Interpersonal Relationships In Jane Eyre

Jane Eyre feels manipulated by Mr. Rochesters sly behavior and no longer has a desire to marry him. She decides that her only option is to leave Thornfield and departs to a nearby village. This secret introduces tension to the Eyre/Rochester relationship and creates an aura of mystery and

“Jane’s relationship with Rochester in the early part of the novel is based not on love but control, manipulation and secrecy. She does well to escape”

We first encounter this relationship between Jane and Rochester during their first dramatic meeting. She encounters him when he falls off his horse and she is required to give him assistance. Jane’s first impression of his face is that ‘He had a dark face, with stern features and a heavy brow’. This may portray the dimness in his face awaiting to be enlightened by a woman which, in this case Jane. Further on in this chapter, unaware of who he is, on her return home, Jane is amazed to discover that the gentleman she assisted in the road was her employer, Mr. Edward Rochester. Jane’s future relationship with Rochester is most clearly set out in their first meeting. Although without any money, reserved and socially dependent, Jane is not

When Jane arrived, the feelings he had only felt for Adele's mother before she cheated on him came to life again. Jane and Rochester's relationship progressed as did their secret feelings for each other. Finally, Rochester confessed his

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When Jane enters Thornfield she thinks she is going to work for a woman named Mrs. Fairfax, but she does not. She works for a mysterious man name Mr. Rochester. This man is going to be an import aspect of Jane’s life. Jane works as a governess to a young girl named Adele. Jane encounters Mr. Rochester when she goes for a walk and runs into Rochester, whose horse is injured. After the encounter Jane and Rochester start to gain interest into each other. Mr. Rochester is a man with a large amount of money and Jane is a woman with very little money, the fact that she works for Mr. Rochester defies their unprofessional relationship. “Like governesses, these marriages between older men and younger women were viewed with great ambivalence during the Victorian period”(Godfrey). Both characters develop strong feelings for one another and become close to getting married but a discovery of a secret puts the marriage to a halt. After

Through a close reading of the selected passage of Charlotte Brontë’s Jane Eyre: An Autobiography, a reader can see that Jane attempts to separate herself from her decisions by personifying her emotions and giving them a specific voice, which strongly reflects the societal views of the time. At this point in the story, Jane has discovered, on her wedding day, that Mr. Rochester is still married to a woman named Bertha, and that woman still lives in his house. Distraught, Jane locks herself in her room and tries to decide what she should do. When she wakes up the next day, she is again confronted with what she needs to do in the wake of her discovery.

This imagery is overtly sadomasochistic, and one that both feel describe their desires for each other accurately. Jane, therefore, is truly a free human being, as she knows that she can leave Rochester at any time, and a sexual being, whom finds pleasure in the overbearing desires of her master. She more overtly expresses her own interest in such masochistic desires after she has agreed with Mrs. Fairfax to keep Rochester at bay physically: “For caresses, too, I now got grimaces; for a pressure of the hand, a pinch on the arm; for a kiss on the cheek, a severe tweak of the ear, It was all right; at present I decidedly preferred these fierce favors to anything more tender” (295). This quote demonstrates that Jane prefers painful pleasure over gentle caresses, at least at this time, and Rochester is not simply a master, but rather “her master,” as belonging to her in mutually pleasurable relationship.

Though Jane is well educated and possesses the etiquette and training of a person in upper class society, social prejudices limit her because she is simply a paid servant, in their eyes. While at Thornfield, Jane falls desperately in love with the owner of Thornfield Hall, Mr. Rochester. Jane is Mr. Rochester’s intellectual contemporary, but her social status prevents her from being his true equal. In the novel, Jane proclaims, “Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!—I have as much soul as you,—and full as much heart!” (Bronte 637). After Mr. Rochester finally proposes, Jane is hesitant to marry him because she feels as if he would be lowering himself to marry her. This feeling greatly increases after Jane discovers he is married to Bertha Mason, and that he keeps her locked away in Thornfield’s attic due to her insanity. Mr. Rochester proposes that Jane becomes his mistress, which, according to Victorian society, would be more fitting since Jane is a plain governess. Jane realizes that she can never compromise her morals that way and leaves Thornfield. While on her own, Jane still strives to gain independence, discovers new kin, and learns she has a wealthy uncle who has left her a large inheritance. After her loneliness and longing for Mr. Rochester becomes too great, she returns to Thornfield. Jane is

