Heather Bishop
Professor Radek
FLM 2009-100
2 December 2011
Summary Applications Paper: Interview with the Vampire: The Vampire Chronicles I have enjoyed many vampire movies over the years, long before they became the popular pop-culture genre they have become due to the success of The Twilight Saga films. One movie I have enjoyed viewing many times since its debut in 1994 is Interview with the Vampire. This film is an adaptation of the book Interview with the Vampire written by Anne Rice in 1973 and published in 1976. The movie was directed by Neil Jordan who also co-wrote the script with Anne Rice. Interview with the Vampire: The Vampire Chronicles is the story of Louis (Brad Pitt), portraying a depressed man, as he tells of his life
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His cinematography “creates an exceptionally inviting, varied look for this nocturnal story, and special visual effects are smoothly integrated into the action. The makeup that adds pale eyes, ghostly pallor and tiny blue veins to the principals' faces manages to create a frisson of danger without marring the actors' attractiveness” (Maslin). Rousselot used dark-lensing, a way to attain low key shots and thus created a huge contrast to the sets and costumes (Maslin). This made the characters seem as though they were the only important things in the otherwise dark and gloomy shots.
Mise-en-scene
The mise-en-scene of Interview with the Vampire is relatively theatrical in nature. Long shots are used for much of the movie and the intense close-up shots are retained for the extremely moving victimization scenes where the camera closes in on the eyes of the vampire attacking its victim and what the vampire is feeling thru its eyes (Rice). Also because of the darkness of most of the settings within the movie and the lushness of the immediate sets and costuming one gets the feeling of the importance of the characters and where they are at. The character proxemics and intimate distance of the shot when Claudia curls up with Louis in his coffin, shows the feelings and morality that Louis is fighting so hard to hang onto in his immortality and the loss of the innocence Claudia has accepted.
Movement The movements in this film are
In my analysis I will be looking at a scene near the end of the film where Bud White and Ed Exeley take part in a shootout at the victory motel. The narrative conveys very common noir aspects here; the shootout takes place in a very dark room. The only light comes from outside. This shows the mood of the scene to be sinister and bleak. It puts the audience in a scared state as the shadows can conceal anything. It is also hard to see what White and Exeley are doing. The shadows are very menacing because they use a chiaroscuro lighting effect. This means that the rooms, people and settings are hidden from view by shadows. The blinds over the window cast strong grid shadowing over the characters showing uncertainty and anxiety. This lighting is very common in film-noir films as it shows the seediness of the settings. The
which has the upper body of a woman and the lower body of a winged
This film is a black and white film and the lighting is more towards dim effect which terrified the audience. Music plays the biggest effect in the film. Bernard Hermann’s theme is used for this film because it uses mostly high-pitched string instrument notes so the suspense and horror mood can be formed to the audience.
One of the ways why cinematography made the film was the lighting. To get the feel, the lighting appeared to be fake shadows that were painted on the set. The fake shadows that were painted on the set gave the lighting appeared to be harsh and sharper to set the mood for the audience. If it weren’t for the painted shadows, the movie wouldn’t have been so successful in the horror genre. Since it was a silent movie, if it weren’t for the shadows, you wouldn’t of seen it as a horror film, but as an original film that was trying to be creative.
Throughout many types of literature, violence exists to enhance the readers interest in order to add a sense of excitement or conflict to a novel. This statement withholds much truthfulness due to the fact that without violence in a piece of literature such as Dracula by Bram Stoker, the plot would not have the same impact if it was lacking violence. Dracula's power and evilness led to the violent happenings which began with the conflict of Jonathan's inner struggle, as compared to the conflict which blossomed later on with good versus evil.
Karl begins to tell his story under the soft light of the lamp. His story is accompanied by a strong and slow heartbeat. As the story is reaching its horrific climax, the heartbeat quickens, and with the last word of the story, the heartbeat now louder and quicker than ever, stops. The lighting creates a chilling moment in the movie. The constant use of lighting is most definitely contemporary noir.
