Intertextuality: Maria Jesus Martinez Alfaro

Symbolism, Imagery, and Theme Compared Through the Stories “The Cask of Amontillado” and “The Scarlet Ibis”

In many schools throughout the country, there are populations of students that have been pushed to the side, with their education thought of as just their specialized teachers’ responsibility. While this situation is changing for some students, such as those with disabilities and students who are lucky enough to have dual language immersion programs in their school, many students who are learning English are still struggling to access the same curriculum that everyone else in the school has a chance to learn. Guadalupe Valdés (2001) looked at the English as a Second Language (ESL) program at a school which she called Garden Middle School. Although Valdés completed this study over fifteen years ago, the experience that her focal students had

In the story, 90 Miles to Havana by Enrique Flores-Galbis, the main character Julian has one big conflict that is his wish to please his father. Julian’s father, brothers, and Julian go out for a fishing trip in hopes to catch a big fish. Julian’s father specifically states to Julian that he must give the fishing line to him even if there is a slight nibble. They believe that by catching a big fish it will bring good luck for the new year. Julian wants to be the hero and prove to his family that he is capable of catching a big fish. While fishing, Julian finally got a nibble on the line but said nothing to his Dad about it and because it must have been such a large fish, the line snapped. In the book, it stated, “Every time I rewind and then

Mariachi is a lot more than just a band playing; it's a tradition that has been in Mexico for almost two centuries and is enriched with a huge history and deep meaning to for the Mexican culture. Mariachi music started in the nineteen century as a way for the common people of Mexico to find a way to express their ideas and feelings in which their ideas later become lyrics and their feelings become music. Mariachi music as we know it today results from the confluence of several different influences. It originated in the Mexican state of Jalisco, in the town of Cocula, in the 19th century. It was a way in which people were able to say what they were feeling in a new and unique way. From the music and lyrics to the dress attire and

Dr evelina lopez antonetty was a very important leader in Puerto Rico. She helped get women rights in Puerto Rico , like equal rights , rights to vote, women go to school and equal pay.

In defining one’s identity, many different factors are considered; such as one’s nationality, characteristic, personality, ability, experience, religion, and etc. Especially for those people who live in America, so called country of immigration, has much more complicated identities than those Asian country people where mixed people are rarely noticed. Thinking about the concept of identity, some people easily categorized themselves as simple factors and terms which could describe their surface; white, black, Asian, European, pretty, ugly, nice, mean and so on and so forth. And that is the most point where majority people stopped to list their identities from exploring more in complicated range. However, there are many people who dig more than common people; one great example would be Denise Chavez, who is the author of the novel called Loving Pedro Infante, who kept asking herself about her identity to approach more accurate and clear ideas. In her work, reader could see the confusion of Tere, the main character of the novel, went through her life as Latin-American female in dealing with finding one’s true identity and how she accept her as who she really is. Denise Chavez, who is obviously Latin-American lady, mirror her own life experience through the character she created and introduce to readers about tough life she lived in America as Mejicana. The main character of this novel have a clear understanding and strong idea about herself throughout the novel, even if

Analyzing a symbol as a literary convention used by author, Junot Díaz makes a way to identify the purpose of the device. In his novel, The Brief Wondrous Life of Oscar Wao (2007), the mechanism is used to develop an explicit character and point of view. The symbol is a sensory image that holds rich implication that is either a narrow or broad. Occasionally the reader is cast off by the author with an unknown meaning of the symbol hence is forced to create his own interpretation. The latter principle is intentionally carried out by the author as a literary hook to draw the attention of his audience to keep reading. Moreover, the author may also use in combination with the hook the method of utilizing pathos as a way of arousing the

People might have thought of giving a revenge on someone that you really hate, but if the revenge is to kill that person, what would it be like? There is a book named "The Cask of Amontillado" which handles this kind of subject. This book seemed to be a fiction, and is this book a literary or commercial fiction? While I was reading the text, I thought the plot, characters, and the theme was more towards the literary fiction. As I read this book, the unique plot and the first person of the protagonist is the narrator was very interesting.