Although she knows Blanche and Rochester are not in love, she believes they will marry due to money and class. Ingram is equal to Rochester, and Jane is not. She knows she cannot unlove him, but "all his attentions appropriated to a great lady who scorned to touch [Jane] with the hem of her roses as she passed" (Bronte 211). In Jane 's mind, she is no match for Blanche, and she refuses to marry Rochester because they are not equal. After Jane and Rochester become engaged for the first time, he attempts to spoil her with gifts and special treatment. However, Jane will not accept. First, he takes Jane to Millcote to buy her accessories. When he looks at her with "passionate pleasure" she looks at him and threatens that he "need not look in that way...if [he does, she 'll] wear nothing but [her] old Lowood frocks to the end of the chapter. [She 'll] be married in this lilac gingham" (309-310). She refuses these gifts as she believes she should not be treated higher than her actual class. She also refuses to dine with Rochester at his request.When he asks her to join she tells him that she has "never dined with [him]; and [she] sees no reason why [she] should now" (311). Rochester then begins to question what she wishes to become of her salary and other days to which she responds that she "shall just go on with it as usual. [She] shall keep out of [his] way all day"

In a fit of madness, she succeeds in incinerating Thornfield, crippling Rochester, and subsequently causing her own death. Rochester is left freed from the loveless constraints of his first marriage, but trapped in the confines of his isolation and affliction. However, hope is once more brought into his world with the reappearance of Jane. Now blind and lacking a hand, Rochester is dependent upon this faithful servant and companion. Their relationship changes and each depends on the other; they are equals now.

The love relationship between Jane and Mr. Rochester is not one to be called "at first sight", because at their first encounter, Jane does not seem to feel any kind of attraction towards the one who in the end will become her husband. Their love grows steady, it is not spoken and it is built with baby-steps, through gestures I believe the two protagonists are not completely aware of. Jane finds Mr. Rochester fascinating in a good and bad way, at the same time: "The ease of his manner freed me from painful restraint; the friendly frankness, as correct as cordial, with which he treated me, drew me to him" (Chapter 15). A new territory is revealed before Jane's eyes and her strict religious beliefs seem to fade in front of her growing passion for her master. The passion I am arguing about is so strong that it eventually makes the heroin think of nothing but her ideal lover. Passion is physically present in the novel through the symbol of fire, first in the night when Rochester's bed is set fire and finally, when the castle of Thornfield burns to the ground. In the first situation the reader surprises an intimate moment between the protagonists, when Jane rescues her master and he speaks to her in a manner which confused and yet gave her wings: "Strange energy was in his voice, strange fire in his look. [...] But he still retained my hand, and I could not free it. I bethought myself of an

Also, this shows the reader the large fire inside Mr. Rochester's heart that is dangerously out of control and how his wild passions let him go into trouble with various women. The passionate anger Jane

Jane is filled with passion, however, and her willful disobedience is often her attempt to explain her feelings.  We see her passion find its fulfillment and understanding in Rochester.  When they meet, we see Jane's all-consuming passion and not much less of a fire in Rochester, "'I saw it in your eyes when I first beheld you: their expression and smile did not (again he stopped) did not (he proceeded hastily) strike delight to my very inmost heart for nothing...My cherished preserver, good night'.  Strange energy was in his voice, strange fire in his look" (Bronte 133).

As a governess, Jane is shown the life of the luxurious. Mr. Rochester's mansion is overwhelming, and his parties are extravagant. Mr. Rochester speaks to her frequently, because he needs someone to listen to him. When Edward reveals to Jane his former cheating wife, she feels a connection to him on personal level. Jane has never felt this since her relationship with Helen Burns at Lowood. Jane becomes