Interpretation of Muir's Horses Essay

The first thing I noticed about the poem was the writer’s use of Biblical language and allusion. The mention of the “seven days war” is a clear reminder of the creation of the world and the expression “barely a twelvemonth” is archaic language resonant of the Bible. In addition, there are references to “covenant” and to “Eden” – all with clear biblical association. It seems to me that Muir must be thinking about God’s will and His desire to have created a moral world where mankind followed His laws and commandments. Clearly, in destroying itself, mankind has brought about the Apocalypse promised to St John on the Isle of Patmos and revealed in the New Testament. On the subject of optimism, however, we must surely see the arrival of the horses as a message from God that He is prepared to give us a second chance.

Muir creatively informs the reader just how much the main character truly loves nature. The same marvel and beauty is shared in the poem “I Wandered Lonely as a Cloud.” After a long climb over a high hill he finds his reward a valley shining with a huge field of daffodils. “Besides the lakes, beneath the trees, fluttering and dancing in the breeze.” As Wordsworth explains the scene. As each scene pops out of the poem, a new addition to the painting in your mind appears each time. The painting may vary from person to person, but I believe the same sense of awe is present with every mind. The portions cited are just the beginning of these two works; enough to splash your mind with colors and emotions, but later parts are what truly makes them worth reading.

It is thus a bridge between the past and present and is expressed in the form of a piece of literature. Muir himself said that in writing about horses in this poem, he was reflecting his childhood view of his father’s plough horses, which must have seemed huge, powerful and mysterious to a boy of four or five. Some of his poems, including ‘Horses’, have a close equivalent in passages from

In Zora Neale Hurtson’s ethnography, Tell My Horse (1938), she uses her research and field notes from her year in the Caribbean islands to study how the political atmosphere and culture tie into the religion of Vodoun. Being one of the first in her field to study this religion, Hurston hoped to expand research upon the subtle nuances within the African diaspora and increase the people of Caribbean’s acceptance of their African identity. In doing so, Hurtson found her research discouraged the idea of Pancaribbeanism and diminished stereotypes of Vodoun being a religion based upon only evil possession and pagan sacrifice.

“I knew that what I was seeking to discover was a thing I'd always known. That all courage was a form of constancy. That it was always himself that the coward abandoned first. After this all other betrayals came easily.” (Cormac McCarthy, All the Pretty Horses) Humans are fallen, they have a tendency to be self centered and for one to take themselves out of their own body and see themselves, in the way they think and process images and words is

Everyone has a different way to deal with overwhelming situations. It can be more difficult for people with mental illness to cope with the hardships of life. For instance, in “Horses of the Night,” the character of Chris has dissociative symptoms that can be linked to his depression. Margaret Laurence’s short story tells the story of Chris, a young teenager who moves to from a small farm to the town of Manawaka in order to go to high school. The story is told by his younger cousin, Vanessa. As she grows up, she learns that Chris is depressed. The author uses the theme of fantasy to show that he does not cope well with reality. The horses, Shallow Creek, and the children are symbols that show us the fantasy that Chris lives in.

Throughout the poem the tone and harmony is showing many different moods including shyness, anger and calmness. An example of shyness is at the start of the poem “softy, silently it swishes”, an example of anger is in the middle of the poem “it thumps, it sprays it rips at shores, its ozone spray”, and finally at the end of the poem calmness is shown, “it spends its strength, it sings, it sighs. The wave recedes”. One aspect of the poem I find intriguing is the alliteration and personification. For example, “it sighs, it sings, it seeks”.

