Interpretation Of Charlotte Perkins Gilman's The Yellow Wallpaper

    "The Yellow Wallpaper" takes a close look at one woman's mental deterioration. The narrator is emotionally isolated from her husband. Due to the lack of interaction with other people the woman befriends the reader by secretively communicating her story in a diary format. Her attitude towards the wallpaper is openly hostile at the beginning, but ends with an intimate and liberating connection. During the gradual change in the relationship between the narrator and the wallpaper, the yellow paper becomes a mirror, reflecting the process the woman is going through in her room.

The woman behind this work of literature portrays the role of women in the society during that period of time. "The Yellow Wallpaper" written by Charlotte Perkins Gilman, is a well written story describing a woman who suffers from insanity and how she struggles to express her own thoughts and feelings. The author uses her own experience to criticize male domination of women during the nineteenth century. Although the story was written fifty years ago, "The Yellow Wallpaper" still brings a clear message how powerless women were during that time.

In The Yellow Wallpaper, Charlotte Perkins describes the story of a woman suffering from a mental illness during the 19th century. The protagonist (an unknown narrator) is a wife and mother suffering from postpartum depression. Her husband John, who is also her doctor, diagnosed her with hysteria and he decided to move away with her to start a “rest cure,” at a mansion, isolated from the village. The narrator was powerless against her husband, and he had the authority of determining what she does, who she sees, and where she goes while she recovers from her illness. Throughout the story, the author used stylistic elements, such as strong symbolism, to show how the mental state of the narrator slowly deteriorates and ends

            “The Yellow Wallpaper” by Charlotte Perkins Gilman is an example of how stories and the symbolism to which they are related can influence the perspective of its readers and alternate their point of view. In the “Yellow Wall-Paper”, the unknown narrator gets so influenced by her surroundings that she starts showing signs of mental disorder, creating through many years several controversies on trying to find the real causes of her decease.

This gothic horror tale of nineteenth century fiction, written by Charlotte Perkins Gilman in 1892; during a time that women writers were starting to come out and write about key issues in their treatment. She craftily sets up or spins the story with a setting of isolation and a character who feels trapped, by a husband who chooses not to know her; yet does not listen to her and keeps her trapped on an island, all in her best interest. The tone is filled with desperation, sarcasm, anger, and shows that though she is mentally unstable there is intelligence behind her instability that is kept unseen. The main symbol is the wallpaper which is a constant bane to her.

“It was not intended to drive people crazy, but to save people from being driven crazy, and it worked.” The Yellow Wallpaper was written by Charlotte Perkins Gilman in 1982. She wrote this story after her suffering of nervous breakdown. The doctor told her to live in a domestic life and stop writing. Gilman followed every suggestion, but they didn’t work. And her condition even went worse. Later, she stopped doing what the doctor told her to do and gave birth to the article The Yellow Wallpaper. She wrote this to help people that has similar conditions but received wrong regimen. The story mainly described a woman who just gave birth to her child, and was suffering depression. To answer the question that Dr. Molloy asked in video, that well know contemporary diagnoses is postpartum depression, also called

“The Yellow Wallpaper”, by Charlotte Gilmans is a short story narrated by a woman who is suffering from depression soon after giving birth. The narrator’s husband is a physician who asserts that he knows what is best for his wife’s health and betterment. As the antagonist in the story he brings his wife to a secluded house with strict orders to rest and recuperate, keeping her away from society, physical exertion, and the writing that is her one true form of expression. Ironically, the narrator being placed into this environment only serves as a reminder and catalyst for her “nervous depression” and “slight hysterical tendencies” (473). Throughout the short story you see constant references in this environment to the inner turmoil of the protagonist until the narrator and her surroundings seem to become one and the same. The setting of “The Yellow Wallpaper” not only plays a crucial role in the development of the protagonist, but also acts as a mirror to the narrator’s mental and physical entrapment. As the short story is told first person the reader gets a unique view of the narrator’s description of her surroundings and slow decline into insanity.

In "The Yellow Wallpaper," by Charlotte Perkins Gilman, the protagonist symbolizes the effect of the oppression of women in society in the Nineteenth Century. In The Yellow Wallpaper, the author reveals the narrator is torn between hate and love, but emotion is difficult to determine. The effects are produced by the use of complex themes used in the story, which assisted her oppression and reflected on her self-expression.

