] the utter waste [confronted] him…Suddenly like the fields he was naked. Everything that had sheathed him a little from the realities of existence: vision and purpose, faith in the land, in the future, in himself—it was all rent now, stripped away. (Ross, 429)
As he witnesses the abating storm’s destruction, he begins to recognize his missteps in dismissing Ellen’s pleading and feels his assurance and her reliance on him,

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