In his essay, “Horse and Gentlemen,” T.H. Breen describes the cultural significance of gambling, specifically in relation to the quarter-horse races, in late 17th century Virginia. Breen primarily argues that the three main aspects of gambling – competitiveness, materialism, and individualism – reflected and reinforced the socio-economic structure of Virginia in this period. The high stakes wagers of the affluent planters reinforced their dominant status in the social structure and the gentry’s right to rule over this colony. Breen’s argument to this effect is supported by letters, court transcripts, documentation of wagers, and other written first-hand accounts. Breen’s case for the cultural significance of gambling has persuasive arguments for its representation of competitiveness and materialism. However, his argument for individualism has contrary elements and his essay would have been improved with the inclusion of women’s role in the gambling culture.

Over the past two units, we have discussed in great detail the progression of the criminal justice system over the 18th century. As the British criminal justice moved away from executions and capital punishment it transitioned into solutions of imprisonment and transportations of those convicted of a crime. In this time, we also see the move towards attitudes of imprisonment and convict transportation in the eighteenth and nineteenth centuries. The purpose of this chapter was to discuss the third punitive option developed in the nineteenth century. This was the option of transportation, which was widely discussed amongst reformers for a more humanitarian approach, as convicts

Just so you know before hand, the lyrics to the music came from the CD with trademark of Delta Music Inc. The movement opens agitatedly as the orchestra picks up fragments of one theme after another from the previous three movements, as if seeking a satisfactory vehicle for its expression; but each is discarded in turn. The first seven notes of the main theme to come are tentatively uttered, but it too is abandoned as the search continues. Once again the theme begins, this time in the woodwinds, but it soon breaks off. Finally, the theme emerges decisively in the basses for a subdued first statement. The second statement is calm, tranquil, confident, and the theme continues onward in the various voices of the orchestra, broad and flowing. The winds make a strong statement of the theme. The flow of the music abruptly halts--there are rapid shifts--great agitation, until the orchestra introduces the baritone singing the first three lines of the poem, rejecting the feverish discords of the previous passage, calling for a different music, whose nature is suggested by the strings beneath his voice:

The German artist Franz Marc painted the painting The Red Horses. He was born on February 8, 1880. Most of Franz Marc’s influence came from his father who was a landscape artist. As a result of this, his earliest works were painted in the naturalistic academic style. When Marc met Wassily Kandinsky in 1910, he joined an expressionist group. Most of the colors that Franz used in his paintings had a meaning to him or to the painting. The different aspects and the thought that Marc put into his paintings really made them come together and become what they are now. Marc and Kandinsky soon formed their own group, called Der Blaue Reiter. Their philosophy in painting paintings derived from nature was that the painting itself should reflect the spiritual essence of the object or animal as opposed to the physical embodiment. In 1912, Marc’s works became more abstract

Horses are incredible creatures that have shaped history around the globe. There are over 150 different breeds of horses that have countless skills. Between their extraordinary intelligence and obedience, horses have worked at the mercy of humans for many different reasons. Their expertise ranges from being one of the fastest modes of transportation on land, to helping fight in wars, herd cattle and even serve as a source of recreation or sport (Duren). Horses have been present throughout all of history up until present day specifically in religions or cultures, war, and their uses in modern times.

In this seven stanza poem with a consistent “A-A-B-B” rhyming pattern, the poet now a grown man looks back on his childhood and wonders how the horses in his grange used to inspire feelings of fear in

This poetic device is effective because it highlights the rises and falls in life and implies that after one’s death, life continues. Longfellow also uses personification in lines 8-9, where “the little waves, with their soft, white hands, efface the footprints in the sand”. The “soft white hands” refers to seafoam that the waves form. The waves erasing the traveller’s footsteps conveys the disappearance of the traveller’s existence. Also, there is a use of alliteration and onomatopoeia in stanza three. When morning arrives, "the steeds in their stalls stamp and neigh"(line 11-12) because the day is new. The alliteration maintains the fluidity of the poem. Onomatopoeia of the words "stamp" and "neigh" are used to further explain the horse's

The horse is a symbol for many things, it represents freedom, beauty, endurance, and knowledge. There are so many things it stands for and cultures that use it. I chose this symbol because it stood for freedom and knowledge.