Dracula is a signet classic novel written by Bram Stoker. This novel is portrayed by an antagonist character known as Count Dracula. He has been dead for centuries yet he may never die. He has a peculiar power of hypnotic fascination but he is weak in god’s daylight. He is immortal as long as he is able to drink blood from the living. He can change his form into a wolf, a bat or a puff of smoke. Dracula get in touch with Jonathan Harker through a real estate transaction. He went to Dracula’s castle through a carriage as were planned. After a few days, he felt as if he were prisoned in the castle as his movements were restricted. Meanwhile, Harker has a fiancée named Mina
The Vampire Chronicles was a hit phenomenon. The “Interview with the Vampire: The Vampire Chronicles” was the old “twilight” in some form. People were starting to get interested in the supernatural. However, the difference between twilight and Interview with the Vampire: The Vampire Chronicles is that vampire is telling his story about his life. In “Twilight”, the Vampires kept their species a secret.
The vampire is an embodiment of society 's deepest fears. Throughout literary history, the vampire has always been characterised as a vile figure of pure evil. However the depiction of the vampire is affected by the social, historical and political context of the time. As context shifts, so does the collective fear of society, with the portrayal of the vampire following suit. Dracula, I Am Legend and Twilight, three extremely popular books of vampire fiction created during vastly different periods in history, are representative of this shift. In Dracula, the titular character is depicted as an anti-christ figure by the author, Bram Stoker, who attempts to warn people about the dangers of straying from traditional Christian ideals. I Am Legend, a nineteen-fifties post-apocalyptic novel, emphasises the dangers of a world ravaged by environmental destruction. The wasteland, that was once earth, becomes populated by animalistic, brutal vampires that have been created as a result of an environmental plague. Finally, Twilight is a teen-angst novel written by Stephenie Meyer in 2005 and adapted into a movie of the same name in 2008. In a day and age where more people have begun to adopt humanitarian views, society has put a strong emphasis on rehabilitation and redemption. Contrary to this ideology, Edward Cullen, the main vampire, has a deeply ingrained fear that he is beyond saving thus reflecting society 's fears that one can inherently be beyond redemption.
Excellent post. It is harder to be a vampire hero than a human hero for the reasons you mention above. They have to overcome their vampiric nature to become a hero and that is to feed on the living. If a chicken has the intelligence of a human being, then it would also view human beings as villanous. Humans eat animals and vampires drink human's blood. Angel from Buffy the vampire slayer had to be cursed to turn into a good vampire while Edward from twilight simply suppressess his vampiric nature to avoid harming the human
Buffy the Vampire Slayer is a difficult media to classify into one genre. An obvious classification of the programme¡¦s genre would be horror; but this isn¡¦t entirely true, because the show has more concepts and themes that a horror movie would, and deals with more issues as well. The show uses elements contained in the more fantasy-orientated horror movies (such as Dracula): these include mythological beings such as vampires, demons and zombies; things that aren¡¦t always contained in horror movies. In the episode ¡§Dead Man¡¦s Party¡¨, the show deals primarily with the undead (a vampire appears near the beginning of the episode, and has very little effect on the story). Mythology is also applied in the form of a Nigerian mask, which
However, it is strange that he wants to be a vampire at the end of the story because Louis' story ends with no happy ending and does not encourage people to become a vampire. Why the boy wants to become Vampire? 'Interview With A Vampire' brings the story well with the relationships between Louis and characters. Louis gets guilty feeling from Claudia, has problem with Lestat and the vampires in Theatre des Vampires, and shows his feeling and story in the conversation with the boy. It is interesting that how vampire can be seen as human with emotion, not
Interview with the Vampire is a novel written by Anne Rice. She is known for gothic fiction, Christian literature, and erotica. Interview with the Vampire, published in 1976, was her first novel. She wrote it after her daughter died of leukemia; her daughter inspired the character Claudia. This book is intended for mature adults and serious readers.
Interview with the Vampire by Anne Rice depicts immortal vampires as the central characters who experience an almost sexual obsession for human blood. They nourish on the sexual emotions and desires of mortal victims. It is a sensual horror novel, in which Anne describes the seductive atmosphere of evilness throughout the novel. The novel begins with a vampire named Louis who is telling his life story to a mortal journalist named Daniel during an interview. Louis’s life story is full of conflicts between the vampires and their seductive emotions, and evilness.
The lighting, sound, set, and overall mise-en-scene is used in a way that allows of the feel of suspense that was in the novel to be translated into film form. For example, one important scene that uses mise-en-scene to create this suspense is the scene where we first meet Hannibal Lecter. But first, when compared to the novel, there are a few key differences regarding the scene and Lecter. In the novel, Lecter lying is on his bunk in a cell with the front being “a wall of bars” and the second barrier “a stout nylon net stretched from floor to ceiling and wall to wall” (Harris). Clarice is the first to speak, introducing herself.