Internet Radio Essay

In the short story by John Cheever called "The Enormous Radio" it begins with Jim and Irene Westcotts appearing like the perfect American family. Cheever describes them as "the kind of people who seem to strike that satisfactory average of income, endeavor, and respectability" (Cheever 1). What is ironic about this story is the Westcotts are far from being the perfect family and the community they try to conform to is just as imperfect as the Westcotts themselves. A way the Westcotts try to live up to their society is by keeping secret the fact that they listen to the radio and attend musical events. This is because these activities were not something members of their community did. For example, Cheever says the "Westcotts differed

The criminal justice system is meant to protect the innocent, and punish those who are guilty of a crime. However, no system is perfect, and as a result, sometimes the innocent become victims of the system that was meant to protect them. How exactly do these innocent people become victims of the system? Sometimes the person gets framed, and the crime scene is staged to point a finger at them. Sometimes, there is no strong physical evidence against them, yet circumstantial evidence is used by the crown to put them away. This happened to a 17 year old boy named Adnan Syed in Baltimore, Maryland, who was imprisoned for life, for the alleged murder of his ex-girlfriend Hae Lee. Throughout the Serial podcast, Sarah Koenig is able to critically analyze information which proves Adnan’s innocence. Firstly, Asia’s letters gave Adnan an alibi for the time of the murder. Secondly, Adnan’s innocence can be demonstrated through the lack of any strong evidence and the prosecution’s use of circumstantial evidence which can be disproved. Thirdly, Jay’s constantly changing testimony is not credible evidence of Adnan’s guilt, making him innocent.

Ask anyone how they listen to music the answer will likely be through any means of easy access at an affordable cost. A study conducted by news outlet Nielsen 's Music 360 claimed, “Americans streamed 164 billion on-demand tracks across audio and video platforms in 2014”. The rapid increase in popularity music streaming platforms are experiencing leaves people wondering what that means for the music industry. When more consumers utilize the on-demand method of entertainment access, how does that translate to the artist being accessed? Astra Taylor contributes to this discussion in her book, “The People’s Platform: Taking Back Power and Culture in the Digital Age”. She lays criticism upon the idea of a more digitized

I believed the basic aim of these websites were to digitally respond reasonable to the technological changes of how music was conveyed to drive sales In a positive manner but musician ended up getting a small fraction of the income receive from streaming videos and audio songs as royalties. I can personally testify to this with my personal attitude towards many popular songs I downloaded for free online that I heard for the first time on radio. In his article published in the New York Times on January 2013, Ben Sisario commented on how online streaming has hurt the industry and partially reduced sales. According to him, Many consumers has greatly welcomed this system citing them as a smart way to save money since streaming saves them more money than buying the physical album. This will virtually hurt the artist survival unless they are engaged in an important side business for survival. ( Hartwig Masuch, chief executive officer of BMG rights

“We now have the ability to consume massive amounts of torrent or streams of music” due to its availability (Muller). People can simply go online and listen to their favorite artists for free with the click of a mouse. For example, global online audio distribution platforms such as SoundCloud, Pandora, and Spotify all boast a vastly enormous library of online music; furthermore, these platforms allow their users to listen to any song for free and construct their own music playlists that is unique for each user. Why bother buying a CD or an album when you can listen to the songs you want to at any time on your phone or your laptop?

Yet some readers may challenge my view by insisting that the radio industry is a dying industry and that a new website is a waste of resources. While it is true that the radio industry isn’t what it once was it doesn’t mean that it can’t adapt to the changing times. A new website will help the radio station get with the times. It will also help keep the station financially afloat by bringing in new users and ideally those new users would lead to donations.

Mel Karmazin noted: “Every radio comes equipped with an on/off switch.” Not to say that radio isn’t still a valid contender, but times have changed since our parents listened to Top 40 as their primary means of audio enjoyment. Entertainment payola is relatively harmless nowadays, wherein the past it could exert considerable influence (threatening moral creativity/stifling economic components) the Digital Age has seem the rise of consumer choice, and buying power. Fundamentally if no one likes the music, no one will listen, and stations only hurt themselves when they alienate

Satellite Radio: Will Howard Stern's move make us change the way we think about radio? Howard Stern's plan to move to satellite radio in January 2006 marks a major turning point for the radio industry. Not only has Stern brought the  possibility of subscribing to satellite radio into the minds of the millions in his audience, he has also gotten more people to start thinking and talking about what really distinguishes satellite radio from traditional radio. Satellite radio was first authorized by the Federal Communication Commission (FCC) in 1997, seven years after initial applications.

In my life I find it very easy to be productive if you stay motivated and focused on the tasks at hand (as mentioned in the podcast); however, I find it very easy to get distracted by others, televisions, or even social media. One connection I can make involves my work with a lab group I was assigned to work with during a summer program. Our task was to complete a final project on the basis of plant pigment labs. Now reflecting on the work I did with my group, I realized that we all followed many of the productivity tips that Charles Duhigg mentioned such as including everyone equally in the team, socializing sparingly, creating trust with one another, and setting goals to be reached. My group

This Radiolab is talking about whether human and other species can communicate each other or not.

In the magazine article, “How The Web Changed Music Forever”, Veronica Majerol describes how over the years, music and the way it is dispersed has changed alongside the evolution of technology. Long before the internet existed, “If a band was lucky enough to get a record deal, it gained access to a label's vast resources and connections.” which then allowed their music to be broadcasted on radios around the world, played in jukeboxes, and made into records. The mid-1990’s changed all of this when people began discovering the internet; new opportunities surfaced with this development. Disaster occurred for the record industry once the vast majority began using the internet to illegally download copyrighted music; listeners no longer needed to

This is a monumental year for world music industry because global digital revenues exceeded physical record revenues for the first time. As a digital music service, streaming is the biggest issue in the music industry today. Digital music streaming has grown with the improvement of mobile communications and the spread of smartphones. Consumers got used to use streaming service rather than download for various contents including music and videos.

The recent merger between Clear Channel Communications Inc. and AMFM has presented a rare opportunity for Radio One, Inc. The proposed divestiture of Clear Channel will be the largest in the history of the industry. Radio One, Inc. can acquire 12 established urban stations in the top 50 markets, which rarely become available. Market analyst have already speculated on the possible acquisition, causing Radio One’s stock price to rise from the mid-$40s to $97 a share! The trading multiple is at around 30x’s the forward BCF, which is substantially larger than the typical

In the music industry, there are several methods of sharing content. Between playing live shows, producing physical records, and now, streaming over music streaming services, artists and musicians from around the world contribute to the entertainment industry each day; however, in light of today’s technological age, more and more content is being shared and consumed through the later. In 2015, music streaming services grew to 317 billion streams, doubling the record amount of streams from the year prior—a figure that is only projected to grow in the years to come (“Nielsen: Music Streams”, 2016). Any consumer with an Internet connection can access these services’ content with

When speaking economically, the digital music sector of the international music industry is undoubtably the most important sector in the industry. Within the last decade, music has seen cardinal changes in the way both major and independent labels distribute their products. An industry that once relied on Payola 's and mass distribution of physical records and CD 's now relies heavily on the power of the internet. The first instance of mass distribution of music through the internet was by the service Ritmoteca.com in 1998 [1]. Ritmoteca had a library of over 300,000 songs, offering individual songs for 99 cents each and albums for $9.99. After signing distribution deals with many major music labels such as Warner