Clinical psychologist and writer, Kay Redfield Jamison once said, “I think one thing is that anybody who 's had to contend with mental illness - whether it 's depression, bipolar illness or severe anxiety, whatever - actually has a fair amount of resilience in the sense that they 've had to deal with suffering already, personal suffering.” In the story, “The Yellow Wallpaper” by Charlotte Perkins Gilman, the narrator has severe depression, at the very least, and knows that she can get better if she is given the right treatment. While trying to get better, she can’t help but be fixated on the yellow wallpaper in her room. The yellow wallpaper in this story is a representation of the narrator’s relationship with her disease.

Her passion is to write and by doing so we are able to follow her on a

“I don 't like to look out of the windows even – there are so many of those creeping women, and they creep so fast. I wonder if they all come out of that wallpaper as I did?” the woman behind the pattern was an image of herself. She has been the one “stooping and creeping.” The Yellow Wallpaper was written by Charlotte Perkins Gilman. In the story, three characters are introduced, Jane (the narrator), John, and Jennie. The Yellow Wallpaper is an ironic story that takes us inside the mind and emotions of a woman suffering a slow mental breakdown. The narrator begins to think that another woman is creeping around the room behind the wallpaper, attempting to "break free", so she locks herself in the room and begins to tear down pieces of the wallpaper to rescue this trapped woman. To end the story, John unlocks the door and finds Jane almost possessed by the woman behind the wallpaper. Charlotte Perkins Gilman’s feminist background gives a feminist standpoint in The Yellow Wallpaper because the narrator’s husband, John acts superior to the narrator.

In the story, “The Yellow Wallpaper,” Charlotte Perkins Gilman wanted to show how women were seen as helpless and must never do anything and obey what the man says. This demotion of women to men and the dehumanizing behaviors toward women is told by the narrator through her experience. Early on in Gilman's story the narrator mourns the inability to do what she wants and has to feel dependent on her husband. Her husband “respects” and “understands” her condition. Her condition has many factors, but is mostly postpartum depression. Postpartum depression is found in women who have given birth and has a major hormone change and can last from days to months to years depending on the person.

Molly Melching once said “to change society, we first must change minds.” In the story of “The Yellow Wallpaper” written by Charlotte Perkins Gilman, she tells a haunting and feminist masterpiece of a marriage in which both the narrator and her husband are trapped in their assigned roles. The story focuses on the narrator's condition as she slowly loses sense of reality, being misunderstood and misdiagnosed by her husband who believes that the best treatment is to confine herself to her room and rest. Denying the narrator her freedom of expression which she cannot assert her independence, she is within a predicament where she is not heard or is validated becoming a vital importance to the overall message of the story.

The issue of human sexuality is one that has been discussed for what seems like forever. Despite our towards becoming those who are accepting towards people who engage in ‘non-normative’ relationships, whether they be romantic or sexual, there are still issues. One particular problem is that of women who are interested in other women and how they are either ignored or looked down upon, more so than their male counterparts. A majority of the women, whom had to write under pseudonyms or under the mask of anonymity, during the 1800’s could not reveal who they were attracted to and could only live out their fantasies through their writing. And even then they had to be careful about how that aspect was represented in their works, though most people would never acknowledge the fact that two women interacting could ever be anything more than friendship. With this oppressive nature surrounding lesbians at the time, keeping them from showing a vital aspect of themselves that any person should be free to express, it is only natural that a good amount of these women would devolve into madness. It happens to plenty of members in the LGBT+ community who are unable to accept who they are based on the way they were raised.

Charlotte Perkins Gilman was a famous social worker and a leading author of women’s issues. Charlotte Perkins Gilman 's relating to views of women 's rights and her demands for economic and social reform of gender inequities are very famous for the foundations of American society in the late nineteenth and early twentieth centuries. In critics Gilman ignored by people of color in the United States and attitudes towards non-northern European immigrants (Ceplair, non-fiction, 7). “Gilman developed controversial conception of womanhood”, by Deborah M. De Simone in “Charlotte Perkins Gilman and the feminization of education”. Gilman’s relation to reading deserves more attention than it has received (“The reading habit and The yellow wallpaper”). Her work about Women and Economics was considered her highest achievement by critics.