In the “The Achievement of Desire” and “Para Teresa” Richard Rodriguez and Inez Avila describe the troubles of balancing life at home and at school. Rodriguez conveys the difficulties he had to face separating from his own culture to achieve academic success. His article portrays the cultural world and the educational world as separate institutions that cannot coexist in America. Throughout his text Rodriguez provides detailed experiences in order to explain his thought process. Inez Avila however presents her article as a letter dedicated to a school bully. In contrast to Rodriguez perspective Avila wrote her poem in English and Spanish to appeal to Mexican -American culture. She walks the reader through an argument between her and a fellow classmate as she was cornered in a bathroom. Her poem depicts how children who share the same culture discriminate within their own community. Both these articles are told from a Latino-American point of view yet they radically differ from each other.

The eldest daughter of Celia and Hector Sanchez, Emilia Sanchez, is twenty-eight years old. As an addict Emilia has to face fighting ways to remain sober, fight for custody of her son and handle the lack of support she has from her family. Emily is facing many encounters as she battles with addiction issues and struggles to remain sober. In order to address the client’s addiction issue, a social worker has to assess the client’s needs, be able to come up with intervention and treatment techniques, as well as evaluate the effectiveness of the treatment.

Joan Didion 's article Notes From A Native Daughter and Ernesto Galarza 's piece Barrio Boy both talk a lot about how life was like in Sacramento while they were growing up. In Ernesto Galarza 's article, he writes about living in lower Sacramento and Didion 's essay, talks about life in a different area of Sacramento, California. Ernesto Galarza 's Sacramento is filled with a lot of Mexican and other Latin American people living in a particular area of the city. Barrio Boy 's Sacramento took place in around the 1910s-1920s which was the early 20th century. Joan Didion 's Sacramento was at a later time which was 1940s-1950s and was also a time when World War II took place. Since these stories both take place in Sacramento, California, they

In her novel How the Garcia Girls Lost Their Accents, Dominican author Julia Alvarez demonstrates how words can become strange and lose their meaning. African American writer Toni Morrison in her novel Sula demonstrates how words can wound in acts of accidental verbal violence when something is overheard by mistake. In each instance, one sees how the writer manipulates language, its pauses and its silences as well as its words, in order to enhance the overall mood of each work.

Marisol was written by Jose Rivera, premiering in 1992. He and other Latin American writers are known for creating works under magical realism. This genera of art traditionally depicts down and out suffering. He highlights topics about class, race and gender by skewing the reality the audience knows with allegory and symbolism. After the clash between the senile God and the Angels ensue, the New York becomes an unsettling dystopia. In this world, all foods are salt, it rains acid, and men can give birth. Throughout this desecrated world, the characters search for a way to keep on living. The actors portray these characters with honest intentions and clear acting choices, which allowed me to believe and empathize with their characters. After seeing this play, I understand that one cannot grow by dwelling in the past.

La multitud errante es una historia de migrantes pero una historia de amor también. El protagonista, que es un hombre de camino que ya lleva toda su vida en búsqueda de la tierra prometida, se llama Siete por tres. Todo lo ha dejado atrás. Incluyendo su nombre, pero de alguna manera, Siete por tres va en contra del corriente del gran flujo de migrantes; todos están en búsqueda de un trabajo, mientras que Siete por tres van en contra vía porque el esta en búsqueda de una mujer que se le perdió en los tráfagos de la guerra. En determinado momento Siete por tres llega a un refugio para desplazados y allí encuentra a una extranjera que trabaja para un organismo humanitario. Al conocerse, Siete por tres le explica que esta en búsqueda de una

Naomi Greene once said that, “Pier Paolo Pasolini was the more protean figure than anyone else in the world of film.” This means that Pasolini was a versatile film director because he simplified cinema into the simplest way possible, while still visually embodying an important message to his cinematic viewers. Because of his encounter with Italy’s social changes, it influenced the writing and films he chose to write. His aspirations regarding his written work “Cinema of Poetry” explains how a writer usage of words and a filmmaker’s choice of images are linked to how cinema can be a poetry of language. He characterizes cinema as irrational and his approach on free indirect point of view is used to achieve a particular effect in his body of work. His claims made in the Cinema of Poetry illustrate why he stylized his films in the manner he did, such as Mamma Roma through the images he portrayed on screen. By examining Pasolini’s approach to poetic communication in the Cinema of Poetry, we can see that these cinematic attributes about reality and authenticity depicted in Mamma Roma are utilized to question cinematic viewer’s effortless identification of cinema with life. This is important to illustrate because Pasolini wants to motivate viewers to have an interpretative rather than a passionate relationship with the screen.